Nobel and Pulitzer Prize-winning author Toni Morrison's first novel comes to life at the Wells Theatre. The Bluest Eye, directed by Khanisha Foster, follows the story of young Pecola in 1940's Ohio who is pregnant at her father's hands. She is taken in by a loving family and cared for by brilliant and kind sisters, Frieda and Claudia. The character-driven play, both poetic and daringly funny, illuminates the destructive powers of racism and class dynamics while exploring the power of community through exquisite storytelling. The Bluest Eye is produced in collaboration with Norfolk State University Theatre Company.
Folger Theatre presents the world premiere of Confection, an immersive theater piece imagined and performed by New York's acclaimed theater company, Third Rail Projects. Confection is conceived and written by Zach Morris, directed and choreographed by Zach Morris, with Tom Pearson and Jennine Willett, and created in collaboration with the company. Commissioned by Folger Theatre in association with Before 'Farm to Table': Early Modern Foodways and Cultures, Confection is a rollicking rumination on opulence, inequity, and teeny-tiny desserts.
Second Stage Theater has announced SOMMER CARBUCCIA, MATT DALLAL, JAKEIM HART, ERIKA HENNINGSEN, KENNEDY KENAGAWA, ALEC MATHIESON, SARAH NAUGHTON, GABRIELLA PEREZ, JONATHAN RAVIV, NATHAN SALSTONE and KYLE SELIG will perform SATURDAY NIGHT as a part of the special concert series, MUSICAL MONDAYS, in celebration of the acclaimed company's 40th anniversary. NOAH BRADY directs the performance on Monday, March 11th, featuring musical direction by ALEXANDER GEMIGNANI.
Shakespeare Theatre Company's Artistic Director Michael Kahn invites theatre-lovers to a series of intimate conversations about life in the D.C. theatre scene as he prepares to retire from the STC stage. Open, unrehearsed, and off the record, invited speakers will swap anecdotes and share memories about Michael Kahn's 33-years at Shakespeare Theatre Company. Following his career trajectory, the discussions will focus on three distinct eras in STC's history by mapping D.C.'s changing theatre scene. The first Michael Kahn and Friends: Off the Record will focus on the formation of The Shakespeare Theatre Company in its first location: Folger Theatre (1986-1992).
It's not easy being one of the most influential characters in modern drama, especially knowing you have to die at the end of every performance. What would happen if you simply refused to play along? And what would the other characters do? The Washington Stage Guild invites audiences to play along with a Hedda Gabler who breaks out of Ibsen's well-made play and wreaks comic havoc. Resolving Hedda, by Jon Klein promises laughter to all. Even those new to the story of Hedda, along with the most devoted lovers of the classic play, will delight to postmodern antics. Resolving Hedda opens Thursday, March 21 and runs through Sunday, April 14. Press opening performance will be on Sunday, March 24 at 2:30 pm.
Over eight million people have lived to tell the tale of one of the most successful theatrical horror events ever staged - and it's coming to shock Seattle next month. In the village of Crythin Gifford, the wind howls across the moors and fog creeps mysteriously around the town spires. At the edge of the village's cemetery, young lawyer Arthur Kipps glimpses the figure of a woman, garbed all in black, and is drawn into Crythin's cursed and haunted history. Susan Hill's gothic ghost story, The Woman In Black, comes to spine- tingling life in this cunning stage adaptation by Stephen Mallatratt that has left London's West End theatre-goers enthralled for more than 30 years. Director Robin Herford recreates Mallatratt's original staging from the London West End for this American premiere of the West End Production, touring the U.S. for the first time.
Nobel and Pulitzer Prize-winning author Toni Morrison's first novel comes to life at the Wells Theatre. The Bluest Eye, directed by Khanisha Foster, follows the story of young Pecola in 1940's Ohio who is pregnant at her father's hands. She is taken in by a loving family and cared for by brilliant and kind sisters, Frieda and Claudia. The character-driven play, both poetic and daringly funny, illuminates the destructive powers of racism and class dynamics while exploring the power of community through exquisite storytelling. The Bluest Eye is produced in collaboration with Norfolk State University Theatre Company.
Nora's back, and this time, she's kicking down the door! Ensemble Theatre Cincinnati presents the regional premiere of the scintillating comedy that's sweeping the nation, A Doll's House, Part 2. Nominated for eight Tony Awards, Lucas Hnath's completely unauthorized sequel to Ibsen's theatrical classic is a thoughtful and contemporary commentary on marriage and how the roles of women have-and haven't-changed over time. Playing March 2-30, 2019. Directed by Regina Pugh. Production Sponsor is John Goering.
Fresh off the heels of their critically acclaimed revival of Happy Birthday, Wanda June, Wheelhouse Theater Company and its Founding Members, Matt Harrington, David Kenner, Michael Schantz, and Jeffrey Wise, has announced that it will present the New York Premiere of Aaron Posner's Life Sucks., March 22nd through April 20th at The Wild Project (195 East 3rd Street). The cast features Jeff Biehl, Nadia Bowers, Kimberly Chatterjee, Barbara Kingsley, Stacey Linnertz, Austin Pendleton, and Michael Schantz. Wheelhouse's Jeff Wise directs the production, which will have its official opening night on March 27th at 7:00PM.
The performance of Alison Luff in the title role is nothing short of miraculous; her transformation from a trash-talking orange-monger to a star of the stage is unforgettable, and for theatre-goers to neglect this rare gem would border on criminal negligence.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
Today's subject, Sarah Marshall, has had a long and distinguished DC theater career that spans over three decades. You can currently see her in Admissions at Studio Theatre – one of her theater homes. The production runs through March 3rd.
We Happy Few follows ambition into bloody madness in March 2019 with Shakespeare's vicious tale of prophecy, violence and desire at Capitol Hill Arts Workshop.
Over eight million people have lived to tell the tale of one of the most successful theatrical horror events ever staged - and it's coming to shock Seattle next month. In the village of Crythin Gifford, the wind howls across the moors and fog creeps mysteriously around the town spires. At the edge of the village's cemetery, young lawyer Arthur Kipps glimpses the figure of a woman, garbed all in black, and is drawn into Crythin's cursed and haunted history. Susan Hill's gothic ghost story, The Woman In Black, comes to spine- tingling life in this cunning stage adaptation by Stephen Mallatratt that has left London's West End theatre-goers enthralled for more than 30 years. Director Robin Herford recreates Mallatratt's original staging from the London West End for this American premiere of the West End Production, touring the U.S. for the first time.
Arena Stage at the Mead Center for American Theater announces the full company for Pulitzer Prize-winning playwright and author Ayad Akhtar's (Arena's Disgraced) timely tale Junk. Inspired by the real junk bond giants of the 1980s, Akhtar explores how the riveting, hostile takeover of a family-owned manufacturing company paved the way to expose the rise of greed, power, race and wealth that led to reshaping the rules of Wall Street and the world. Directed by Jackie Maxwell, Junk runs April 5 - May 5, 2019 in the Fichandler Stage.
Folger Theatre presents the world premiere of Confection, an immersive theater piece imagined and performed by New York's acclaimed theater company, Third Rail Projects. Confection is conceived and written by Zach Morris, directed and choreographed by Zach Morris, with Tom Pearson and Jennine Willett, and created in collaboration with the company.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
Arena Stage at the Mead Center for American Theater announces the full company for Ruth and Augustus Goetz's melodrama, The Heiress, suggested by the Henry James novel, Washington Square. After growing up subjected to her father's disinterest and strong resentment, a young woman in the 1850s discovers what love is in her journey towards independence, growth and strength, without an impactful female role model in her life. Directed by Deputy Artistic Director Seema Sueko, The Heiress runs February 8 - March 10, 2019 in the Fichandler Stage.
