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Broadway Grosses — Week Ending 7/06/2026

Box Office Updated: July 6, 2026

This week
6/30/20267/06/2026
vs. Last week
6/23/20266/29/2026
vs. Last Year
6/30/20257/06/2025
SHOWS
32
 
35 9%
30 7%
GROSS
$29,331,200
 
$36,698,946 20%
$30,529,370 4%
Attendance
258,418
 
291,840 11%
261,793 1%
Ticket Average
$113.50
 
$125.75 10%
$116.62 3%
Industry Insights 7/07 *NEW*
ShowTheater
Gross
GrossPrev week
Gross Diff.vs. Prev Week
Avg. TixTop Tix
Attend.Capacity
Perf.Prev.
Cap %This Wk
Cap %Last Wk
Diff. %
& JULIET STEPHEN SONDHEIM
$505,492
$619,016
$113,524
88.59$324.00
5,7068,208
8
69.52%
74.28%
4.76%
ALADDIN NEW AMSTERDAM
$1,042,278
$1,086,496
$44,218
86.18$189.50
12,09413,816
8
87.54%
92.03%
4.49%
BUENA VISTA SOCIAL CLUB SCHOENFELD
$608,594
$707,422
$98,827
80.14$297.00
7,5948,392
8
90.49%
91.33%
0.84%
CATS: THE JELLICLE BALL BROADHURST
$691,071
$893,585
$202,514
85.58$297.00
8,0759,280
8
87.02%
85.04%
1.98%
CHICAGO AMBASSADOR
$428,470
$523,440
$94,970
95.79$237.00
4,4738,640
8
51.77%
61.20%
9.43%
DEATH OF A SALESMAN WINTER GARDEN
$1,857,099
$1,926,016
$68,918
178.81$475.00
10,38610,297
7
100.86%
100.72%
0.14%
DOG DAY AFTERNOON AUGUST WILSON
$502,522
$577,561
$75,039
67.54$259.00
7,44010,080
8
73.81%
73.52%
0.29%
EVERY BRILLIANT THING HUDSON
$1,121,871
$1,349,571
$227,700
162.66$349.00
6,8976,902
7
99.93%
99.86%
0.07%
HADESTOWN WALTER KERR
$694,353
$790,185
$95,832
97.07$179.00
7,1537,344
8
97.40%
94.04%
3.36%
HAMILTON RICHARD RODGERS
$2,110,261
$2,157,909
$47,648
198.26$349.00
10,64410,592
8
100.49%
100.74%
0.25%
HARRY POTTER AND THE CURSED CHILD LYRIC
$1,438,754
$1,500,881
$62,127
121.84$239.00
11,80912,976
8
91.01%
86.56%
4.45%
JOE TURNER'S COME AND GONE ETHEL BARRYMORE
$817,232
$958,428
$141,196
103.13$317.00
7,9248,392
8
94.42%
92.24%
2.18%
JUST IN TIME CIRCLE IN THE SQUARE
$491,785
$727,199
$235,414
117.37$574.50
4,1904,830
7
86.75%
95.07%
8.32%
MAYBE HAPPY ENDING BELASCO
$639,110
$649,874
$10,764
97.41$375.00
6,5617,784
8
84.29%
80.83%
3.46%
MJ NEIL SIMON
$1,571,371
$1,650,542
$79,171
143.05$327.00
10,98511,096
8
99.00%
97.43%
1.57%
MOULIN ROUGE! THE MUSICAL AL HIRSCHFELD
$672,552
$716,814
$44,262
91.40$259.00
7,35810,400
8
70.75%
66.64%
4.11%
OH, MARY! LYCEUM
$1,533,238
$1,576,984
$43,746
214.44$575.00
7,1507,160
8
99.86%
99.76%
0.10%
OPERATION MINCEMEAT: A NEW MUSICAL GOLDEN
$522,687
$662,395
$139,707
101.16$475.00
5,1676,320
8
81.76%
91.08%
9.32%
PROOF BOOTH
$565,862
$678,433
$112,571
100.76$397.00
5,6166,176
8
90.93%
89.48%
1.45%
RAGTIME VIVIAN BEAUMONT
$1,412,810
$1,525,766
$112,957
167.71$399.00
8,4248,424
8
100.00%
100.00%
0.00%
SCHMIGADOON! NEDERLANDER
$908,342
$1,129,135
$220,793
101.37$349.00
8,9619,256
8
96.81%
94.27%
2.54%
SIX: THE MUSICAL LENA HORNE
$444,782
$536,022
$91,240
93.88$259.00
4,7388,248
8
57.44%
63.81%
6.37%
STRANGER THINGS: THE FIRST SHADOW MARQUIS
$686,010
$847,375
$161,365
76.40$299.00
8,97912,752
8
70.41%
78.64%
8.23%
THE BOOK OF MORMON EUGENE O'NEILL
$714,978
$780,663
$65,685
88.68$229.00
8,0628,528
8
94.54%
93.63%
0.91%
THE GREAT GATSBY BROADWAY
$628,229
$711,219
$82,990
82.57$274.00
7,60811,880
8
64.04%
69.03%
4.99%
THE LION KING MINSKOFF
$1,867,499
$1,942,322
$74,823
142.52$289.00
13,10313,568
8
96.57%
95.40%
1.17%
THE LOST BOYS PALACE
$1,100,166
$1,368,836
$268,670
95.27$275.00
11,54813,184
8
87.59%
87.26%
0.33%
THE OUTSIDERS JACOBS
$776,473
$922,668
$146,196
110.28$398.00
7,0418,192
8
85.95%
94.92%
8.97%
THE ROCKY HORROR SHOW STUDIO 54
$935,662
$1,215,225
$279,564
135.72$318.00
6,8947,920
8
87.05%
97.15%
10.10%
TITANÍQUE ST. JAMES
$590,776
$701,516
$110,740
72.64$276.50
8,13310,712
8
75.92%
75.66%
0.26%
TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) LONGACRE
$443,719
$528,882
$85,163
84.97$275.00
5,2228,376
8
62.34%
69.95%
7.61%
WICKED GERSHWIN
$1,007,154
$1,208,120
$200,966
80.68$277.00
12,48314,456
8
86.35%
90.06%
3.71%
Total
Average
$29,331,200
$916,600
$36,698,946
$1,048,541
$-3,839,300
 
$114
258,418
253
 
84.96%
 
87.29%
 
-2.34%

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Note: All Broadway Box Office data is presented for informational purposes only. BroadwayWorld makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..