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URINETOWN Equity Principal Actors - Uptown Players Auditions

Posted December 3, 2025
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URINETOWN - Uptown Players

AUDITION DATE

LOCATION

Sunday, January 25, 2026 — Uptown Players
1327 Motor Circle
12:00 PM - 5:00 PM (C) Dallas, TX 75207

APPOINTMENTS

Ample free parking at the audition venue. To schedule an audition appointment please go to:
https://bit.ly/UPUrinetown. For Equity members — if there is not an open slot that matches your availability during the audition hours, please email
auditions@uptownplayers.org for assistance in scheduling a time.

If you wish to audition for a Chorus Contract as a dancer first, please email
auditions@uptownplayers.org for a dance time. No video submissions accepted.

PERSONNEL

  • Music and Lyrics by Mark Hollmann
  • Book and Lyrics by Greg Kotis
  • Directed by Penny Ayn Maas
  • Music Direction by Vonda K. Bowling
  • Choreography by Gabriela Yarbrough
  • Executive Producers: Jeff Rane, Craig Lynch
  • Stage Manager: Lexi Salmon

CONTRACT

LOA — $486 weekly minimum (Refer to LORT).

SEEKING

OTHER DATES

Equity actors for roles in URINETOWN (see breakdown). Dance callbacks will be held on January 25 by invitation. Additional callbacks will take place on Monday, January 26 from 6:00 PM to 10:30 PM.

Rehearsals begin: June 22, 2026.
Opens: July 10, 2026.
Closes: July 19, 2026.

Actors of all ethnicities and gender identities are encouraged to audition as our casting seeks to be as inclusive as possible. Local actors are encouraged to audition.

PREPARATION

OTHER

Please prepare up to two minutes of two contrasting selections in the style of the show. Singing from the show for one of your selections is acceptable. A headshot and resume are required.

For Equity members who prefer to audition as a dancer, please email
auditions@uptownplayers.org to request a dance time.

Venue: Kalita Humphreys Theater.

An Equity monitor will not be provided. The producer will run all aspects of this audition.

More information:
https://www.uptownplayers.org

Always bring your Equity Membership card to auditions.

BREAKDOWN

URINETOWN

SEEKING:

Officer Lockstock (baritone/bass — no specific age): He’s a policeman but mainly the narrator of the show. A great sense of humor.

Hope Cladwell (soprano with belt, 20s): A newcomer in town and the daughter of the owner of the Urine Good Company. Ingenue type; lover of Bobby; spends most of the second act tied to a chair.

Caldwell B. Cladwell (low A to high G): The villain — conniving and sneaky.

Bobby Strong (tenor/high baritone): A revolutionist — the young male lead. Falls in love with Hope.

Penelope Pennywise (mezzo/soprano to high C, belt to high G, 40s): Starts out as a crotchety caretaker but softens as the show progresses, especially when we discover she is Hope’s mother.

Little Sally (mezzo/alto): A precocious little girl who is always played by an adult. Narrates the show; in fact, she tries to give more away than Lockstock. One of the poor/rebels. A character role with a strong sense of humor.

Officer Barrel (tenor/baritone): Lockstock’s trusty sidekick, always following in his shadow. Has a bit of a love interest in Lockstock.

Little Becky Two-Shoes (alto): A little girl played by an adult; a little crazy and likes to hurt people. One of the poor/rebels. Needs to be able to let go of all inhibitions.

Ensemble: A diverse ensemble of 10–12 playing various male and female roles. All sing and dance. Many have named minor supporting speaking roles, including Cladwell’s lackeys and the poor citizens.

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