Municipal Theatre Association of St Louis | St. Louis, MO
Notice: Audition Call Type: ECC
Date: Saturday, February 7, 2026
Location: The Muny, 1 Theatre Drive, Saint Louis, MO 63112-1098
Time: 8:30 AM (Call)
Auditions are by appointment times only. To sign up for an appointment please fill out the form at:
https://muny.formstack.com/forms/equity_chorus_call_dancer_2026
Free parking is available on Pagoda Circle in front of the main box office and lower parking lot on the east side of the theatre. Enter through the General Office Door of the Administration Building.
Sign-ups will begin on Friday, January 2, 2026, at 9:00 AM CST; deadline to register is Friday, January 23, 2026, at 11:59 PM CST. Due to high attendance and studio capacity for this call, you MUST pre-register. There will be no walk-ins, alternate lists, or any appointments scheduled on the day of the audition. SEE
Artistic Director/Executive Producer: Mike Isaacson
Associate Artistic Director: Michael Baxter
(See breakdown for production-specific personnel.)
MSUA $1325 weekly minimum (2025 rate) - pending negotiations.
See breakdown for production-specific dates.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Equity Chorus Dancers for roles in The Muny’s 2026 Season (see breakdown). Actors are cast on a per show basis and not as part of a repertory company. All performers are signed to an Equity MSUA contract. Actors of all ethnicities, backgrounds, gender identities, body types, and abilities for all available roles are encouraged to audition. Local St. Louis, MO actors are likewise encouraged to audition.
The Muny serves a diverse, nationwide audience and strives to hire performers that reflect the diversity of our audience. This theatre exists as a safe and creative place whose mission is to enrich lives by producing exceptional musicals that are accessible to all. The Muny is committed to maintaining a diverse and inclusive environment and is proud to be an equal employment opportunity workplace.
Please prepare a short song in a style appropriate to the season’s shows. Be prepared to sing an additional contrasting selection if requested. Bring sheet music, picture/resume and your repertoire book; an accompanist will be provided.
Book by: Mark O’Donnell and Thomas Meehan
Music by: Marc Shaiman
Lyrics by: Scott Wittman and Marc Shaiman
Based on: New Line Cinema film written and directed by John Waters
Director: Seth Sklar-Heyn
Choreographer: Jesse Robb
Music Director: TBD
Casting: The Telsey Office | Rashad Naylor, CSA
Possible Early Rehearsal: June 1 – June 3
Rehearsal: June 4 – June 14
Performances: June 15 – June 21 (7 Performances)
Seeking:
Ensemble Singers/Dancers: Characters are all genders (cis, trans, and non-binary) and backgrounds to portray white and Black teenagers in 1960s Baltimore. Ensemble performers will portray dancers on The Corny Collins Show (Tammy, Brenda, Shelley, Lou Ann, Brad, Fender, Sketch, IQ) as well as The Motormouth Kids (Gilbert, Stooie, etc.). May play other featured roles as well. Exceptional dance ability with strong vocal and acting skills. VOCAL RANGES: ALL TYPES.
The Dynamites: Characters are female (cis, trans, or non-binary). Black, late teens to 20s. The Dynamites are a talented 60’s vocal trio who are featured in many numbers and usually in tight harmony. VOCAL RANGE: Soprano, Mezzo and Alto.
Music by: Jeanine Tesori
Book and Lyrics by: David Lindsay-Abaire
Based on: the DreamWorks Animation motion picture and the book by William Steig
Director: John Tartaglia
Choreographer: Patrick O’Neill
Music Director: TBD
Casting: The Telsey Office | Lindsay Levine, CSA
Rehearsal: June 14 – June 24
Performances: June 25 – July 2 (8 Performances)
Seeking:
Ensemble Singers/Dancers: Seeking extremely strong singers and dancers of all genders, ethnicities, abilities and types, to portray various roles throughout the show. The ensemble will make up the band of various fairytale creatures and all the character specialties will come from here. Puppetry skills are a plus.
Gingy/Ensemble: Any gender, age 20–40, any ethnicity. A gingerbread man initially kidnapped by Lord Farquaad. His wit and resolution help him both avoid trouble and inspire the rest of the fairytale creatures. Must have comedic chops. Experience with puppetry is a plus. Can be operated by the actor appearing as Sugar Plum Fairy. VOCAL RANGE: B3–C#5.
Music by: Richard Rodgers
Lyrics by: Oscar Hammerstein II
Book by: Oscar Hammerstein II and Joshua Logan
Adapted from: the Pulitzer Prize-winning novel Tales of the South Pacific by James A. Michener
Director: William Carlos Angulo
Choreographer: Karla Puno Garcia
Music Director: TBD
Casting: The Telsey Office | Rachel Hoffman, CSA
Rehearsal: June 25 – July 5
Performances: July 6 – July 12 (7 Performances)
Seeking:
Nurses/Female Ensemble: Characters are female (cis, trans, or nonbinary). American, any ethnicity, 20s–40s. Navy nurses stationed on the island. Bright, supportive, witty, and committed to duty. They want connection and moments of joy amid wartime stress. Strong singers of all voice types. Strong dancers with excellent ballet and jazz technique.
Locals/Ensemble: Characters are all genders (cis, trans, and non-binary). Polynesian and Tonkinese (Vietnamese) people, all ages. They represent the life, movement, and spirit of the island. Tonkinese people who traveled to the island as indentured servants and folks indigenous to the island. All trying to adapt to their rapidly changing world. Southeast Asian and Pacific Islander dancers of all ages and genders with excellent ballet and jazz technique.
Sailors/Seabees/Male Ensemble: Characters are male (cis, trans, or nonbinary). American, any ethnicity, 18–40. Boisterous, irreverent, and full of camaraderie. They want excitement and distraction from the war. Strong singers (tenor/baritone/bass). Strong, athletic dancers with excellent ballet and jazz technique.
Music by: Alan Menken
Lyrics by: Jack Feldman
Book by: Harvey Fierstein
Based on: the Disney film written by Bob Tzudiker and Noni White
Director: Denis Jones
Choreographer: Richard J. Hinds
Music Director: TBD
Casting: The Telsey Office | Lindsay Levine, CSA
Possible Early Choreography Rehearsal: July 2 – July 4
Rehearsal: July 5 – July 15
Performances: July 16 – July 22 (7 Performances)
Seeking:
Ensemble Dancers/Newsies: Characters are male (cis, transgender, or non-binary), 16–22, all types, sizes, and ethnicities. The hard-working kids of New York City who go on strike for a livable wage. Strong, technically trained dancers in jazz/ballet with a knack for athletic physicality. Tap skills are required for some tracks. Must also sing very well. Ensemble members play roles including Race, Albert, Muriel, Nancy, Specs, Pigtails, Hazel, Buttons, Tommy Boy, Romeo, Jo Jo, Scabs, Brooklyn Newsies, Spot Conlon, Oscar & Morris Delancey.
Ensemble Singers: Seeking extremely strong singers of all genders, ethnicities, abilities and types, to portray various character roles throughout the show. Ages include 16–22, 20s–40s, and 50s–60s. Strong singing voices and strong movement ability. Roles include Nuns, Wiesel, Nunzio, Mr. Jacobi, Mayor, Seitz, Bunsen, Hannah, Snyder, Governor Teddy Roosevelt & others.
Book by: Dominique Morisseau
Music & Lyrics: from The Legendary Motown Catalog
Based on the book: The Temptations by Otis Williams with Patricia Romanowski
Music by arrangement with: Sony Music Publishing
Director: TBD
Choreographer: TBD
Music Director: TBD
Casting: The Telsey Office | Rashad Naylor, CSA
Possible Early Music Rehearsal: July 13–15
Rehearsal: July 16 – July 26
Performances: July 27 – August 2 (7 Performances)
Seeking:
Music and Lyrics by: Ralph Blane & Hugh Martin; Plus additional material by Richard Rodgers & Oscar Hammerstein II; George W. Meyer, Edgar Leslie, & E. Ray Goetz; Kerry Mills & Andrew B. Sterling
Original Book by: Hugh Wheeler
Revised Book by: Gordon Greenberg
Based on: The Kensington Stories by Sally Benson and the MGM motion picture Meet Me in St. Louis
Director: Maggie Burrows
Choreographer: TBD
Music Director: TBD
Casting: The Telsey Office | Rachel Hoffman, CSA
Rehearsal: July 26 – August 5
Performances: August 6 – August 13 (8 Performances)
Seeking:
Ensemble Singers/Dancers: Seeking extremely strong singers and dancers of all genders, ethnicities, abilities and types, to portray various roles throughout the show. Great triple threats who are really interesting character types.
Warren Sheffield/Ensemble: Character is male (cis, trans, or non-binary), 18–24, any ethnicity. From a good family in Clayton, Warren has had a crush on Rose since they met as kids. Gentle, nervous and kind.
Lucille Ballard/Ensemble: Character is female (cis, trans, or non-binary), 18–24, any ethnicity. A recent transplant from New York. Lucille is sharp, witty and very forward. She finds St. Louis ‘quaint,’ but looks forward to returning to New York to study at Barnard. She has her eyes set on John Truitt.
Book by: Karey Kirkpatrick and John O’Farrell
Music and Lyrics by: Wayne Kirkpatrick and Karey Kirkpatrick
Conceived by: Karey Kirkpatrick and Wayne Kirkpatrick
Director: Rob Ruggiero
Choreographer: Parker Esse
Music Director: TBD
Casting: The Telsey Office | Rachel Hoffman, CSA
Rehearsal: August 6 – August 16
Performances: August 17 – August 23 (7 Performances)
Seeking:
Male Ensemble Dancers: Characters are male (cis, trans, or non-binary), late teens to late 40s, all ethnicities. Strong tap dancers who sing very well. Must be comedic and inventive. Will portray various character parts throughout the show and will understudy principal roles. This is a tap-heavy show with several consecutive tap numbers.
Female Ensemble Dancers: Characters are female (cis, trans, or non-binary), 20s to late 30s, all ethnicities. Strong dancers who can tap and sing very well. Will portray various character parts throughout the show and will understudy principal roles.
Minstrel/Ensemble: Character is male (cis, trans, or non-binary), 20s–40s, Black. Must have a soaring high tenor voice, tons of charisma and an amazing sense of comic timing. Must tap dance very well. VOCAL RANGE: C#3–A4.
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