PlayPenn 2025 Season Equity Stage Managers - PlayPenn Auditions
PlayPenn
PLAYPENN 2025 SEASON - STAGE MANAGER SUBMISSIONS
PlayPenn | Philadelphia, PA
CONTRACT
LOA 2024 rates (Ref. to LORT Per Performance):
$100 per performance
$13 per hour all other calls with a 2-hour minimum on non-show days.
At least $225 weekly minimum based on the 2024 LOA-PP.
SEEKING
Equity stage managers for PlayPenn's 2025 Season New Play Development Conference. Local Philadelphia area stage managers are encouraged to submit. Shows in Breakdown.
SUBMISSION
INSTRUCTIONS
Please submit your resume for consideration.
Deadline: 04/01/2025
SUBMIT TO
casting@playpenn.org
PlayPenn
100 S Broad St #22606
Philadelphia, PA 19110
PERSONNEL
Casting Director - Brenna Geffers
OTHER DATES
PlayPenn’s 2025 New Play Development Conference takes place between July 8th and July 20th, 2025
12.5 hours of rehearsal a week for two weeks with 1 public reading per week.
OTHER
https://www.playpenn.org/
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
PlayPenn 2025 Season
Conference Dates: July 8th - July 20th, 2025
Ama. Egg. Oyá. by Lori Felipe-Barkin
SYNOPSIS: Ama. Egg. Oyá. blends Santería, modern-day Miami, and Cuban rhythms in a powerful exploration of infertility, motherhood, and the fierce determination to have a child.
HAND FOOT HAND by L M Feldman
SYNOPSIS: Hand Foot Hand is an intimate and raw portrait of three aging aerialists navigating love, loss, and the uncertainty of mid-career artistry when their bodies and futures are no longer defined by their past feats.
HARLEM CANARY/TOKYO CROW by Andrew Saito
SYNOPSIS: Harlem Canary/ Tokyo Crow is a satirical comedy about WWII’s “Negro Propaganda Operations,” in which captured African American POWs were forced to record radio plays contrasting Japan’s supposed racial freedoms with the brutal realities of racism in the U.S.