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Contemporary American Theater Festival 2026 Summer Season Equity Stage Managers - Contemporary American Theater Festival Auditions

Posted February 10, 2026
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Contemporary American Theater Festival 2026 Summer Season - Contemporary American Theater Festival

Contemporary American Theater Festival | Shepherdstown, WV

REVISED

PERSONNEL

Updated Breakdown. Artistic Director: Peggy McKowen

CONTRACT

Managing Director: Amy Wratchford

OTHER DATES

Stage manager rates and dates:

  • $1,035 weekly minimum (LORT D) - until 6/28/26
  • $1,097 weekly minimum (LORT D) - after 6/29/26

Assistant stage manager rates:

  • $850 weekly minimum (LORT D) - until 6/28/26
  • $901 weekly minimum (LORT D) - after 6/29/26

Typical schedule (dates may vary slightly by production):

  • Prep Week: June 2
  • First Rehearsal: June 9
  • Tech Begins: June 28 or June 30 (based on show)
  • Previews: July 5–10 (based on show; each show may have 2 scheduled previews)
  • Opening: July 10–11
  • Closing: August 2 (all shows)

SEEKING

Equity stage managers for Contemporary American Theater Festival's 2026 Summer Season.
www.catf.org

SUBMISSION

INSTRUCTIONS

Please submit your resume for consideration at:
https://catf.bamboohr.com/careers. Look for “AEA Stage Manager-2026” and “AEA Assistant Stage Manager-2026”.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Deadline: 02/23/2026

SUBMIT TO

Please use the careers link above to submit resumes.

BREAKDOWN

Contemporary American Theater Festival 2026 Summer Season

THE BRIDGE

Written by Harmon dot aut

Directed by Craig Lucas

SYNOPSIS: “. . . a person living on the street is no longer a citizen.” Franky is an Autistic, creative, loving, resilient, queer artist living on the streets of Minneapolis as the world and the voices within him try to pinpoint his “problem.” Brilliant, funny, & heartbreaking, The Bridge is a play unlike any you’ve seen before, immersing you in a world of troubled memory and magical thinking, a world at once limited by homelessness and poverty and unlimited in the human potential for dreams-come-true.

MISS MAY DOES NOT EXIST

Written by Beth Kander

Directed by: TBD

SYNOPSIS: “Modesty hasn’t done much for women, historically speaking.” Nichols & May were one of the greatest comedy duos of all time, but when they parted ways, Mike Nichols soared while Elaine May struggled. The system wasn’t built for “difficult” women, but it endlessly rewarded “charming” men. Decades later, when Mike approaches Elaine with a new opportunity, she must wrestle with what matters more: succeeding on her own, or reuniting with the partner who knows her true worth. Set in the complex intersection of creativity, competition, and gender disparity, this split-second-timed, laugh-out-loud play imagines the power of lifelong friendships, thorns and all.

REFUGEE RHAPSODY

Written by Yussef El Guindi

Directed by: Zi Alikhan

SYNOPSIS: “Because love will always carve you up eventually.” Jealous love sears the skin of this darkly comic play like lava seeping down a hillside, inevitable and all-consuming. A chance meeting of a pair of young Arab-Americans framed by their refugee experience and an impossibly rich patroness sets in motion a chain of events that leads to a violent crime. As tensions mount and relationships are shattered, a therapist (who’s grappling with her own marital issues) is hired by the defense to determine culpability. Award-winning playwright Yussef El Guindi explores immigrant lives in plays praised for “insightful, open-hearted...humor, warmth and all-around compassion” (Seattle Times).

THE SMOKER

Written by Lisa D’Amour

Directed by: Shelly Butler

SYNOPSIS: “Breath. Precious Life. Love. We can’t hold it and yet, we must hold it.” What makes community? For this unlikely gathering of under-employed, under-insured dreamers on a New York street corner, it’s the communal need for a cigarette. As different as different can be—in gender and sexual orientation and relationship status, in their aspirations, vocations and avocations—they gather outside an apartment building to consume the chemicals that unite them—nicotine and the endorphins produced by friendship.

¡VOS!

Written by Christina Pumariega

Directed by: TBD

SYNOPSIS: “Every day, I look my daughter in the eye and tell her the truth.” The lives of five women intersect in this passionate, powerful play set in Argentina, across decades of political upheaval that led to the kidnapping and murder of tens of thousands of people who came to be known as “the disappeared” — los desaparecidos. Juxtaposing the saga of one woman whose infertility journey has left her exhausted and broke with the stories of 1970s revolutionaries and their daughters, ¡VOS! explores the sorrow of seeking as only women can experience it.

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