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ALMOST FAMOUS Equity Stage Managers - A.C.T. of Connecticut Auditions

Posted June 10, 2025
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ALMOST FAMOUS - A.C.T. of Connecticut

ALMOST FAMOUS - Stage manager submissions

A.C.T. of Connecticut | Ridgefield, CT

CONTRACT

SPT
$852 weekly minimum (SPT 7) - Stage manager
$704 weekly minimum (SPT 7) - Assistant stage manager

SEEKING

Equity stage managers for ALMOST FAMOUS (See breakdown).

SUBMISSION

INSTRUCTIONS

Please submit your resume for consideration.
Deadline: 06/23/2025

SUBMIT TO


employment@actofct.org

PERSONNEL

Music: Tom Kitt
Lyrics: Cameron Crowe and Tom Kitt
Book: Cameron Crowe
Director: Daniel C. Levine
Choreographer: Jessica Chen
Music Supervisor: Bryan Perri
Music Director: Nicholas Connors
Karie Koppel, Casting Director

OTHER DATES

First Rehearsal: September 15, 2025
First Performance: on/about October 18, 2025
Opening: on/about October 23, 2025
Closing: November 16, 2025
Possible one week extension through November 23, 2025

OTHER

Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

ALMOST FAMOUS

This will be the first production of the musical since its 2022 Broadway debut—and will be a thrilling reimagining of the production, featuring a revised book and score by the original Broadway team: Pulitzer Prize and Tony Award–winning composer Tom Kitt, and Academy Award–winning writer and filmmaker Cameron Crowe. In a unique collaboration, both Kitt and Crowe will be working directly with A.C.T. of CT Artistic Director, Daniel C. Levine who will direct the production. Bryan Perri, the original Broadway music supervisor of Almost Famous, will return to music supervise the Ridgefield production. This new production will serve as an important step toward creating the final, licensable version of Almost Famous.

In this staging, the ensemble is not just support—they are the heartbeat of the piece. Onstage throughout the show, they serve as a kind of modern Greek chorus: representing the timeless, intangible power of music and memory—watching, shifting, reflecting the inner lives of the characters and the world around them. As Penny Lane says, “...the spirits are still here… In the walls and in the rafters…the spirits are still here…the music tells you all you need to know. The spirits are the ones who make it so...” This is Almost Famous as you’ve never seen it before—intimate, poetic, and surging with the raw, electric energy of a backstage pass to rock history.

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