Flint Repertory Theatre | Flint, MI
Wednesday, June 18, 2025
10:00 AM - 6:00 PM (E)
BREAK: 2:00PM - 3:00PM
In-person auditions are by appointment only.
Please email
enichter@flintrep.org or call 810-237-2520 to schedule a time.
SPT
$538 weekly minimum (SPT 5)
Equity actors for roles in A STREETCAR NAMED DESIRE (see breakdown).
Flint Rep is committed to diversity and encourages performers of all ethnicities, backgrounds, gender identities, body types, and abilities to audition.
Prepare one side for a character of your choosing found in the folder here:
https://drive.google.com/drive/folders/1rv1ZFmdXFZJeg7Fxk1Yd9sMki469HHur.
Callback sides are also available to peruse here:
https://drive.google.com/drive/folders/195RdYU_LYblovj7jG96oSsj7y478gZp2.
Here is a link to the full script for reference:
https://drive.google.com/drive/folders/1bBqRfJKkGvoQzJIAVQt9N7d4v3_N9DWe.
Note: You do not need to bring a physical copy of your headshot and resume to your in-person appointment.
Flint Repertory Theatre
1220 E. Kearsley Street
Flint, MI 48503
Director Joshua Morgan
EXPECTED TO ATTEND:
Interim Artistic Director & Managing Director Nicole Samsel
Assistant to the Artistic Director Emily Nichter
See breakdown for production-specific dates.
https://thefim.org/flintrep/about/auditions/
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Notice: Audition Call Type: EPA
First Rehearsal: August 19, 2025
STELLA KOWALSKI 20s. Pregnant, torn, and stuck between two worlds—her sister’s decaying old South and her husband’s hard, brutal present. Stella left the past behind and chose Stanley, but the cracks are widening. She’s grounded, sensual, and deeply in denial. She moves through the play as both peacemaker and battleground. NOTE: This role may involve partial nudity and requires strong physicality, vulnerability, and stamina. Light Mississippi Delta accent, softened by life in working-class New Orleans.
HAROLD MITCHELL (MITCH) 30s-40s. Stanley’s poker buddy. Lonely, gentle, and awkward—a mama’s boy with a wounded heart. Mitch wants to be the good guy, the nice guy, the guy you settle down with. But he’s stuck between his need for tenderness and the toxic expectations of the men around him. His journey from sweet to bitter is devastating.
EUNICE HUBBELL / AS CAST 30s to 50s. Stella’s no-nonsense upstairs neighbor and fierce protector. Eunice runs the building, calls it like she sees it, and has her own bruised marriage to Steve to contend with. She’s tough, loud, funny, and not afraid to get in the middle of a fight. NOTE: Please note if you play a brass, woodwind, or rhythm section instrument (e.g., trumpet, trombone, clarinet, saxophone, tuba, banjo, guitar, percussion) or have any singing experience.
STEVE HUBBELL / AS CAST 30s to 50s. Eunice’s husband. A regular at Stanley’s poker nights. Steve is loud, impulsive, and a bit of a clown, but there’s an edge to him—his marriage is its own version of the chaos downstairs. NOTE: Please note if you play a brass, woodwind, or rhythm section instrument (e.g., trumpet, trombone, clarinet, saxophone, tuba, banjo, guitar, percussion) or have any singing experience.
PABLO GONZALES 20s to 50s. Latino. The last member of Stanley’s poker crew. Pablo’s easygoing and good-humored, but he knows when to keep his head down. An outsider in the group by virtue of being Latino, but a regular at the table. NOTE: Please note if you play a brass, woodwind, or rhythm section instrument (e.g., trumpet, trombone, clarinet, saxophone, tuba, banjo, guitar, percussion) or have any singing experience.
A YOUNG COLLECTOR / AS CAST 18-22. The paperboy who knocks on Blanche’s door—and gets far more than he bargained for. May double as the Doctor at the end, appearing to take Blanche away. The Collector is innocent and awkward; the Doctor is calm, clinical, and detached. NOTE: Please note if you play a brass, woodwind, or rhythm section instrument (e.g., trumpet, trombone, clarinet, saxophone, tuba, banjo, guitar, percussion) or have any singing experience.
NEIGHBOR WOMAN / AS CAST 30s-60s. BIPOC. The wisecracking woman at the top of the show—sees everything from her stoop and says what no one else will. May double as the cold, clinical Nurse who assists in Blanche’s final removal. NOTE: Please note if you play a brass, woodwind, or rhythm section instrument (e.g., trumpet, trombone, clarinet, saxophone, tuba, banjo, guitar, percussion) or have any singing experience.
FLOWER SELLER / AS CAST Sells tin funerary flowers—an eerie, ghostly presence who walks the line between vendor and omen. Please note if you play a brass, woodwind, or rhythm section instrument (e.g., trumpet, trombone, clarinet, saxophone, tuba, banjo, guitar, percussion) or have any singing experience.
DOCTOR / AS CAST Appears at the end of the show to take Blanche away. May double as A Young Collector.
NURSE / AS CAST A cold, clinical assistant to the Doctor. May double as the Neighbor Woman.
BLANCHE DUBOIS (CAST) 30s-50s. A high school English teacher from Laurel, Mississippi. Blanche clings desperately to the faded pageantry of Southern gentility—a performance of charm and poise that’s always on the edge of collapse. Haunted by trauma, scandal, and her husband’s suicide, she arrives in New Orleans chasing safety, fantasy, and one last chance at dignity. NOTE: This role demands fierce emotional range, physical abandon, and an ability to command the room even as it’s slipping through her fingers.
STANLEY KOWALSKI (CAST) 25-35. A proud, working-class alpha—ex-military, now on the factory floor—Stanley is the raw, unapologetic pulse of the room. His power isn’t subtle—it’s physical, sexual, and volatile. He’s a man used to getting what he wants and doesn’t ask twice. Polish-American, New Orleans-born, and a creature of appetite. NOTE: This role requires extreme physical and emotional stamina and may involve nudity.
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