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Review: John Adams’s EL NINO Finally Arrives at the Met After World Travels
Back in December, I saw the chamber version of John Adams’s EL NINO—dubbed EL NINO: NATIVITY RECONSIDERED—at the Cathedral of St. John the Divine. Pared down to its essence, it was wonderful, starred two of the singers who made their debuts in the premiere at the Met, soprano Julia Bullock and bass-baritone Davone Tines plus countertenor Anthony Roth Costanzo, who were at their best. It was a somber evening in a dramatic setting—a far cry from the oratorio/opera’s over-the-top welcome to Lincoln Center last night, in Lileana Blain-Cruz’s production that made me wonder what Franco Zeffirelli might have done with it. Think the Parisian throngs in Act II of the Met’s LA BOHEME (which, of course, is one of the Met’s most popular productions with audiences).
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