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Review: What the Hades – the Met Brings Back Morris’s Lovely ORFEO with Costanzo
Considering all the productions in the Met’s repertoire that have been conceived (or, perhaps more justly, concocted) by directors from other media who don’t seem to understand or like opera, Mark Morris is a gem. So is his concept for Gluck’s ORFEO ED EURIDICE, the myth of a man who is permitted to go to the land of the dead to retrieve his beloved wife, which was seen in a revival that opened the other night with countertenor Anthony Roth Costanzo and soprano Ying Fang in the title roles.
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