DANCE SHOWS - MUSICALS

by Emily Berger - April 21, 2024

This new work featured three episodes in Asian American history....

by Matthew Paluch - April 18, 2024

“When are we old? How can experience and embodied knowledge be brought into creative play? And what is the role of dance in questioning the idealisation of youth in our culture?” ...

by Franco Milazzo - April 15, 2024

Created by cabaret artist Jack Sears and Royal Ballet soloist Hannah Grennell, Giselle:Remix fuses dance and lip sync....

by Courtney Castelino - April 14, 2024

What did our critic think of SNOW WHITE at National Arts Centre?...

by Ilana Lucas - April 14, 2024

Toronto Dance Theatre’s Spring Double Bill, highlighting East Asian choreographers of different dance backgrounds, is as welcome as a spring bloom. The two trios run the gamut from serious to irreverent, but both highlight dance as a way to connect, whether between the present and past self, or betw...

by Matthew Paluch - April 12, 2024

The Elixir Festival returns to Sadler’s Wells with the same, integral mission: “rethinking perceptions around dance and age.”...

by Lora Strum - April 11, 2024

What did our critic think of FIFTY YEARS SINCE ITS FOUNDING, AILEY II FINDS ITS SPOTLIGHT at The Joyce Theatre?...

by Matthew Paluch - April 11, 2024

The evening includes ten works and the premise is an important, and pressing one: where is ballet (as we know it) going…? ...

by Jim Munson - April 07, 2024

What did our critic think of DOS MUJERES at San Francisco Ballet? BroadwayWorld reviews this pairing of two very different ballets by Latina choreographers running through April 14th at the War Memorial Opera House....

by Emily Berger - April 06, 2024

Thursday’s return of Les Ballets Trockadero de Monte Carlo to the Kennedy Center brought a full house and lots of laughs to the DMV....