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UK / West End Dance News Coverage — Page 5

The latest news on performances of Dance in UK / West End.

Review: ROMEO AND JULIET, Sadler's Wells Interview

Review: ROMEO AND JULIET, Sadler's Wells

by Vikki Jane Vile — May 30, 2024

Leeds based Northern Ballet always pack a punch when they visit London every May, and this time was no different, with Massimo Moricone’s slick and captivating Romeo and Juliet.

Review: EMERGING DANCER 2024, Sadler's Wells Interview

Review: EMERGING DANCER 2024, Sadler's Wells

by Vikki Jane Vile — May 25, 2024

English National Ballet’s Emerging Dancer award returned to Sadler’s Wells after a two year absence, with a unique opportunity for the most junior members of the company to shine.

Review: MAY B - COMPAGNIE MAGUY MARIN, Sadler's Wells Interview

Review: MAY B - COMPAGNIE MAGUY MARIN, Sadler's Wells

by Matthew Paluch — May 22, 2024

Marin is regarded as a major force in French modern dance, and one can understand why when appreciating the work's overall accomplished structuring…but that doesn't mean it will be an unequivocally enjoyable experience for all.

Review: THE SLEEPING BEAUTY, Sadler's Wells Interview

Review: THE SLEEPING BEAUTY, Sadler's Wells

by Matthew Paluch — April 25, 2024

Is there anything similar to The Sleeping Beauty overture? With Tchaikovsky filling the theatre with full-blown fairy tale drama - it's quite the opener.

Review: DANCE ON ENSEMBLE, Sadler's Wells Interview

Review: DANCE ON ENSEMBLE, Sadler's Wells

by Matthew Paluch — April 18, 2024

“When are we old? How can experience and embodied knowledge be brought into creative play? And what is the role of dance in questioning the idealisation of youth in our culture?”

Review: ENGLISH NATIONAL BALLET - CARMEN, Sadler's Wells Interview

Review: ENGLISH NATIONAL BALLET - CARMEN, Sadler's Wells

by Matthew Paluch — March 28, 2024

Inger's Carmen is successful in two key ways: firstly it tells the existing narrative of Carmen incredibly clearly, secondly it actually does so with “new resonance' - who'd have thunk it.

Review: ASSEMBLY HALL, Sadler's Wells Interview

Review: ASSEMBLY HALL, Sadler's Wells

by Kat Mokrynski — March 22, 2024

Assembly Hall takes place in, as you might have guessed, an assembly hall, where a group of medieval reenactors are coming together for what may be the final meeting of the General Assembly of the Benevolent and Protective Order.

Review: SWAN LAKE, Royal Opera House Interview

Review: SWAN LAKE, Royal Opera House

by Vikki Jane Vile — March 08, 2024

If you came for anything other than wall-to-wall superlatives for the Royal Ballet’s A-team and Liam Scarlett’s superior production of Swan Lake then you’ll be disappointed with this review, because yet again, for the fourth time in six years, ballet heaven is delivered with a side of perfecti

Review: DARK WITH EXCESSIVE BRIGHT, Royal Opera House Interview

Review: DARK WITH EXCESSIVE BRIGHT, Royal Opera House

by Franco Milazzo — February 13, 2024

Appearing as part of their Festival of New Choreography, the Royal Ballet have partnered with the National Ballet of Canada for Dark With Excessive Bright, an extraordinarily intimate experiment which allows audience to experience the art form in a radical way.

Review: TESS, Peacock Theatre Interview

Review: TESS, Peacock Theatre

by Franco Milazzo — February 02, 2024

Filled with a couple of operas’ worth of tragedy, Thomas Hardy’s Tess of the d’Urbervilles is not the likeliest source of inspiration for a dramatic circus show but Ockham's Razor are here to prove us wrong.



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