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It was a listener-friendly concert, well designed, conducted and performed. Michael Francis, Mainly Mozart's Music Director and Conductor for more than a decade, captured the music’s every mood from melancholy to uninhibited joy.…
The final Carnegie Hall appearance of the season by the Metropolitan Opera Orchestra under the direction of Yannick Nézet-Séguin proved to be one of the most satisfying orchestral evenings New York has heard this spring. In a program devoted almost entirely to Mahler—featuring the *Rückert-Lied…
Xian’s performance was a joyful representation of Schiller’s text, ending the rousing evening with an affirmation of much-needed hope for us all. The performance was transcendent in every way.…
There are performances of Bruckner’s Eighth Symphony that impress through sheer scale. There are others that astonish through architectural clarity. And then there are the rare evenings that somehow manage both. …
Opera Theatre of St. Louis does luscious justice to A Streetcar Named Desire—André Previn’s operatic adaptation of the Tennessee Williams classic.…
The separation of the Washington National Opera from the overrun-and-soon-to-close Kennedy Center has meant next season’s eight planned productions, including five full length operas, will occur on five different stages in the D.C. area. …
What did our critic think of WENWEN DU AND IAN BOSTRIDGE IN RECITAL at Carlton Dominion-Chalmers Centre?…
Leon Botstein has a special aptitude for finding under-appreciated and rarely (if ever) performed works for orchestra. While it must be understood that not everything committed to paper by any composer is a jewel of perfection.…
What did our critic think of 'CHANGED FOR GOOD' THE NEW YORK POPS 43RD ANNIVERSARY CONCERT at Carnegie Hall?…
What can you do with a 90-year-old piece about a man madly in love, slowly slipping into a dream he has no desire to wake up from? Quite a lot, it turns out.…
The Cuban Cultural Center of New York (CCCNY) is proud to present the internationally acclaimed Toomai String Quintet as part of Carnegie Hall’s United in...
