My First Time: Getting To Know You
Ken Davenport's new theatre piece is inspired by the nearly 10-year-old web site where guests are invited to anonymously submit the glorious (or gruesome) details of their first sexual encounter.
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Broadway's Rising Stars: Their Time
22 young performers, hand-picked by Scott and Barbara Siegel, merrily roll along through an impressive and enjoyable evening of showtunes
A Night At The Operetta: Hold The Syrup
Scott Siegel and his talented cohorts present a wonderfully entertaining crash course in a vibrant aspect of Broadway's history.
Xanadu: The Gods Must Be Crazy
This flat out hilarious show is for people who love Broadway musicals but who hate Broadway musicals that are based on movies, have jukebox scores, sell on-stage seating, make the actors wear those mouthpiece microphones, wink at the audience with smarmy self-reference, are cheaply produced, are pac
Gypsy: Dreamgirl
Patti LuPone leads an extraordinary cast in the most breathtaking, emotionally packed evening of damn near perfect musical theatre in town.
Old Acquaintance: The Perfect Blendship?
If John van Druten's 1940 drawing room comedy isn't exactly packed with clever conversation and witty exchanges, the Roundabout's smart and stylish production does a darn good job of making up for any shortcomings in the text.
Words and Music by Jerry Herman: Just Sensational
Amber Edwards' grand and glorious documentary about Broadway's most beloved master of the simple, catchy melody is loaded with rare film footage and proof his scores are more than just hummable tunes.
Morning Star: Living History
The Peccadillo Theater Company's revival of Sylvia Regan's 1940 sentimental drama, Morning Star is warm, humorous and perfectly lovely.
Christine Pedi at The Metropolitan Room: Funny Lady
Her new show contains much of the familiar material that has made her every Broadway diva's worst nightmare, but what makes it work so beautifully is the range of artistry she shows as a song interpreter when the masks are lowered and it's just Christine Pedi up there.
Pirates!: I Have A Feeling We're Not In Penzance Anymore
Nell Benjamin's adaptation of Gilbert and Sullivan's classic operetta translates the piece into American musical comedy
Elvis People: Don't Be Cruel
Doug Grissom's play about the effect Elvis Presley had on American lives seems an earnest, if ineffective, effort.
Julie Wilson at The Metropolitan Room: A Real American Idol
The Metropolitan Room is the sight of Julie Wilson's latest love fest and the words and music of Kern, Fields, Styne and Porter have rarely had it so good.
In A Dark Dark House: Family Ties
Neil LaBute's new play is a neat little bloodless Grand Guignol for the imagination featuring a terrific performance by Frederick Weller.
Sessions: Doctor In The Dark
Psychoanalysis sings again in Albert Tapper's therapy musical
The Return Of The Prodigal: He's Baaa-aack
The Mint Theater presents the American premiere of St.
nor'mal: Musical Helps Educate Students On Eating Disorders
After an Off-Broadway run in 2005, the musical about a family dealing with a daughter's eating disorder is being used as an educational tool for high school productions
110 In The Shade: Soon It's Gonna Rain
Beauty is most certainly in the eye of the beholder when the eye is beholding Broadway's Audra McDonald.
Radio Golf: Green Fees
August Wilson's evocative final work, debates the issues of urban renewal, racial assimilation and progress at the expense of the preservation of cultural heritage.
Streisand: Live In Concert 2006: Affectionate Barbs
It takes a special talent to have an intimate conversation with 20,000 people, and though chances are Barbra Streisand was not on a first name basis with everyone who attended her 2006 concert tour, some of the most fascinating sounds produced by this legendary interpreter of the American popular so
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