Elliot Lanes - Page 8

Today's subject Corey Greenan is currently living his theatre life in a show he is very familiar with. He portrays Tommy DeVito in the current National Tour of Jersey Boys. Read on to see how many performances of the show he has under his belt. The show is currently playing at the National Theatre and will continue there through Jan 5 2020.

As a reviewer you hear lots of advance hype about a particular show or performer before having your own experience. Much of the time the hype doesn't live up to the end product. Selling over 90 million recordings opera singer Andrea Bocelli was definitely one of those performers who I had heard a lot about before seeing him perform live at Capital One Arena. I of course was familiar with some of his recordings but nothing prepared me for what I was about to witness. Here is a case where the hype not only lived up to the end product it exceeded it at least twenty fold. Bocelli stepped out onstage and flat out held around 20,000 concertgoers spellbound with his ringing tenor in a concert that included some of the most beautiful arias ever written.

Today's subject Ted Sperling is very well represented this holiday season here in DC. He is the Musical Director/New Orchestrator for Fiddler on the Roof which plays through December 15th at the National Theatre. Beginning December 17th his work as Musical Supervisor can be heard on My Fair Lady at Kennedy Center. That show runs through Jan 19th.

Today's subject Diana Huey is currently living her Theatre Life at Studio Theatre where she is giving a shattering (literally) performance as Built Suttikul in White Pearl. The production runs through December 15th.

Today's subject Jenn Rapp is making the holiday season all the more magical as the Associate Director (AD) of the international magic extravaganza The Illusionists. The show begins a DC return engagement this evening December 3rd at the National Theatre. It will play there through December 8th.

Tis the season for Santa Claus, holiday lights, people lining up at three am to get a deal on a 76 inch TV set, and of the course the perennial holiday ballet favorite by Peter Ilyich Tchaikovsky known as The Nutcracker.

I am often asked what my all time favorite Broadway musical is. I always reply A Chorus Line. I consider it to be a perfect musical in every way. The show's original director/choreographer Michael Bennett captured the heart and soul of the dancer so beautifully in what I consider to be his masterwork. Marvin Hamlisch's music and Edward Kleban's lyrics were and still are one of the most inventive theatre scores ever written. James Kirkwood and Nicholas Dante's book (based off of taped interviews of Broadway dancers conducted by Bennett) frame the songs to sheer perfection. Paul's monologue in the show is actually based on Dante's true story.

The 19/20 theatrical season has seen several milestones for many of its area theatres but the biggest by far is the 70th anniversary of the company that helped pioneer the regional theatre movement in this country Arena Stage.

Every once in a while you run across a big dilemma with a production. What happens when everything falls into place except one big thing? For the answer to this question look no further than the latest installment of the Broadway Center Stage series at Kennedy Center Footloose.

Today's subject Chris Clark is currently living his theatre life in a big way. He is making his national tour debut in the Jimmy Buffet extravaganza Escape to Margaritaville. The tour plays here in DC through October 13th at the National Theatre.

DC Theatre for Young Audiences (TYA) visionary Michael J. Bobbitt left us to start a new artistic chapter in his life a few months ago. The season opener at Adventure Theatre shows that even though he isn't here physically his vision for the company will be felt all season. Bobbitt made his picks for the company's 19/20 season before his departure.

Today's subject Matt Torney is currently the Associate Artistic Director of Studio Theatre. Their excellent current production of Doubt: A Parable is helmed by Torney and plays through October 6th in Studio's Metheny space.

The newly opened REACH at Kennedy Center continues the institution's promise set forth by President John F. Kennedy of arts for all.

Signature Theatre and Stephen Sondheim have been a winning combination in the DC theatre scene since 1991when the company presented Sweeney Todd at Gunston. In 1992 it presented the Stephen Sondheim/John Weidman collaboration known as Assassins. The show was produced again by Signature in 2006 in their garage space.

We are now at the midpoint of summer and you are most likely looking for something a little bit different to do with your kids before sending them back to school. What if I told you that the Kennedy Center is currently producing a World Premiere Commission that is both entertaining and educational? I hope you'd say 'Tell me more!' because I have plenty to say about this brand new musical for all ages called Earthrise. The production was created to commemorate the 50th anniversary of the Apollo 11 launch.

In order to pull off a successful solo show there are a few things you absolutely need to have.

The Theatre Lab School of the Dramatic Arts as part of their Summer Musical Institute for Teens presents a World Premiere Musical entitled Alix in Wonderland: A Gender Journey Down the Rabbit Hole.

Today's subject Mike Daisey is probably best known here in the DC area for his many magnificent monologues that he has performed at Woolly Mammoth Theatre Company. These appearances include The Agony and Ecstasy of Steve Jobs, How Theater Failed America, and The Trump Card. He is currently living his theatre life at Arena Stage where he is performing his epic A People's History as part of Capital Fringe's Curated Series. The show runs through July 21st.

Today's subjects Dana P. Rowe and John Dempsey are currently living their theatre lives as the writing team for the excellent swashbuckling World Premiere Musical Blackbeard at Signature Theatre. The production runs through July 14th in the MAX.

Master monologist Mike Daisey is known locally for his many performances at Woolly Mammoth Theatre Company. When you go to a Mike Daisey performance you expect to continue the conversation afterwards. His stuff is that thought provoking and is always spot on.