A DOL HOUSE to Open at The Big House, Exposing UK Youth Care Crisis
BAFTA-winner David Watson and director Maggie Norris bring the Islington production to life with three programme alumni.
The Big House will present A DoL House, a new drama examining the escalating problems of Deprivation of Liberty Orders in the UK. Performances will run at The Big House, 17 June - 11 July 2026.
Drawn from real-life interviews with High Court judges, legal experts, and young care-leavers, A DoL House pulls back the curtain on the UK's hidden youth care crisis. This gritty new drama from BAFTA-winner David Watson (L8r, Housed) steps inside the secret world of Deprivation of Liberty (DoL) orders – legal measures that authorise the severe restriction of a teenager's freedom by locking doors, confiscating phones, and enforcing constant surveillance in the name of safety. Fifteen-year-old Leyla, a fierce but frightened teenage girl, is confined to a dank, unregistered placement home, stripped of her basic rights and under 24/7 watch by untrained agency staff resulting in a claustrophobic battle of wills. Performed by a cast of three alumni of The Big House who have built careers in the creative industries through the organisation's Open House programme that supports care affected young people, A DoL House ultimately asks: when does state protection become absolute control?
The production mirrors the hundreds of teenagers trapped in similar situations across England, where a severe care crisis has led to a 13-fold increase in Deprivation of Liberty (DoL) orders over seven years. Originally high-court emergency measures for extreme self-harm risks, these orders now plug gaps left by collapsed mental health services and a shortage of secure housing. As a result, children with complex trauma and unmet needs face 24/7 surveillance, restraint, and isolated communication. Crucially, due to a lack of local authority provision, these teenagers are being placed in illegal, unregistered homes run by untrained staff, prioritizing containment over therapeutic support, with roughly a third of children in these unregistered settings subject to DoL orders. This information is drawn from research conducted by the Nuffield Family Justice Observatory (FJO) and reports from the Children's Commissioner for England.
Writer David Watson said, “The young people subject to these orders are sat in unregulated placements, watched for twenty-four hours a day. It's something of that claustrophobia with which we hope to confront the audience. I think they'll be shocked at what's happening under the radar in the name of care; I know I was. I hope they'll be moved at the plight of Leyla and the young people she stands for. There's an absurdity to the situation, too, which brings its own strange comedy, and I know the actors are doing a brilliant job of bringing out all its different shades. I can't wait to see more light shed on DoL orders, and to see an audience enter our DoL's house.”
David Watson is a BAFTA award-winning playwright and screenwriter. Previously for the Big House, David wrote Mission, The Ballad of Corona V, Knife Edge, and he co-wrote the book for musical The Realness. He has written extensively for community and prison companies, with work including Housed (Old Vic Community Company) and Henrietta (Cardboard Citizens.) Other plays for the stage include Pieces of Vincent (Arcola/Paines Plough), Flight Path (Bush/Out of Joint) and Just a Bloke (Royal Court Young Writers Festival.) His adaptations include Ibsen's Ghosts (Home, Manchester), I Was a Rat (Birmingham Rep) and Dick Whittington (Stratford East). Short plays of David's have been produced by venues including the Kiln, the Royal Court and the Lyric Hammersmith. For television, he wrote for three series of L8R (Actorshop/BBC Education), winner of three Children's BAFTAs. He wrote the screenplay for short film The Hope Rooms (Rather Good Film/Bill Kenwright Productions). He is under commission to the Hampstead Theatre and has work in development with PW Productions and Mammoth Screen.
The Big House is a London-based production company and arts charity creating original, risk-taking work with care-affected young people. With smash-hit runs at the Edinburgh Fringe, national tours in partnership with the UK's leading regional venues, and extraordinary site-specific productions, The Big House consistently produces “world-class” work charged by the lived experience of their membership. The Big House has received six Off West End Awards, the Centre for Social Justice Born to Be Award, two international LOVIE Awards, the Achates Corporate Philanthropy Prize, and was the Department for Digital, Media, Culture and Sport's 2025 Charity of the Year.
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