Cyrano de Bergerac Revival 1932 - Articles Page 2

The epic story of King Henry V's battle with the French during the Hundred Years' War comes alive for the first time at the Folger Theatre, in William Shakespeare's historical drama Henry V. The production, directed by Robert Richmond (Othello and Henry VIII at the Folger), stars Zach Appelman (War Horse on Broadway) in his Folger Theatre debut as Henry V, and will run from tonight, January 22 - March 3, 2013.

The epic story of King Henry V's battle with the French during the Hundred Years' War comes alive for the first time at the Folger Theatre, in William Shakespeare's historical drama Henry V. The production, directed by Robert Richmond (Othello and Henry VIII at the Folger), stars Zach Appelman (War Horse on Broadway) in his Folger Theatre debut as Henry V, and will run from January 22 - March 3, 2013.

The Irish Repertory Theatre (132 West 22nd Street) continues its sixth season of the Irish Rep Reading Series, with a free reading of JOHN STEINBECK'S THE PASTURES OF HEAVEN -- Octavio Solis's adaptation of the novelist's collection of short stories, first published in 1932 -- today, October 26 at 3 p.m. at the Irish Repertory Theatre (132 West 22nd Street).

The Irish Repertory Theatre (132 West 22nd Street) continues its sixth season of the Irish Rep Reading Series, with a free reading of JOHN STEINBECK'S THE PASTURES OF HEAVEN -- Octavio Solis's adaptation of the novelist's collection of short stories, first published in 1932 -- on Friday, October 26 at 3 p.m. at the Irish Repertory Theatre (132 West 22nd Street).

Passage Theatre Company, Trenton's only professional theater company, will wrap up its 2011-2012 season with Slippery as Sin, running from May 17 to June 3. David Lee White's comic thriller will be directed by Adam Immerwahr - the same team that delivered the 2010 smash hit, Blood: A Comedy.

Love! Rivalry! Politics! Pacific Lyric Association presents Luisa Fernanda, the last of the great Spanish zarzuelas by Federico Moreno Torroba. Four fully-staged performances of the complete libretto by Federico Romero and Guillermo Fernandez Shaw will take place at the 1000-seat Ricardo Montalban Theatre in Hollywood, February 19-21. Traveling from Spain to conduct the orchestra is the son of the composer, Federico Moreno-Torroba Larregla. Performances will be in Spanish with English supertitles. A zarzuela (pronounced zar zway' la) is a Spanish musical that blends the brilliance of Broadway with the passion of opera. The art form had its inception near Madrid in the 1640s. Legend says the name originates from a pavilion overgrown with blackberry bushes (zarzas) in a remote section of the city's El Prado Park, where actors gathered to present plays and entertain King Philip IV. Influenced over the centuries by Italian and French musical styles, but retaining a distinct personality, zarzuelas flourished as a popular entertainment in the 1920s and '30s. 'Unlike opera, zarzuelas are a form of populist entertainment,' explains Pacific Lyric Association artistic director, Madrid-born Carlos Oliva. 'The role of the story and dialogue is equally important to that of the singing and music - it's an early form of musical theater. It is paramount that the performers be strong actors as well as singers.'

Love! Rivalry! Politics! Pacific Lyric Association presents Luisa Fernanda, the last of the great Spanish zarzuelas by Federico Moreno Torroba. Four fully-staged performances of the complete libretto by Federico Romero and Guillermo Fernandez Shaw will take place at the 1000-seat Ricardo Montalban Theatre in Hollywood, February 19-21. Traveling from Spain to conduct the orchestra is the son of the composer, Federico Moreno-Torroba Larregla. Performances will be in Spanish with English supertitles. A zarzuela (pronounced zar zway' la) is a Spanish musical that blends the brilliance of Broadway with the passion of opera. The art form had its inception near Madrid in the 1640s. Legend says the name originates from a pavilion overgrown with blackberry bushes (zarzas) in a remote section of the city's El Prado Park, where actors gathered to present plays and entertain King Philip IV. Influenced over the centuries by Italian and French musical styles, but retaining a distinct personality, zarzuelas flourished as a popular entertainment in the 1920s and '30s. 'Unlike opera, zarzuelas are a form of populist entertainment,' explains Pacific Lyric Association artistic director, Madrid-born Carlos Oliva. 'The role of the story and dialogue is equally important to that of the singing and music - it's an early form of musical theater. It is paramount that the performers be strong actors as well as singers.'