The best-selling book comes to life in the musical satire, SPANK! The Fifty Shades Parody, on the Colonial stage March 14 to March 16 at 8pm. Contains mature content.
HUGHIE, by Eugene O'Neill, shines in a handsome production at Shakespeare Theatre Company in Washington, D.C. Lead by Emmy-winner, Richard Schiff HUGHIE is an O'Neill curiosity that is worth seeing. Just ignore the voice-overs, please.
Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.
Manfred Honeck will make his Philharmonic debut conducting Braunfels's Suite from Fantastic Apparitions on a Theme by Berlioz; Grieg's Piano Concerto, with Jean-Yves Thibaudet as soloist; and Beethoven's Symphony No. 7 tonight, January 3, 2013, at 7:30 p.m.; Friday, January 4 at 8:00 p.m.; and Saturday, January 5 at 8:00 p.m.
Broadway's Cort Theatre (138 West 48th Street), just celebrated its 100th Anniversary yesterday, December 20th. The theatre, which opened on December 20, 1912 with a Peg O'My Heart starring Laurette Taylor, is currently home to the Broadway Premiere of Grace, which will end its limited engagement on January 6, 2013. It will next be home to the World Premiere production of Truman Capote's Breakfast at Tiffany's, a new play written by Richard Greenberg, which starts performances on Monday, March 4 and opens on Wednesday, March 20. The Cort Theatre is owned and operated by The Shubert Organization.
Check out photos from the celebration below!
Broadway's Cort Theatre (138 West 48th Street), will celebrate its 100th Anniversary tomorrow (Thursday, December 20th). The theatre, which opened on December 20, 1912 with a Peg O'My Heart starring Laurette Taylor, is currently home to the Broadway Premiere of Grace, which will end its limited engagement on January 6, 2013. It will next be home to the World Premiere production of Truman Capote's Breakfast at Tiffany's, a new play written by Richard Greenberg, which starts performances on Monday, March 4 and opens on Wednesday, March 20. The Cort Theatre is owned and operated by The Shubert Organization.
Manfred Honeck will make his Philharmonic debut conducting Braunfels's Suite from Fantastic Apparitions on a Theme by Berlioz; Grieg's Piano Concerto, with Jean-Yves Thibaudet as soloist; and Beethoven's Symphony No. 7 on Thursday, January 3, 2013, at 7:30 p.m.; Friday, January 4 at 8:00 p.m.; and Saturday, January 5 at 8:00 p.m.
Beginning this month, the University of Cincinnati College-Conservatory of Music (CCM) will celebrate the iconic work and enduring legacy of composer Kurt Weill with an unprecedented series of events. Opening on Friday, Oct. 19, and running through Tuesday, March 12, CCM's Kurt Weill Festival will incorporate the renowned theatre composer into a broad range of both public performances and classroom exercises.
Westport Country Playhouse will present two Script in Hand play readings this autumn with the family comedy, "Over the River and Through the Woods" by Joe DiPietro, on Monday, November 12, 7 p.m., and the romantic comedy, "The Philadelphia Story" by Philip Barry, on Monday, December 10, 7 p.m. Anne Keefe, Playhouse artistic advisor, will direct both readings. Casting will be announced soon.
The writing team of a new Broadway-bound musical, inspired by the once shockingly explicit 1928 D.H. Lawrence masterpiece, Lady Chatterley's Lover, is turning to the Internet to fundraise for an industry reading to be held in New York City in late fall. With its notarity abroad and questionable content at the time of its conception, the music and content aims to bring a story to the stage that bridges the gap between so many of our personal and internal battles and unite us in a constant search for spiritual love and the drive that empowers us to find it.
Today we are talking to Patricia Kelly, the widow of one of the most iconic and influential performers in entertainment history, Gene Kelly, all about her husband's incomparable career on Broadway and in Hollywood, in honor of his centennial. Tracing Gene Kelly's journey from his theatre roots starring in Cole Porter's LEAVE IT TO ME!, Rodgers & Hart's PAL JOEY and William Saroyan's Pulitzer Prize-winning THE TIME OF YOUR LIFE on Broadway to his unforgettable screen appearances in many of the greatest movie musicals ever made - COVER GIRL, SINGIN' IN THE RAIN, THE PIRATE, AN AMERICAN IN PARIS and many more included - Mrs. Kelly gives us a look into the life of one of the most important artists of the twentieth century. In addition to behind-the-scenes stories involving Kelly's frequent collaborators - such as esteemed director Vincente Minnelli, songwriter and producer Arthur Freed, arranger Saul Chaplin and others - Mrs. Kelly also shares candid anecdotes involving her husband's involvement with directing Rodgers & Hammerstein's FLOWER DRUM SONG on Broadway, helming the feature film adaptation of HELLO, DOLLY! starring Barbra Streisand, as well as his appearing in two idiosyncratic movie musicals later in his life, LES DEMOISELLES DE ROCHEFORT (THE YOUNG GIRLS OF ROCHEFORT) for Jacques Demy, as well as his au revoir to movie musicals in form of the Olivia Newton-John roller disco starrer XANADU. Additionally, Mrs. Kelly fills us in on all the details about this weekend's two-night Gene Kelly retrospective celebration, which she leads and narrates, as part of GENE KELLY @ 100 and her future plans for the multimedia presentation - each evening titled AN EVENING OF GENE KELLY and CHANGING THE LOOK OF DANCE ON FILM, respective - as she begins to tour the show across the country. Plus, reflections on SINGIN' IN THE RAIN's 60th anniversary and the recent Fathom HD premiere presentation in theaters, the impact of Kelly's work behind the camera, his choreographic legacy, what a legend is like at home, memories of attending the opening night of THE PHANTOM OF THE OPERA (starring HELLO, DOLLY! lead Michael Crawford), what the master would say about GLEE, SMASH, BUNHEADS and today's movie musical renaissance, as well as much, much more!
Center Theatre Group Artistic Director Michael Ritchie has set the 2012-2013 season at the CTG/Kirk Douglas Theatre in Culver City. In a season of contrasts - of surprising comedy and startling drama, the 2012-2013 season at the Kirk Douglas Theatre will include the magical and mystical hi-jinks of the CTG-commissioned "Elephant Room" by Trey Lyford, Geoff Sobelle and Steve Cuiffo; the acclaimed Gate Theatre Dublin production of the Beckett classic "Krapp's Last Tape" with one of Britain's greatest actors, John Hurt; the comic genius of The Second City with their unique, satirical twist on a Dickens's favorite - "A Christmas Carol: Twist Your Dickens!" written by Peter Gwinn and Bobby Mort; the world premiere of the otherworldly drama "The Nether" by the 2012 Susan Blackburn Smith prize-winning playwright Jennifer Haley; and the world premiere of the powerful boxing drama "The Royale" by Los Angeles playwright Marco Ramirez.
It's officially summer come June and this summer season promises to be an active one at the Frist Center. Next month kicks off with the opening of Metamorphoses: Drawings by Erin Anfinson, Kristi Hargrove, Mark Hosford, and Chris Scarborough in the Conte Community Arts Gallery, and is shortly followed by the opening of Constable: Oil Sketches from the Victoria and Albert Museum on June 22. The Frist has collaborated with Watkins College on an quilting workshop with edgy quilter Ben Venom and the second installment of Frist Fridays on June 29th features Sam Bush with special guest Lera Lynn.
The Public Theater will begin previews for the world premiere production of FEBRUARY HOUSE, with music and lyrics by Gabriel Kahane and book by Seth Bockley, on Tuesday, May 8 in The Public's Martinson Theater. Directed by Davis McCallum, FEBRUARY HOUSE runs through Sunday, June 10, with an official press opening on Tuesday, May 22. Tickets are on sale now at (212) 967-7555, www.publictheater.org, or in person at The Public Theater box office.
Joyce SoHo is set to present its Spring/Summer '12 season featuring a riveting line-up of the dance world's most innovative choreographers and companies.
The Frist Center for the Visual Arts celebrates its tenth year and continues to gain prominence as a major center for art exhibitions with the 2011 Ingram Gallery exhibition schedule that includes the Frist-organized Vishnu: Hinduism's Blue-Skinned Savior, Warhol Live: Music and Dance in Andy Warhol's Work and the stunning exhibition of Egyptian antiquities, To Live Forever: Egyptian Treasures from the Brooklyn Museum.
Joyce SoHo is set to present its Spring/Summer '12 season featuring a riveting line-up of the dance world's most innovative choreographers and companies.
Headlining the most successful entertainment of all time, THE PHANTOM OF THE OPERA, Michael Crawford was actually not the first name the creative team considered for the gothic musical undertaking during its creation in the mid-1980s, believe it or not. Steve Harley famously recorded the original single of the title song with composer Lord Andrew Lloyd Webber's muse Sarah Brightman and subsequently starred in the grandiose Ken Russell fever dream music video. While the public and critics alike assumed Harley's bid for the lead role in the gestating show was all but guaranteed after the video debut, it was not meant to be. Master director Hal Prince had his sights set on a British stage and screen star who had made a name with American audiences decades before in the troubled film versions of two Broadway hits - A FUNNY THING HAPPENED ON THE WAY TO THE FORUM and HELLO, DOLLY! - as well as made a name for himself the world over in the British sitcom SOME MOTHERS DO 'AVE 'EM. Crawford had also cemented his place in the musical theatre with his roles in FLOWERS FOR ALGERNON and BILLY, but it was PHANTOM that would catapult him into the ranks of iconic musical megastar. So, today, let us take a look at what made Michael Crawford's performance in THE PHANTOM OF THE OPERA so unforgettable as we celebrate this week's US release of the simply spectacular DVD/Blu-ray of the 25th anniversary production mounted late last year at the Royal Albert Hall starring Ramim Karimloo and Sierra Boggess, loving assembled and presented by original lead producer Cameron Mackintosh and featuring a grand finale complete with original PHANTOM cast-members Sarah Brightman and Michael Crawford, among a host of other glories.
The Frist Center for the Visual Arts celebrates its tenth year and continues to gain prominence as a major center for art exhibitions with the 2011 Ingram Gallery exhibition schedule that includes the Frist-organized Vishnu: Hinduism's Blue-Skinned Savior, Warhol Live: Music and Dance in Andy Warhol's Work and the stunning exhibition of Egyptian antiquities, To Live Forever: Egyptian Treasures from the Brooklyn Museum.
Berkshire Theatre Group will celebrate Elvis Presley's birthday with two of the finest Elvis Impressionists around, Mike Albert and Scot Bruce, backed by the Big "E" Band, on January 13th at 8pm at The Colonial Theatre.
Joyce SoHo is set to present its Spring/Summer '12 season featuring a riveting line-up of the dance world's most innovative choreographers and companies.
The Frist Center for the Visual Arts celebrates its tenth year and continues to gain prominence as a major center for art exhibitions with the 2011 Ingram Gallery exhibition schedule that includes the Frist-organized Vishnu: Hinduism's Blue-Skinned Savior, Warhol Live: Music and Dance in Andy Warhol's Work and the stunning exhibition of Egyptian antiquities, To Live Forever: Egyptian Treasures from the Brooklyn Museum.
Berkshire Theatre Group will celebrate Elvis Presley's birthday with two of the finest Elvis Impressionists around, Mike Albert and Scot Bruce, backed by the Big "E" Band, on January 13th at 8pm at The Colonial Theatre.
The Frist Center for the Visual Arts celebrates its tenth year and continues to gain prominence as a major center for art exhibitions with the 2011 Ingram Gallery exhibition schedule that includes the Frist-organized Vishnu: Hinduism's Blue-Skinned Savior, Warhol Live: Music and Dance in Andy Warhol's Work and the stunning exhibition of Egyptian antiquities, To Live Forever: Egyptian Treasures from the Brooklyn Museum.
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).
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