Copenhagen 2000 - Articles Page 15

'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice.

'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice. Mozart's music proves it; God had broken their pact. Salieri now makes a terrible new vow: to block God on earth and teach Him a lesson, using Mozart as the means to that end.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice.

TimeLine Theatre Company, dedicated to presenting plays inspired by history that connect to today's social and political issues, has finalized its four-play 2010-11 season. The Chicago premiere of In Darfur by Winter Miller, directed by Nick Bowling, joins three previously released titles: The Chicago premiere of Frost/Nixon by Peter Morgan, the world premiere of Mastering the Art by William Brown and Doug Frew, and The Front Page by Ben Hecht and Charles MacArthur.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The New York Philharmonic will present its seventh season of Summertime Classics, with nine themed concerts, conducted and hosted by Bramwell Tovey, June 29-July 10, 2009. The first program (June 29-30), entitled 'From Russia with Love,' will offer music by great Russian composers such as Prokofiev, Tchaikovsky, and Glazunov, with the Philharmonic debut of violinist Mikhail Simonyan performing Tchiakovsky's Violin Concerto.

TimeLine Theatre Company, dedicated to presenting plays inspired by history that connect to today's social and political issues, announces three of the four plays of its 2010-11 season, including the previously announced Chicago premiere of Peter Morgan's Frost/Nixon, the world premiere of a new play commissioned by TimeLine and written by William Brown and Doug Frew, and the return of a true Chicago classic.

The Napa Valley Opera House is pleased to present an evening with Elvis Costello solo. In one of the most intimate stops on his Spring 2010 tour, Costello will songs from his vast 30-year musical career. This show is generously sponsored in part by Jonesy's Steak House in Napa.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

Signature Theatre presents Doug Wright's I Am My Own Wife, winner of the 2004 Pulitzer Prize and Tony Award®, starring Helen Hayes Award-winner Andrew Long and directed by Alan Paul, January 12 through March 7, 2010 in the company's intimate ARK Theatre.

Arizona Theatre Company's post-show discussion at [title of show] following the performance on Thursday, March 4 at 7:30 PM will feature the creators and original stars themselves, Jeff Bowen and Hunter Bell; and original keyboardist and musical arranger Larry Pressgrove.

THEATER FOR THE NEW CITY PRESENTS 'REVOLUTION!?' Theater spectacle with puppetry and circus arts examines revolutions throughout history as a backdrop for the extraordinary peaceful 1989 Velvet Revolution in former Czechoslovakia.

Arizona Theatre Company's post-show discussion at [title of show] following the performance on Thursday, March 4 at 7:30 PM will feature the creators and original stars themselves, Jeff Bowen and Hunter Bell; and original keyboardist and musical arranger Larry Pressgrove.

GERING & LóPEZ GALLERY's debut solo exhibition of New York-based artist Todd James will run through February 20.

Tickets are currently available for all American Express customers for Roundabout's upcoming production of LIPS TOGETHER, TEETH APART. The presale began February 15th for all cardholders and will last through February 20th.

Roundabout Theatre Company (Todd Haimes, Artistic Director) is pleased to announce Terrence McNally's comedy Lips Together, Teeth Apart will star Megan Mullally (Chloe Haddock), Patton Oswalt (Sam Truman), Lili Taylor (Sally Truman) and David Wilson Barnes (John Haddock).

Imagine two hyper-talented young songwriters in New York trying to write a new musical about two hyper-talented young songwriters in New York trying to write a new musical?!

The Segal Theatre is excited to launch the new year with the Montreal English premiere of Geometry in Venice, an intelligent and moving play featuring a stellar director, cast and design team. Performances will be from January 31 to February 14.

THEATER FOR THE NEW CITY PRESENTS 'REVOLUTION!?' Theater spectacle with puppetry and circus arts examines revolutions throughout history as a backdrop for the extraordinary peaceful 1989 Velvet Revolution in former Czechoslovakia.