Tom Stoppard News

Billy Crudup and Raúl Esparza, currently appearing onstage together in the critically acclaimed revival of Tom Stoppard's ARCADIA directed by David Leveaux, appeared on Bloomberg's 'The Charlie Rose Show' last night. Click here to watch the interview!

First Stage Theater Academy's Young Company presents AN EVENING OF YOUNG COMPANY SHORTS with performances on Friday, May 6 at 7 p.m. and Saturday, May 7 at 3:30 and 7 p.m. at the Milwaukee Youth Arts Center, 325 W. Walnut St. in Milwaukee.

Billy Crudup and Raúl Esparza, currently appearing as onstage together in the critically acclaimed revival of Tom Stoppard's ARCADIA directed by David Leveaux, will appear on 'The Charlie Rose Show' tonight, April 19 (11PM on WNET in NYC, check listings).

MetroStage Presents The Real Inspector Hound opening April 20. The Real Inspector Hound, by Tom Stoppard, is his hilarious send-up of a classic English manor murder mystery. In this play-within-a-play, two competing theatre critics, Moon and Birdboot, are ready to review this latest production when they unwittingly become more deeply involved than anyone expected.

The University of Cincinnati College-Conservatory of Music (CCM) is pleased to announce details for the 2011-12 CCM Mainstage Series of drama, musical theatre and opera productions.

Beowulf Alley Theatre, at 11 South 6th Avenue, 85701, will hold its 2011-2012 general auditions on Saturday, April 16, at the Theatre. Auditions will be held for our Main Stage productions as well as our other programs.

The Collegiate Chorale presents its 2011 Spring Concert Something Wonderful: An Evening of Broadway with Deborah Voigt, with featured guest artist Paolo Szot, conducted by Ted Sperling with the American Symphony Orchestra on Thursday, May 19, 2011 at 7pm at Carnegie Hall.

The Public Theater (Oskar Eustis, Artistic Director; Joey Parnes Interim Executive Director) announced the final Public Forum evening of the season, 'Tony Kushner and Oskar Eustis in Conversation,' on Sunday, March 8 at 8 p.m. In his new play, The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures, Kushner writes movingly about politics and family in America today-plus unions, real estate and love. On Sunday, May 8, Kushner and Eustis will discuss these topics and more, with an introduction by special guest host Cynthia Nixon. Public Forum single tickets are $25 and go on sale beginning Thursday, April 21 at (212) 967-7555 or www.publictheater.org.

ARCADIA playwright Tom Stoppard's TimesTalk will air throughout the weekend on CUNY-TV (Time Warner Cable Channel 75). The discussion, moderated by the New York Times' Pat Healy, will air today, April 8 at 4 & 10 PM; Sunday late night, April 10 at 12:15 AM; and Thursday, April 14 at 4 AM.

Atlantic Theater Company (Neil Pepe, Artistic Director; Jeffory Lawson, Managing Director) is proud to announce that Academy Award® nominee Chris Sarandon, Jason Butler Harner and Ben Rosenfield will join Academy Award® and Golden Globe Award® nominee Carey Mulligan in the U.S. premiere of the play THROUGH A GLASS DARKLY, based on the Academy Award® winning Ingmar Bergman film adapted for the stage by Jenny Worton.

WaterTower Theatre Producing Artistic Director Terry Martin today announced casting details for Shooting Star which will be performed on the Main Stage May 27 - June 26, 2011.

MetroStage Presents The Real Inspector Hound opening April 20. The Real Inspector Hound, by Tom Stoppard, is his hilarious send-up of a classic English manor murder mystery. In this play-within-a-play, two competing theatre critics, Moon and Birdboot, are ready to review this latest production when they unwittingly become more deeply involved than anyone expected.

ARCADIA playwright Tom Stoppard's TimesTalk will air throughout the weekend on CUNY-TV (Time Warner Cable Channel 75). The discussion, moderated by the New York Times' Pat Healy, will air today, April 8 at 4 & 10 PM; Sunday late night, April 10 at 12:15 AM; and Thursday, April 14 at 4 AM.

Publick Theatre Boston (http://www.publicktheatre.com), a resident company of the Boston Center for the Arts (BCA), presents the East Coast premiere of 9 Circles, the timely and dazzling new play by Bill Cain (Founder of Boston Shakespeare Company) March 17 - April 9, 2011 at the BCA Plaza Theatre, 539 Tremont Street, South End Boston.

Theatre veterans Kenneth Branagh and Rob Brydon are set to star in The Painkiller at the Lyric Theatre. The production will be a new adaptation of the Francis Veber work by Sean Foley. The show will open on September 29.

A Columbia literary scholar with a passion for the punctuation used in Keats' poetry starts dating a personal trainer who has moved to New York from Ireland.  Sounds like the beginning of a romantic comedy about a seemingly mismatched pair trying to get their conflicting worlds to mesh.

Andrew Upton's adaptation of Mikhail Bulgakov's 1926 novel turned play The White Guard, commissioned by London's National Theatre (where it played to five-star reviews last year), is presented in a new production directed by Upton at Sydney Theatre from 7 June to 10 July.

According to Deadline.com, Obie winer Aasif Mandvi is set to write a book of semi-autoiographical essays. As descried by Deadline: 'topics include a young Indian boy's dream of becoming The Fonz, and what it's like for a Muslim child to move from Mumbai with his family to US in search of the American dream.'

Following the opening of Terence Rattigan's Flare Path, the Theatre Royal Haymarket Company today (1 April 2011) announce a further two productions to be directed by Trevor Nunn in his role as Artistic Director. After a three week run at the Chichester Festival Theatre, Nunn's production of Tom Stoppard's Rosencrantz and Guildenstern Are Dead comes to the Theatre Royal Haymarket in June, followed in September by William Shakespeare's The Tempest. Further productions in the season will be announced shortly.

This week, I had the pleasure of seeing Tom Stoppard's masterpiece, Arcadia, at the Ethel Barrymore Theatre. As the idea of time was deconstructed onstage, I began to think back to the other evenings I'd spent in this same place, and the other shows I'd seen here. My memories were vivid, and suddenly it was if I was watching not just Arcadia, but the other four Broadway shows I had previously seen performed on this stage, all entwined together and coexisting in a gorgeous and epic theatrical dance.