Peggy Billo News

The votes have been counted... Check out the fill list of winners for the 2017 BWW Regional Awards!

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Perhaps the best way to approach Dickens' venerable A CHRISTMAS CAROL is straight-forward, with a generous helping of music, sterling performances, and some cool effects to liven up the proceedings. After all, the story, which dates from 1843, has been reworked, parodied, and used as a device by nearly every sitcom and animated show ever made. So, what's old seems new again in The Repertory of St. Louis' current presentation for the holidays. And, what a treat it is. David H. Bell's adaptation is faithful to the spirit and language of the story, which occurs when the industrial revolution has wreaked havoc on the lives of both the old and young. Filled with energy and enthusiasm, this is an absolute must-see for the Christmas season!

Due to unprecedented advance ticket sales, STAGES St. Louis is thrilled to announce the addition of a special matinee performance to the original Sister Act show schedule. A conscious effort to meet patron demand, this extra show marks the first additional matinee STAGES has put on in its 30 year history. The added performance will be held on Thursday, September 29th at 2pm.

There's a real reason to rejoice for everybody's favorite nun, Deloris Van Cartier, is coming to STAGES to stir up her special brand of habit-forming fun! Playing September 9-October 9 at the Robert G. Reim Theatre in Kirkwood, Sister Act will close STAGES' 30th Anniversary Season with the gift of laughter, the power of music, and a touch of heavenly inspiration.

Apparently, due to legal issues with rights that had to be worked out, this version of YENTL, based on the short story "Yentl, the Yeshiva Boy" written by Isaac Bashevis Singer (book by Leah Napolin and Singer), cannot be referred to in its title as a musical. It all has to do with Barbra Streisand's dreary and dreadful (although some people adore it) 1983 musical film version. But, there's no confusing the two once you see this utterly charming adaptation. It adheres closely to Singer's work, while the film veers off into a direction which not only makes little sense, but also butchers the author's intent. That's a shame, but when you're writing, directing, starring, etc, you can tend to lose sight of the actual story, turning it instead into a nothing more than a self-serving star vehicle. Jill Sobule's music (she composed "I Kissed a Girl", oddly enough) provides a genre-hopping mix of styles that may, at times, seem anachronistic, but which serve the tale very well. The New Jewish Theatre's current production is a delight, and I heartily recommend it.

Following its recent 2016 Arts Organization Award from the Missouri Arts Council and five St. Louis Theater Circle Awards, STAGES St. Louis has announced casting for its celebratory 30th Anniversary Season: It Shoulda Been You, The Drowsy Chaperone, and Sister Act.

My Fair Lady opened last night, June 15 where it will run through June 21 as the opening production of The Muny's 97th summer season. Check out photos from the after party below!

My Fair Lady opened last night, June 15 where it will run through June 21 as the opening production of The Muny's 97th summer season. Check out highlights below!

My Fair Lady opened last night, June 15 where it will throughJune 21 as the opening production of The Muny's 97th summer season. Check out a first look below!

My Fair Lady (running tonight, June 15, through June 21) is the opening production of The Muny's 97th summer season. 

The Muny announced today the complete cast for its production of Alan Jay Lerner (book & lyrics) and Frederick Loewe's (music) classic My Fair Lady. The production will be directed by Marc Bruni, choreographed by Chris Bailey and music directed by Ben Whiteley.

The Repertory Theatre of St. Louis' artistic director, Steven Woolf, always has a knack for finding a classic, sometimes a neglected one, to present each season. This year it's Terence Rattigan's revered play THE WINSLOW BOY, which some will remember from various revivals and film versions (1948 & 1999), and which stands out as a dramatic piece fraught with injustice. It's a story, based on fact, that is still as relevant today as it was when it was written. A splendid cast and keenly sharpened direction combine to provide a very compelling piece of theatre.

The Repertory Theatre of St. Louis presents The Winslow Boy by Terence Rattigan and directed by Steven Woolf. Based on a true events, The Winslow Boy will be performed on the Browning Mainstage of the Loretto-Hilton Center for the Performing Arts, 130 Edgar Road (on the campus of Webster University), Webster Groves, February 11-March 8, 2015.