Seymour Hicks

As my hand was turning to mincemeat while writing personal notes in Christmas card after Christmas card, I persevered, knowing that at the end of my travails there would be a reward: A much anticipated performance of Theatre Memphis' annual 'gift' to Memphis, Charles Dickens' venerable A CHRISTMAS CAROL. I must admit: I have not attended every performance of that classic since its inception. I have, however, infrequently stopped to hang my wreath at its door; and I've seen some fine 'Ebeneezers' over the years (I recall a former teaching colleague, Tom Ford, offering a tight, clipped interpretation and, of course, one of the best and most frequent of the actors donning those tattered gloves, Memphis acting favorite Barry Fuller). As I wrote card after card, I began to think about all the other interpretations of A CHRISTMAS CAROL that I have encountered through the years - Seymour Hicks; Reginald Owen (in the role MGM intended for an ailing Lionel Barrymore, who had become famous for his radio performance and who would have, no doubt, been superior; a not-all-that-bad consolation prize was his equally tight-fisted 'Mr. Potter' in Frank Capra's IT'S A WONDERFUL LIFE); Orson Welles (in a Mercury Theatre radio performance); Sir Ralph Richardson (a beautiful audio recording); Alastair Sim (in the early 1950's British film and offering my favorite interpretation of the role; Danny Peary, in his fascinating ALTERNATE OSCARS, selects him as Best Actor for that performance); and, certainly, George C. Scott, in what was considered to be the version to end all versions. (And does anyone recall Jim Backus' 'Mr. Magoo' in a delightful animated musical television special back in the 1960's?)

Following her sell-out production of J.M. Barrie's What Every Woman Knows at the Finborough Theatre in July this year, director Louise Hill returns to the Finborough Theatre with another rediscovery of a classic comedy by J.M. Barrie to celebrate the 150th anniversary of his birth - his magical 1901 play Quality Street, opening on 30 November 2010 (Press Night: Thursday, 2 December 2010 at 7.30pm) as part of the Finborough Theatre's 30th anniversary year.

Following her sell-out production of J.M. Barrie's What Every Woman Knows at the Finborough Theatre in July this year, director Louise Hill returns to the Finborough Theatre with another rediscovery of a classic comedy by J.M. Barrie to celebrate the 150th anniversary of his birth - his magical 1901 play Quality Street, opening on 30 November 2010 (Press Night: Thursday, 2 December 2010 at 7.30pm) as part of the Finborough Theatre's 30th anniversary year.