Natalia Goncharov

Today Sotheby's unveils the full contents of The Collection of Edward Albee, which we are honored to offer in a dedicated auction in New York on 26 September 2017.

Casting for the third and fourth weeks of American Ballet Theatre's 2017 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.

ABT's Resident Choreographer Alexei Ratmansky, who created the version of 'The Golden Cockerel' that had its company premiere on June 6th 2016, is quoted in a Playbill article by Caroline Hamilton as saying, 'This production is overwhelmingly theatrical'. Ah, so that explains why there is virtually no dancing in the entire first act and very little in the second act! A little research reveals that Ratmansky reportedly added more dancing after getting less than laudatory reviews in 2012 when his 'Cockerel' opened in Copenhagen. Yet mime still predominates, which is the legacy of the unwieldy and heavy original costume designs by avant-garde artist Natalia Goncharova for the 1914 and 1937 Ballet Russes opera ballet productions of 'Le Coq d'Or' with choreography by Fokine. (In 1914, 'baby ballerina' Tamara Karsavina danced the role of the Queen of Shemakhan with Enrico Cecchetti as the Astrologer. The Cockerel was a stage prop.)

American Ballet Theatre's 2016 Spring season will be highlighted by a World Premiere work by Alexei Ratmansky, the American Premiere of Ratmansky's The Golden Cockerel and a revival of Frederick Ashton's La Fille mal gardee. Tickets for ABT's Spring Season at the Metropolitan Opera House go on sale at the box office on Sunday, March 20 at 12 Noon.