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Photo Flash: Chimera Ensemble presents the World Premiere of CAM BABY


Matabang and Joseph secretly web-cam girls who rent a room in Joseph's apartment, and share the footage with the Brobonic Union, their secret society of riends. Joseph's having moral misgivings but can't bring himself to possibly lose the friendship of Matabang. When he rents a room to Clara, who's never really had a boyfriend before, the operation is in jeopardy. Then Clara starts dating Tim and a plethora of anonymous strangers are tuning in to their every move online. Touching on issues of privacy, consent, identity, lookism, and the value of women, 'Cam Baby' is a fast-paced ensemble comedy about the selves we create and the stories we watch. CAM BABY is a rich, sensitive tale that explores voyeurism, privacy, and the complexity of relationships in the digital era.

Chimera Ensemble presents Jessica Moss's CAM BABY at Collaboraction Studios


After a provocative first season, Chimera Ensemble is launching into Season Two with the world premiere of CAM BABY, an unsettling comedy written by Jessica Moss, a Lila Acheson Wallace Playwriting Fellow at The Juilliard School. Jesse Roth, renowned in Chicago for her direction of WORLD BUILDERS at First Floor Theater and THE TERRIBLE at the New Colony, will direct.

Photo Flash: Chimera Ensemble's Chicago Premiere of SISTER CITIES


Artistic Director Rainee Denham and Chimera Ensemble are proud to present the Chicago premiere of Colette Freedman's Sister Cities, directed by Ashley Neal, August 20 - September 18 at The Den, 1333 N. Milwaukee.  Sister Cities runs Thursdays - Saturdays at 7:30 p.m. and Sundays at 3 p.m. Ticket prices are $22 - 26. Based on availability, industry tickets are $10 with a headshot and resume presented to the box office for all performances.  

Edinburgh Fest Hit SISTER CITIES to Make Chicago Premiere with Chimera Ensemble


Artistic Director Rainee Denham and Chimera Ensemble are proud to present the Chicago premiere of Colette Freedman's Sister Cities, directed by Ashley Neal, August 20 - September 18 at The Den, 1333 N. Milwaukee.  

Edinburgh Fest Hit SISTER CITIES to Make Chicago Premiere with Chimera Ensemble


Artistic Director Rainee Denham and Chimera Ensemble are proud to present the Chicago premiere of Colette Freedman's Sister Cities, directed by Ashley Neal, August 20 - September 18 at The Den, 1333 N. Milwaukee.  

Genesis Theatrical Productions Opens 'First Generation' Staged Reading Series on 4/25


Genesis Theatrical Productions will open its staged reading series called First Generation on Monday, April 25 at 7:30pm with the Chicago premiere of Exit 27 by Aleks Merilo.

Photo Flash: First Look at MUSE OF FIRE at Redtwist Theatre


In Auschwitz, 1942, Jewish prisoners took it upon themselves at grave personal risk to perform comedy. This is their story, as one group struggles to perform a farce based on the first great anti-Semitic tragedy of the 20th century: the infamous Dreyfus Affair. MUSE OF FIRE runs February 13 to March 13, 2016 at Redtwist Theatre. BroadwayWorld has a first look at the cast in action below!

Cast Announced for MUSE OF FIRE at Redtwist Theatre


In Auschwitz, 1942, Jewish prisoners took it upon themselves at grave personal risk to perform comedy. This is their story, as one group struggles to perform a farce based on the first great anti-Semitic tragedy of the 20th century: the infamous Dreyfus Affair. As the play goes on, and dark secrets begin to emerge about the reason for its performance, those performing must ask themselves, can comedy truly have meaning in the face of horror? Who really has the last laugh? 

Cast Announced for MUSE OF FIRE at Redtwist Theatre


In Auschwitz, 1942, Jewish prisoners took it upon themselves at grave personal risk to perform comedy. This is their story, as one group struggles to perform a farce based on the first great anti-Semitic tragedy of the 20th century: the infamous Dreyfus Affair. As the play goes on, and dark secrets begin to emerge about the reason for its performance, those performing must ask themselves, can comedy truly have meaning in the face of horror? Who really has the last laugh? 

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