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Broadway Grosses - Week Ending 8/24/2014


Updated: August 25, 2014

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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avgerage Paid
Top Ticket
Total Attend.
Total
Seats
Per
This Week
Last Week
Diff %
A GENTLEMAN'S GUIDE TO LOVE AND MURDER
(WALTER KERR)
$898,629
$920,946
$-22,317
$892,240
100.72%
$122.56
$327.00
7,332
7,256
8
101.0%
100.7%
0.3%
ALADDIN
(NEW AMSTERDAM)
$1,512,983
$1,497,976
$15,007
$1,402,576
107.87%
$109.82
$252.50
13,777
13,784
8
99.9%
100.0%
-0.1%
BEAUTIFUL
(STEPHEN SONDHEIM)
$1,282,410
$1,301,425
$-19,015
$1,284,432
99.84%
$158.56
$275.00
8,088
8,208
8
98.5%
98.7%
-0.2%
BULLETS OVER BROADWAY
(ST. JAMES)
$630,257
$635,965
$-5,708
$1,516,040
41.57%
$70.07
$252.00
8,995
13,040
8
69.0%
70.8%
-1.8%
CABARET
(STUDIO 54)
$814,620
$828,681
$-14,061
$984,920
82.71%
$121.48
$350.00
6,706
7,144
8
93.9%
94.2%
-0.3%
CHICAGO
(AMBASSADOR)
$569,511
$627,709
$-58,198
$994,068
57.29%
$80.84
$186.00
7,045
8,640
8
81.5%
88.7%
-7.2%
CINDERELLA
(BROADWAY)
$609,004
$741,574
$-132,570
$1,613,840
37.74%
$73.33
$297.00
8,305
14,008
8
59.3%
72.7%
-13.4%
HEDWIG AND THE ANGRY INCH
(BELASCO)
$648,738
$1,139,903
$-491,165
$787,793
82.35%
$105.06
$248.00
6,175
7,049
7
87.6%
101.8%
-14.2%
IF/THEN
(RICHARD RODGERS)
$688,053
$717,723
$-29,670
$1,290,160
53.33%
$81.59
$223.00
8,433
10,488
8
80.4%
80.3%
0.1%
JERSEY BOYS
(AUGUST WILSON)
$804,364
$808,545
$-4,181
$1,146,588
70.15%
$99.92
$237.00
8,050
9,824
8
81.9%
84.8%
-2.9%
KINKY BOOTS
(AL HIRSCHFELD)
$1,131,425
$1,219,264
$-87,839
$1,486,772
76.10%
$108.55
$349.00
10,423
11,392
8
91.5%
95.2%
-3.7%
LADY DAY AT EMERSON'S BAR & GRILL
(CIRCLE IN THE SQUARE)
$511,741
$506,840
$4,901
$634,260
80.68%
$115.65
$302.00
4,425
4,774
7
92.7%
93.3%
-0.6%
LES MISÉRABLES
(IMPERIAL)
$886,074
$990,003
$-103,929
$1,227,644
72.18%
$95.75
$273.00
9,254
11,272
8
82.1%
89.5%
-7.4%
MAMMA MIA!
(BROADHURST)
$750,128
$809,675
$-59,547
$1,121,208
66.90%
$87.51
$225.00
8,572
9,328
8
91.9%
95.1%
-3.2%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
MATILDA
(SHUBERT)
$1,091,719
$1,127,748
$-36,029
$1,274,820
85.64%
$95.33
$250.00
11,452
11,456
8
100.0%
100.0%
0.0%
MOTOWN THE MUSICAL
(LUNT-FONTANNE)
$979,849
$968,020
$11,829
$1,417,100
69.14%
$94.47
$250.00
10,372
12,056
8
86.0%
84.0%
2.0%
NEWSIES
(NEDERLANDER)
$878,556
$966,603
$-88,047
$1,061,580
82.76%
$94.62
$199.00
9,285
9,480
8
97.9%
100.1%
-2.2%
ONCE
(JACOBS)
$425,535
$453,259
$-27,724
$920,197
46.24%
$75.73
$197.50
5,619
8,472
8
66.3%
72.7%
-6.4%
PIPPIN
(MUSIC BOX)
$614,901
$596,032
$18,869
$1,049,036
58.62%
$84.13
$225.00
7,309
7,920
8
92.3%
88.4%
3.9%
ROCK OF AGES
(HELEN HAYES)
$315,426
$342,772
$-27,346
$535,999
58.85%
$86.04
$197.00
3,666
4,664
8
78.6%
85.3%
-6.7%
THE BOOK OF MORMON
(EUGENE O'NEILL)
$1,606,698
$1,759,420
$-152,722
$1,390,976
115.51%
$183.58
$477.00
8,752
8,528
8
102.6%
102.6%
0.0%
THE LION KING
(MINSKOFF)
$1,955,396
$2,208,482
$-253,086
$1,974,280
99.04%
$143.69
$197.50
13,608
13,600
8
100.1%
98.9%
1.2%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$1,019,608
$1,112,478
$-92,870
$1,514,575
67.32%
$89.07
$200.00
11,447
12,840
8
89.2%
94.6%
-5.4%
THIS IS OUR YOUTH
(CORT)
$365,614
$0
$365,614
$628,232
58.20%
$63.34
$223.00
5,772
7,427
7
77.7%
0.0%
0.0%
WICKED
(GERSHWIN)
$1,795,268
$2,026,702
$-231,434
$1,681,127
106.79%
$127.53
$300.00
14,077
14,472
8
97.3%
94.1%
3.2%
Show
This Week's Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$22,786,507
Avg: $911,460
vs. Last Week:
-6.68%
$24,307,745

Avg: $1,012,823
$-1,521,238
$29,830,463
75.10%
$102.73
AVG.
$260.50
AVG.
216,939
247,122
197
87.97%
.AVG
91.10%
AVG.
-3.14%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..