Review: PORGY AND BESS Raises the Roof at the Metropolitan
When I read that the Met, in the program notes for James Robinson’s production of PORGY AND BESS, called it “a supremely American operatic masterpiece” I couldn’t help but think of Stephen Sondheim’s answer (perhaps apocryphal) when he was asked whether SWEENEY TODD was an opera or a musical: “If it’s done in a theatre, it’s a musical; if it’s in an opera house, it’s an opera.”