Emmeline Downie: Gail
Gail is a satirical character comedy one-woman show centered on Gail Summerfield, a 54-year-old Middle England divorcée and mother from Milton Keynes who is on...
Gail is a satirical character comedy one-woman show centered on Gail Summerfield, a 54-year-old Middle England divorcée and mother from Milton Keynes who is on...
The script itself introduces too many narrative devices to be subtle. In the first 15 minutes, a variety of Chekhov’s Guns is presented to us, and the whole plot unravels before it even kicks in. The show is nonetheless very interesting in its thematic line. With AI featuring in our lives more pro…
Meet Sarah Jones: mediocre artist, terrible friend, compulsive liar, awful narcissist. While her classmates are virtue signalling in order to get into art school, she’s busy being rejected for being herself. Or, is she? Electra Kolb writes an excellent antihero. Her debut play is a piercing examin…
What did our critic think of REPARATIONS at Pleasance Courtyard?…
Moments of quiet reflection explode into frenetic, energetic dance sequences that manifest our protagonist’s inner journey. It creates a poignant, joyous, liberating fluctuation of theatrical rhythm that results in a surprisingly well-calibrated play. It shifts our perspective and urges us away fr…
Highly Suspect are back with another interactive murder mystery (or two) and it's as pun-zzling as ever...…
It might not be as life-changing for you as it is for the kobolds, but it tugs at the heartstrings and might just cheer up your morning.…
Having wowed audiences at a sold-out NYC premiere, this inventive puppet parody lands at the Fringe as the ultimate piece of eco-friendly family fun.…
Captivate Theatre put on a thrilling rendition of Stephen Sondheim's iconic 'Into the Woods'.…
These are the coolest kids on the programme, with a sold-out run at Summerhall and a London transfer on their hands. Bigfoot... duo Xhloe and Natasha deserve every second of the hype they’re getting. Their idiosyncratic brand of absurdist physical theatre is what the Fringe should be. Experimental…
Roo Sutcliffe is funny. Properly funny. Her gags are clever, and her physicality is equally remarkable. Thank goodness her mothers sat through her dramatic readings of The Hungry Caterpillar while she was dressed as Elton John when she was a child and subsequently sold their cat to afford her traini…
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