Producer Clifford Bell (www.Cabarabia.com) brings an eclectic collection of the best of the best working in the Cabaret Scene-Brad Ellis of 'Glee' and 'The Glee Project', recent Emmy nominee for his work on Jason Segel's Muppets Song on 'Saturday Night Live', Eli Brueggemann, the newest musical director, composer and arranger on 'SNL' (www.elibmusic.com), Joanne Tatham, direct from 'Feinstein's At Loews Regency' in New York, with a preview of her new show 'CINEMA NYC: Music From Movies Made In Manhattan' (www.joannetatham.com), Kid Hollywood, a hot new up and coming band generating a lot of buzz (www.kidhollywood.net), and a special appearance by singer-songwriter Sarah White (soundcloud.com/sarah_white), tonight, August 5 at 8 p.m.
Producer Clifford Bell (www.Cabarabia.com) brings an eclectic collection of the best of the best working in the Cabaret Scene-Brad Ellis of 'Glee' and 'The Glee Project', recent Emmy nominee for his work on Jason Segel's Muppets Song on 'Saturday Night Live', Eli Brueggemann, the newest musical director, composer and arranger on 'SNL' (www.elibmusic.com), Joanne Tatham, direct from 'Feinstein's At Loews Regency' in New York, with a preview of her new show 'CINEMA NYC: Music From Movies Made In Manhattan' (www.joannetatham.com), Kid Hollywood, a hot new up and coming band generating a lot of buzz (www.kidhollywood.net), and a special appearance by singer-songwriter Sarah White (soundcloud.com/sarah_white), on Sunday, August 5 at 8 p.m.
If you like your JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT's straight up (no chaser), then the current production playing The Muny may not be your cup of tea. But, if you like it when they give the show a St. Louis twist, then this is your type of musical. I've seen enough productions of this particular show to want something a little different myself, so I was completely charmed by the Muny's take of Andrew Lloyd Webber and Tim Rice's work.
COCA anounces its calendar of upcoming events. To view full calendar, please visit: www.cocastl.org July 23-27 Songwriting Intensive with Michael Beatty Michael Beatty leads students (ages 14-18) with at least two years of formal music training in a songwriting intensive which culminates in a recording session.
The Muny has announced today principal casting for the fifth show of its 94th season, Joseph and the Amazing Technicolor® Dreamcoat (July 23-29), directed and choreographed by Lara Teeter. Joseph… is sponsored by Edward Jones.
For the past two years I've been attending the Webster Student Cabaret, which this time consists of three talented females and three talented males. This is a Cabaret showcase (I took in the 7:30pm show on 12/13/11) courtesy of the Kranzberg and the Presenters Dolan, which is made possible through the generous work of Jim Dolan. Lara Teeter and Neal Richardson, lending their talents as the director and musical director/arranger/accompanist, and media contact/organizer, respectively had a mixed group that focused on an eclectic collection of standards, show tunes both old and new, and pop, mostly country-fied. All of which lent itself to a breezy night of young adults showing us what they've got on their collective plates to offer for their dreams of stardom.
Webster University and The Muny today announced the establishment of a new partnership that will blend the renowned Muny theatre with Webster's nationally acclaimed Conservatory of Theatre Arts.
The Muny's production of BYE BYE BIRDIE is led by Lara Teeter as Albert Peterson, Andrea Burns playing Rose Alvarez, and Samantha Massell playing Ursula Merkle. The show features direction by Paul Blake, musical direction by Sam Davis, and choreography by Kelli Barclary. It runs through August 14.
The Muny's production of BYE BYE BIRDIE is led by Lara Teeter as Albert Peterson, Andrea Burns playing Rose Alvarez, and Samantha Massell playing Ursula Merkle. The show features direction by Paul Blake, musical direction by Sam Davis, and choreography by Kelli Barclary. It runs through August 14.
Audiences will probably be more familiar with the 1963 film version of BYE BYE BIRDIE from its innumerable screenings on television, with Dick Van Dyke, Ann Margaret, Janet Leigh, Maureen Stapleton and Paul Lynde all making vivid impressions under George Sidney's direction. But, seeing it live really is a special treat, especially on the expansive Muny stage. Opening night even provided the most gloriously mild weather one could have hoped for to enjoy this oft-played, but rarely perfected delight. Charles Strouse and Lee Adams wrote a number of memorable songs for this musical, and Michael Stewart's lightweight, but entertaining script which mixes romance and a satire on the cult of personality is a fairly sturdy framework to hang them upon. Happily, the production currently playing at the Muny is well worth your time and attention, and certainly beats seeing the film again for the umpteenth time.
The Muny's production of BYE BYE BIRDIE will be led by Lara Teeter who will play Albert Peterson, Andrea Burns playing Rose Alvarez, and Samantha Massell playing Ursula Merkle. The show will feature direction by Paul Blake, musical direction by Sam Davis, and choreography by Kelli Barclary. It runs August 8-14.
The Muny has just announced the complete cast for their production of BYE BYE BIRDIE. The production will be led by Lara Teeter who will play Albert Peterson, Andrea Burns playing Rose Alvarez, and Samantha Massell playing Ursula Merkle. The show will feature direction by Paul Blake, musical direction by Sam Davis, and choreography by Kelli Barclary. It runs August 8-14.
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. A summer theater tour of Illinois, Wisconsin, Michigan and northern Indiana, plus the Muny in St. Louis and some thoughts upon returning from Toronto.
When initially transforming Hans Christian Andersen's fairytale THE LITTLE MERMAID into an animated film, Disney provided an instant classic that was a smash hit with children and adults (and was a key player in their animation revival). But the transition to the stage proved more troublesome and cumbersome, reworking many plot elements, inserting about a dozen or so songs, and adding about an hour to the film's 80 minutes or so (depending on the version is being viewed) running time. While there's no denying that the audience who braved the heat and humidity in vast numbers at The Muny to see this colorful spectacle had a good time, there's also no denying that a good deal of the original's charm was somehow lost in the process.
Here's the photo coverage you've been waiting for as Patti Murin, Paul Vogt and John Riddle lead the theater's production of The Muny's THE LITTLE MERMAID as Ariel, Ursula and Prince Eric, respectively. They are joined by Lara Teeter (Scuttle), Elizabeth Teeter (Flounder), Francis Jue (Sebastian), Lee Roy Reams (Chef Louis), Gary Glasgow (Grimsby), and Ken Page (King Triton). The Little Mermaid will run through 14th. We are very excited to present photos from the show's opening night!
During the closing night of the MUNY's KISS ME KATE, they took their cameras backstage to get a sneak peek at costumes for the theatre's next show -- Disney's THE LITTLE MERMAID.
The St. Louis Muny has announced that Patti Murin, Paul Vogt and John Riddle will lead the theater's production of The Little Mermaid as Ariel, Ursula and Prince Eric, respectively. They will be joined by Lara Teeter (Scuttle), Elizabeth Teeter (Flounder), Francis Jue (Sebastian), Lee Roy Reams (Chef Louis), Gary Glasgow (Grimsby), and Ken Page (King Triton).
Twenty-two St. Louis theater companies are represented in the nominations for the Sixth Annual Kevin Kline Awards. Thirty plays and musicals produced in the St. Louis area during 2010 now share 112 nominations in 22 different categories for the coveted award.
Seven talented young senior students from Webster University were showcased on the stage of the Kranzberg Arts Center this past Tuesday (12/14/2010) by the Presenters Dolan. I'd heard that this show was usually presented at the university itself, but I think that the group benefited greatly from having the opportunity to strut their stuff within the intimate confines of the Kranzberg, because it allowed them the chance to actually 'work' in the type of environment they may encounter in the near future. I was privileged enough to have been invited to attend this event, and I have to say that it's an almost certain guarantee that the people I'm about to discuss may not be familiar to you now, but will probably be some day very soon.
