Twenty-three years after its original release, Random House is republishing the Anthony Award-winning international bestseller, THE ALIENTIST, by Caleb Carr, available in bookstores nationwide on Tuesday, Nov. 21.
Master storyteller Mike Daisey returns to Philadelphia Theatre Company with two new monologues that explore the normalization of Trump's administration and the rise and fall of the press. In the follow-up to critical smash The Trump Card, This Is Not Normal (November 9-11th) addresses the fever gripping all of us and how quickly that fever can become fascism. In The End of Journalism (November 10-11th), Daisey explores how journalism as we know it in America has ended, peeling back layers of real and fake news to find the darkly hilarious truth. Daisey's performances are part of PTC's 2017-2018 festival-style theatre season that includes plays, music, comedy and political commentary. Daisey is the third national voice at PTC this fall, following NPR's Bob Garfield and Golden Globe Winner Kathleen Turner. Normal and Journalism will take place at Philadelphia Theatre Company at the Suzanne Roberts Theatre (480 S. Broad Street). Tickets are on sale for $25-$69 at philadelphiatheatrecompany.org, at the box-office, or by calling 215-985-0420.
Turner's TNT will take viewers into the darkest corners of New York City during the Gilded Age with the eagerly anticipated series THE ALIENTIST based on the Anthony Award-winning international bestseller by Caleb Carr.
Mary Pearson presents FoMO, mofos! (motherf***ers!), a kaleidoscopic, multimedia feast using the songs of Kraftwerk, John Lennon and Robert Wyatt and drawing from cult classics Blow Up and Mulholland Drive to explore the effects of the internet and global mobility on society.
Mary Pearson presents FoMO, mofos! (motherf***ers!), a kaleidoscopic, multimedia feast using the songs of Kraftwerk, John Lennon and Robert Wyatt and drawing from cult classics Blow Up and Mulholland Drive to explore the effects of the internet and global mobility on society.
Before trick-or-treating begins, start the fun this October with Seattle Opera's "riotously funny" (The Australian) The Barber of Seville. Following The Wicked Adventures of County Ory ('16), stage director Lindy Hume and Maestro Giacomo Sagripanti return to create yet another colorful, eye-catching production with toe-tapping melodies-including one of the most iconic overtures of all time. The performance also includes an appearance by Juilliard-trained burlesque sensation, Marc Kenison, who performs in Seattle and beyond as Waxie Moon. Kenison will bring his comedic and dance stylings to the highly physical role of Ambrogio.
Des Moines Metro Opera opens its 46th Season on November 17 with As One, a one-act chamber opera for two voices and string quartet with music by Laura Kaminsky and libretto by Mark Campbell and Kimberly Reed.
One of Liverpool's most historic churches will take centre stage when the West End comes to the Georgian Quarter for a night of musical theatre magic.
The winners of Colorado's Bobby G Award for Outstanding Performance by an Actor (Austin Hand) and Actress (Elleon Dobias) are currently in New York City as finalists for the National High School Musical Theatre Awards (The Jimmy Awards), which recognizes excellence in high school musical theatre across the nation.
One of Liverpool's most historic churches will take centre stage when the West End comes to the Georgian Quarter for a night of musical theatre magic.
The Pittsburgh Symphony Orchestra and guest conductor Vasily Petrenko immerse audiences in the music of St. Petersburg during BNY Mellon Grand Classics: Tchaikovsky's First Piano Concerto on June 9 and 11 at Heinz Hall.
BWW Feature: 'Circus 1903': Death-defying humans ... and puppet elephants!
A menagerie of fantastical creatures, colors, and sounds awaits at Seattle Opera's The Magic Flutethis May. Prince Tamino and his comical sidekick Papageno set out to rescue The Queen of the Night's daughter. But their quest takes on unexpected turns as they soon realize not all is as it seems in this fairytale land.
Tony Award-winning actor Annaleigh Ashford will reunite with her Kinky Boots co-star (and fellow Colorado native) Andy Kelso for United in Love, a special concert event presented by Ebner-Page Productions and benefiting the Denver Actors Fund on Sunday, April 30 at 7:30 p.m. at the Lone Tree Arts Center, 10075 Commons St., Lone Tree, 80124.
CMT today announced that Austin Swift, Arden Myrin and Natalie Dreyfuss will appear in season two of the hit comedy, STILL THE KING starring Billy Ray Cyrus, Joey Lauren Adams and Madison Iseman premiering this summer.
In this daily, five-part series for the DCPA NewsCenter, they introduce you to the plays and playwrights featured at the Denver Center's 2017 Colorado New Play Summit, using words and video. Today: Robert Schenkkan, author of the historical drama 'Hanussen,' who was Adolf Hitler's personal mentalist.
Robert Wisdom (The Wire) and Q'orianka Kilcher (The New World) are set to star in TNT's THE ALIENIST, the eagerly anticipated series based on the Anthony Award-winning, New York Times bestseller by Caleb Carr.
DCPA Director of Scenic Arts Jana Mitchell takes you into the scene shop where she made the stained glass for the DCPA Theatre Company's 'The Christians.' 'We always get a little giddy when we get stained-glass projects because ... it's fun,' said Mitchell, who reveals all of her secrets - and secret ingredients.
Dakota Fanning (American Pastoral) is set to star in TNT's THE ALIENIST, the eagerly anticipated series based on the Anthony Award-winning New York Times bestseller by Caleb Carr.
When I saw that New York City Opera was doing Leonard Bernstein's CANDIDE at the same time as New York's Prototype Festival--with Missy Mazzoli's BREAKING THE WAVES opening the festival of opera-theatre and music-theatre on the same night—I thought that it was great counter-programming. After all, what could be further from Mazzoli's brilliant but grim gem than Bernstein's comic masterpiece--proving there's more than one way to skin a music theatre piece?
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