Now is the time to prepare to scale a new summit in North Texas arts and entertainment! Single tickets for Dallas Opera's 2014-2015 "Heights of Passion" Season, presented by Texas Instruments, and popular TDO Family Performances in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center will go on sale to the general public Monday, July 14, 2014 at 10:00 a.m.
Now is the time to prepare to scale a new summit in North Texas arts and entertainment! Single tickets for Dallas Opera's 2014-2015 “Heights of Passion” Season, presented by Texas Instruments, and popular TDO Family Performances in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center will go on sale to the general publicMonday, July 14, 2014 at 10:00 a.m.
American tenor Bryan Hymel, hailed by the Frankfurter Allgemeine as a “simply ideal Puccini interpreter,” and one of the opera world's fastest-rising stars, has signed an exclusive recording contract with Warner Classics. Set for release in early 2015, the album will showcase Hymel's acclaimed interpretations of some of opera's most challenging repertoire. The Prague Philharmonia, under the direction of prominent French conductor Emmanuel Villaume, will partner with Hymel on this debut recording.
Tenor Michael Fabiano has been named the recipient of the ninth annual Beverly Sills Artist Award for young singers at the Metropolitan Opera. The $50,000 award, the largest of its kind in the United States, is designated for extraordinarily gifted singers between the ages of 25 and 40 who have already appeared in featured solo roles at the Met. The award, given in honor of Beverly Sills, was established in 2006 by an endowment gift from former Met board member Agnes Varis, who died in 2011. Ms. Varis was also the founding donor of the Met's Rush Ticket program. Fabiano was presented with the award at the Met today by Met General Manager Peter Gelb.
Having just added Genoa's prestigious 2014 Grifo d'Oro to honors that include both Grammy and ECHO Klassik Awards, Fabio Luisilooks forward to conducting a wealth of important operatic and orchestral projects this spring. Highlights include premiering a major new production of Verdi's Aida at the Zurich Opera, where he serves as General Music Director, and presenting Joyce DiDonato's company title role debut in Rossini's La Cenerentola at the Metropolitan Opera, where he is Principal Conductor; the final performance will be transmitted live to movie theaters around the world in the Met's celebrated Live in HD series. Tellingly, both Zurich Opera and the Met are among the six opera houses named as finalists for the 2014 International Opera Award for Best Opera Company. The eminent Italian conductor is no less distinguished in the concert hall, and this spring he will make his London Symphony Orchestra debut, return to guest conduct the Royal Concertgebouw Orchestra, Filarmonica della Scala and Accademia Nazionale di Santa Cecilia, and lead the last two programs of his season with the Zurich Philharmonia.
The Metropolitan Opera's 2014-15 season will feature 26 operas, three of them company premieres, in six new productions and 18 revivals showcasing the talents of the world's leading singers, conductors, and theater artists. The three operas that will have their first-ever Met performances, each staged by a director making his Met debut, are John Adams's The Death of Klinghoffer, conducted by David Robertson and directed by Tom Morris, opening October 20; Rossini's La Donna del Lago, conducted by Michele Mariotti and directed by Paul Curran, opening February 16, 2015; and Tchaikovsky's one-act opera Iolanta, conducted by Valery Gergiev and directed by Mariusz Treli?ski. Iolanta will be presented in a double bill with a new staging of Bartok's one-act Duke Bluebeard's Castle, also conducted by Gergiev and directed by Treli?ski.
This month, the first of two major house and role debuts takes Angela Meade – whose numerous honors include Richard Tucker and Beverly Sills Artist Awards – to Europe. For her first appearances at the Frankfurt Opera, the soprano sings her first Fidelia in concert performances of Puccini's Edgar (Feb 16 & 18), before making her Italian debut with her first Mathilde in a new Graham Vick production of Rossini's William Tell at the Teatro Regio di Torino (May 7-18) that will tour to Carnegie Hall next season. These European debuts follow on the heels of Meade's success in New York, where she recently headlined Bellini's Norma and showed off her comic chops in Verdi's Falstaff, both at the Metropolitan Opera, and the latter seen worldwide in the Met's Live in HD series. She also performed at a special Richard Tucker Centennial Gala, broadcast Live from Lincoln Center on PBS-TV.
Lyric Opera of Chicago announced its 2014-2015 season today, which is set to include eight operas, a world premiere new opera, a one night only piano concert with internationally acclaimed pianist Lang Lang, and special family performances. Lyric's 2014-15 subscription season will offer 68 performances of eight different operas Saturday, September 27, 2014 through Sunday, March 15 , 2015. Lyric will also present 17 performances of a new production of Rodgers and Hammerstein's Carousel in April 2015, continuing the company's American Musical Theater Initiative.
Pierre Vallet will conduct this evening's performance of Puccini's Madama Butterfly, replacing Philippe Auguin, who is ill. Auguin's illness also forced him to withdraw from the January 16 performance of Madama Butterfly, which was conducted by Marco Armiliato.
Marco Armiliato will conduct this evening's performance of Puccini's Madama Butterfly, replacing Philippe Auguin, who is ill.
Three sopranos will sing their first Met performances of the title role in Puccini's Madama Butterfly at the Met this season.
Three sopranos will sing their first Met performances of the title role in Puccini's Madama Butterfly at the Met this season.
Angela Meade, the soprano whose 57 competition wins include the Metropolitan Opera's 2012 Beverly Sills Artist Award, returns to the company in two prominent productions this fall. She launches the new season with her first Met performances in the title role of Norma (Oct 24 & 28), having demonstrated “her nearly mind-blowing mastery of Bellini's most challenging music” (Washington Times) in the same part earlier this year. Then, under the baton of James Levine, she makes her role debut as Alice Ford in a new-to-the-Met production of Falstaff (Dec 6–Jan 11) that will be beamed to movie theaters worldwide in the Met: Live in HD series (Dec 14). Meade's abundant honors include the 2011 Richard Tucker Award, and she graces a special gala concert to celebrate the legendary tenor's centennial at Avery Fisher Hall (Nov 17). She also looks forward to making two important European debuts this season: in Italy, where she gives her first performances as Mathilde in Rossini's William Tell at the Teatro Regio di Torino (May 7-18), and at the Frankfurt Opera, where she sings her first Fidelia in concert performances of Puccini's Edgar (Feb 16 & 18).
The Bayerische Staatsoper (Bavarian State Opera) in Munich, Germany presents the 2013-14 season of STAATSOPER.TV - a free live-stream of select performances online at www.staatsoper.de/tv - including seven operas, six of which are new productions, and two ballets. The Bayerische Staatsoper, known for presenting provocative, experimental productions, is the first international opera house to present a full season of operas and ballets streamed live online at no cost, offering opera enthusiasts around the world the opportunity to see these artistically conceived and adventurous productions, many of which are sold out in the opera house, sung by today's most prominent artists.
Fabio Luisi, Grammy and ECHO Klassik Award-winner and Principal Conductor of the Metropolitan Opera, launches his second season as General Music Director of the Zurich Opera with new productions of Beethoven's Fidelio and Verdi's Aida. Luisi also leads three revivals in the 2013-14 season: Bellini's La straniera, Offenbach's Les contes d'Hoffmann, and Verdi's Don Carlo, and conducts Philharmonia Zurich's 'Big Five' concert series, revealing why he is as venerated in the concert hall as he is in the opera house. The coming season sees Luisi in collaboration with directorAndreas Homoki - the Zurich Opera General Manager - in Fidelio and German director Tatjana Gürbaca in Aida, as well as a roster of powerhouse performers including René Pape, Anja Kampe, Brandon Jovanovich, and Latonia Moore.
Fabio Luisi, Grammy and ECHO Klassik Award-winner and Principal Conductor of the Metropolitan Opera, launches his second season as General Music Director of the Zurich Opera with new productions of Beethoven's Fidelio and Verdi's Aida. Luisi also leads three revivals in the 2013-14 season: Bellini's La straniera, Offenbach's Les contes d'Hoffmann, and Verdi's Don Carlo, and conducts Philharmonia Zurich's 'Big Five' concert series, revealing why he is as venerated in the concert hall as he is in the opera house. The coming season sees Luisi in collaboration with directorAndreas Homoki - the Zurich Opera General Manager - in Fidelio and German director Tatjana Gürbaca in Aida, as well as a roster of powerhouse performers including René Pape, Anja Kampe, Brandon Jovanovich, and Latonia Moore.
In his second season as General Music Director of the Zurich Opera, Grammy and ECHO Klassik Award-winner Fabio Luisi premieres important new productions of Beethoven's Fidelio and Verdi's Aida, and conducts revivals of Bellini's La straniera, Offenbach's Les contes d'Hoffmann, and Verdi'sDon Carlo with René Pape, which also serves as the vehicle for his return to the Teatro alla Scala. As distinguished in the concert hall as the opera house, he leads four orchestral programs with the Philharmonia Zurich, makes his long-awaited London Symphony Orchestra debut, and returns to the Royal Concertgebouw Orchestra, Vienna Symphony, Accademia Nazionale di Santa Cecilia, and Cleveland Orchestra, with which he launches the new season. As Principal Conductor of the Metropolitan Opera, the distinguished Italian conductor leads productions of Puccini's Madama Butterflyand Rossini's comedy La Cenerentola, which will be transmitted live to movie theaters around the world in the Met's celebrated Live in HD series.
Royal Opera House London in der UCI Kinowelt
In his second season as General Music Director of the Zurich Opera, Grammy and ECHO Klassik Award-winner Fabio Luisi premieres important new productions of Beethoven's Fidelio and Verdi's Aida, and conducts revivals of Bellini's La straniera, Offenbach's Les contes d'Hoffmann, and Verdi'sDon Carlo with René Pape, which also serves as the vehicle for his return to the Teatro alla Scala. As distinguished in the concert hall as the opera house, he leads four orchestral programs with the Philharmonia Zurich, makes his long-awaited London Symphony Orchestra debut, and returns to the Royal Concertgebouw Orchestra, Vienna Symphony, Accademia Nazionale di Santa Cecilia, and Cleveland Orchestra, with which he launches the new season. As Principal Conductor of the Metropolitan Opera, the distinguished Italian conductor leads productions of Puccini's Madama Butterflyand Rossini's comedy La Cenerentola, which will be transmitted live to movie theaters around the world in the Met's celebrated Live in HD series.
Symphony Space, New York's home for innovative and diverse cultural programming on the Upper West Side, celebrates its 35th season of Music programs in 2013-14 with a stellar array of artists in imaginative, thought-provoking presentations. Curated by Artistic Director Laura Kaminsky, the offerings range from marathon celebrations to intimate recitals, encompassing a rich variety of musical styles. Highlights include a visit from Krzysztof Penderecki, October 25; the fifth THE MUSIC OF NOW MARATHON, with the dream-inspired theme of 'REM: Rapid Ear Movement,' February 1; and appearances by Dar Williams, Tom Paxton, Christine Lavin, and other icons of folk/acoustic music. Capping the season is SLEEPING AROUND, a multidisciplinary festival celebrating the culture, history, art, scene, and scandal of New York's most famous hotels, highlighted by WALL TO WALL SLEEPING AROUND on May 3.
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