CSO & MusicNOW Festival Present World Premieres by Nico Muhly and David Lang This Weekend

CINCINNATI - The Cincinnati Symphony Orchestra announces the subject matter of the upcoming works to receive their world premieres by the Orchestra as part of the groundbreaking artistic collaboration with the MusicNOW Festival and Artistic Director Bryce Dessner. Tonight, March 21, the Orchestra, under the direction of Music Director Louis Langrée, will premiere Nico Muhly's Pleasure Ground, a portrait work depicting the life of landscape architect Frederick Law Olmstead. On Saturday, March 22, Mr. Langrée and the CSO will premiere mountain, a new work by Pulitzer Prize winner David Lang depicting the life of American composer Aaron Copland.

"Nico and David are of course deserving of the hype that surrounds them," said Mr. Langrée. "They are both incredibly talented and have ideas no one else could even dream of, so it is an honor to conduct the world premieres of their works."

The CSO's pioneering MusicNOW collaboration represents a spirit of experimentation permeating Mr. Langrée's inaugural season as Music Director. The Orchestra will perform two unique concert programs during the festival weekend. In addition to Pleasure Ground, which also features baritone Nathan Wyatt, the Friday, March 21 performance also includes Mr. Dessner's St. Carolyn by the Sea, featuring Bryce and his brother, Aaron Dessner, playing electric guitar solos with the full Orchestra. Bryce and Aaron Dessner are widely known as guitarists in the popular indie rock band The National. The CSO's Grammy-winning ensemble-in-residence eighth blackbird will also perform Bryce Dessner's Murder Ballades, while the Orchestra will bring the performance to a close with Scriabin's The Poem of Ecstasy.-

On Saturday, March 22, in addition to David Lang's new work, the Orchestra will perform Krzysztof Penderecki's Polymorphia and Jonny Greenwood's (of the rock band Radiohead) 48 Responses to Polymorphia. Prokofiev's Scythian Suite wraps up the festival weekend.

Both performances will take place at Cincinnati's historic Music Hall. Tickets for each concert are still available and start at $12. More information and tickets are available by calling the CSO Box Office at (513) 381-3300 or visiting www.cincinnatisymphony.org.

The eighth blackbird residency is made possible by Dan and Jan Lewis and Ginger and David Warner. The Muhly and Lang commissions are supported through the generosity of Ann and Harry Santen. Additional support provided by Ann Hubbard and Louis D. Bilionis in honor of Bryce Dessner, Louis Langre?e and the partnership between MusicNOW and the CSO. These concerts are part of the CSO's Boundless subscription series, sponsored by Macy's. The CSO is grateful to Illori for its generous sponsorship of these concerts. The ArtsWave partner company for these performances is the Jacob G. Schmidlapp Foundation, Fifth Third Bank Trustee.

About MusicNOW: Cincinnati's MusicNOW, under the leadership of founder and artistic director Bryce Dessner, is known around the country for its eclectic and thoughtful combinations of contemporary chamber music, world premiere commissions, indie rock performances and visual art installations. The festival's mission is to present the best in contemporary music, offer artists an opportunity to take risks and commission new work. The celebrated artists and composers who have gathered at past festivals include Sufjan Stevens, Kronos Quartet, Grizzly Bear, Philip Glass, Nico Muhly, The National, Glen Hansard, eighth blackbird and Steve Reich.

Louis Langre?e, Music Director: Named Music Director of the world-renowned Cincinnati Symphony Orchestra starting in the 2013-14 season, Louis Langre?e is an internationally acclaimed conductor with a dynamic presence on the podium. The French conductor is Music Director of the Mostly Mozart Festival at Lincoln Center in New York, a position he has held since 2002, and Chief Conductor of the Camerata Salzburg.

Highlights of the 2012/13 season included Louis Langre?e's debuts with the Berliner Philharmoniker, Leipzig Gewandhaus and NHK Symphony in Tokyo, as well as re-invitations to the Orchestre de Paris, Budapest Festival and Netherlands Philharmonic Orchestras. He also continued his long term relationships with the Metropolitan Opera in New York (Dialogues des Carme?lites) and with the Wiener Staatsoper (Don Giovanni and Le Nozze di Figaro).

Louis Langre?e has conducted the Wiener Philharmoniker in concert in both Vienna and Salzburg. He has also worked with many other orchestras in North America, Europe and further afield, including London Philharmonic, Deutsche Kammerphilhamonie, Orchestre de la Suisse Romande, Santa Cecilia in Rome, Sao Paulo and Tokyo Philharmonic.

He regularly conducts period instrument orchestras such as the Freiburger Barockorchester, Orchestra of the Age of Enlightenment and Le Concert d'Astre?e. Festival appearances have included Wiener Festwochen, Salzburg Mozartwoche, BBC Proms, Glyndebourne Festival Opera and the Festival d'Aix-en-Provence. He has held positions as Music Director of the Orchestre de Picardie (1993-98) and Orchestre Philharmonique de Lie?ge (2001-06).

Louis Langre?e was Music Director of Ope?ra National de Lyon (1998-2000) and Glyndebourne Touring Opera (1998-2003). He has also conducted at La Scala, the Royal Opera House Covent Garden, Ope?ra-Bastille and The?a?tre des Champs-Elyse?es in Paris, Lyric Opera of Chicago, Dresden Staatsoper, Grand The?a?tre in Geneva and the Netherlands Opera in Amsterdam.

Louis Langre?e's discography includes recordings for Virgin Classics, Universal and Nai?ve. Many of these have won awards including Diapason d'Or, Gramophone and Midem Classical. His most recent release is a DVD of La Traviata recorded at the Aix-en-Provence Festival with the London Symphony Orchestra for Virgin Classics, which has been awarded a Diapason D'Or. In 2006 he was appointed Chevalier des Arts et des Lettres by the French Ministry of Culture.

Nico Muhly, composer: Nico Muhly has composed a wide scope of work for ensembles, soloists and organizations including the American Ballet Theater, American Symphony Orchestra, Boston Pops, Carnegie Hall, Chicago Symphony, percussionist Colin Currie, countertenor Iestyn Davies, pianist Simone Dinnerstein, violinist Hilary Hahn, Gotham Chamber Opera, designer/illustrator Maira Kalman, choreographer Benjamin Millepied, Music-Theatre Group, New York City Ballet, New York Philharmonic, Opera Company of Philadelphia, Paris Ope?ra Ballet, soprano Jessica Rivera, The Royal Ballet, Saint Thomas Church in New York City, Seattle Symphony, and artist Conrad Shawcross. Muhly has also lent his skills as performer, arranger and conductor to Antony and the Johnsons, Bonnie "Prince" Billy, Doveman, Grizzly Bear, Jo?nsi of the band Sigur Ro?s, and Usher.

In 2011, Muhly's first full-scale opera, Two Boys, was commissioned by the Metropolitan Opera, Lincoln Center Theater and the English National Opera. Two Boys, which-with a libretto by Craig Lucas and direction by Bartlett Sher-chronicles the real-life police investigation of an online relationship and ensuing tragedy, premiered in London in spring 2012.

A chamber opera, commissioned by the Opera Company of Philadelphia, Music Theatre Group, and the Gotham Chamber Opera premiered in New York in fall 2012.

Recently, the Los Angeles Master Chorale and Decca released an entire disc of Muhly's choral music, A Good Understanding. The Aurora Orchestra recorded his Seeing is Believing, and with choreographer Stephen Petronio, Muhly created the evening-length I Drink the Air Before Me , both of which were also released on Decca. Among Muhly's most frequent collaborators are his colleagues at Bedroom Community, an artist-run label headed by Icelandic musician Valgeir Sigurðsson. Bedroom Community was inaugurated in 2007 with the release of Muhly's first album, Speaks Volumes.

Since then, Muhly has released a second album, Mothertongue, and worked closely with labelmates Sigurðsson, Ben Frost, and Sam Amidon on their respective solo releases. In 2012, Bedroom Community released Muhly's three-part Drones & Music, in collaboration with pianist Bruce Brubaker, violinist Pekka Kuusisto, and violist Nadia Sirota. Muhly's film credits include scores for Joshua (2007), Margaret (2009) and Best Picture nominee The Reader (2008); all have been recorded and released commercially.

Born in Vermont in 1981 and raised in Providence, Rhode Island, Muhly graduated from Columbia University with a degree in English Literature. In 2004, he received a Masters in Music from the Juilliard School, where he studied under Christopher Rouse and John Corigliano. From his sophomore year of college, worked for Philip Glass as a MIDI programmer and editor for six years. His writings and full schedule can be found at www.nicomuhly.com.

David Lang, composer: Passionate, prolific, and complicated, composer David Lang embodies the restless spirit of invention. Lang is at the same time deeply versed in the classical tradition and committed to music that resists categorization, constantly creating new forms.

In the words of The New Yorker, "With his winning of the Pulitzer Prize for the little match girl passion (one of the most original and moving scores of recent years), Lang, once a postminimalist enfant terrible, has solidified his standing as an American master."

Musical America's 2013 Composer of the Year and recipient of Carnegie Hall's Debs Composer's Chair for 2013-2014, Lang is one of America's most performed composers. Many of his works resemble each other only in the fierce intelligence and clarity of vision that inform their structures. His catalogue is extensive, and his opera, orchestra, chamber and solo works are by turns ominous, ethereal, urgent, hypnotic, unsettling and very emotionally direct. Much of his work seeks to expand the definition of virtuosity in music - even the deceptively simple pieces can be fiendishly difficult to play and require incredible concentration by musicians and audiences alike.

the little match girl passion, commissioned by Carnegie Hall for Paul Hillier's vocal ensemble Theater of Voices, was awarded the 2008 Pulitzer Prize for music. Of the piece, Pulitzer-juror and Washington Post columnist Tim Page said, "I don't think I've ever been so moved by a new, and largely unheralded, composition as I was by David Lang's the little match girl passion, which is unlike any music I know."

His recent works include death speaks, a song cycle based on Schubert, but performed by rock musicians, including Bryce Dessner from The National and Shara Worden from My Brightest Diamond; man made, a concerto for the quartet So Percussion and the BBC orchestra; the whisper opera, for the International Contemporary Ensemble and soprano Tony Arnold; love fail, an evening-length work for the early music vocal ensemble Anonymous 4, with libretto and staging by Lang; reason to believe, for Trio Mediaeval and the Norwegian Radio Orchestra; concerto (world to come) for cellist Maya Beiser and the Norrlands Operans Symhoniorkester; writing on water for the London Sinfonietta, with libretto and visuals by English filmmaker Peter Greenaway; and the difficulty of crossing a field, a fully staged opera with the Kronos Quartet.

"There is no name yet for this kind of music," wrote Los Angeles Times music critic Mark Swed of Lang's work, but its time has arrived and his works are being heard around the globe in performances by the BBC Symphony, the International Contemporary Ensemble, eighth blackbird, Santa Fe Opera, the New York Philharmonic, the Netherlands Chamber Choir, the Boston Symphony, the Munich Chamber Orchestra, and the Kronos Quartet; at Tanglewood, the BBC Proms, MusicNOW festival, The Munich Biennale, the Settembre Musica Festival, the Sydney 2000 Olympic Arts Festival and the Almeida, Holland, Berlin, Adelaide and Strasbourg Festivals; in theater productions in New York, San Francisco and London; alongside the choreography of Benjamin Millepied, Twyla Tharp, La La La Human Steps, The Netherlands Dance Theater, Susan Marshall and the Paris Opera Ballet; and at Lincoln Center, the Southbank Centre, Carnegie Hall, the Kennedy Center, the Barbican Centre, and the Brooklyn Academy of Music.

Lang is the recipient of numerous honors and awards, including the Pulitzer Prize, Musical America's Composer of the Year, Carnegie Hall's Debs Composer's Chair, the Rome Prize, the BMW Music-Theater Prize (Munich), and grants from the Guggenheim Foundation, the Foundation for Contemporary Performance Arts, the National Endowment for the Arts, the New York Foundation for the Arts, and the American Academy of Arts and Letters. In 1999, he received a Bessie Award for his music in choreographer Susan Marshall's The Most Dangerous Room in the House, performed live by the Bang on a Can All-Stars at the Next Wave Festival of the Brooklyn Academy of Music. The Carbon Copy Building won the 2000 Village Voice OBIE Award for Best New American Work. The recording of the passing measures on Cantaloupe Records was named one of the best CDs of 2001 by The New Yorker. His CD pierced on Naxos was praised both on the rock music site Pitchfork and in the classical magazine Gramophone, and was called his "most exciting new work in years" by the San Francisco Chronicle. The recording of the little match girl passion released on Harmonia Mundi, received the 2010 Grammy Award for Best Small Ensemble Performance.

Lang is co-founder and co-artistic director of New York's legendary music collective Bang on a Can. His work has been recorded on the Sony Classical, Harmonia Mundi, Teldec, BMG, Point, Chandos, Argo/Decca, and Cantaloupe labels, among others.

His music is published by Red Poppy Music (ASCAP) and is distributed worldwide by G. Schirmer, Inc.

Bryce Dessner, Artistic Director, MusicNOW: Bryce Dessner is a composer, guitarist, and curator based in New York City, best known as the guitarist for the acclaimed rock band The National. Their albums Alligator (2005), Boxer (2007) and High Violet (2010) were named among albums of the decade in publications throughout the world. Their most recent release, Trouble Will Find Me (2013), debuted at #3 on both the US Billboard Chart and the UK Albums Chart. Dessner has also received widespread acclaim as a composer and guitarist for the improvising new music quartet, Clogs. Bryce has performed and recorded with some of the world's most creative musicians including songwriters Sufjan Stevens, Bon Iver, Antony Hegarty and Sonic Youth guitarist Lee Ranaldo; composers Steve Reich, Philip Glass, Nico Muhly and Michael Gordon; contemporary ensembles Kronos Quartet and eighth blackbird, and visual artist Matthew Ritchie.

As a composer, his recent commissions include "Murder Ballades" for eighth blackbird, a new work for So Percussion that will premiere at Carnegie Hall in November 2013, and an evening length collaboration with Brooklyn Youth Chorus celebrating the artistic endeavors of the Black Mountain College. On November 5th 2013, Anti- released the album Aheym featuring the first recordings of Bryce's compositions, performed by Kronos Quartet. The album includes his compositions "Tenebre," "Little Blue Something," Tour Eiffel," and "Aheym."

2012 brought a collaborative song cycle with Sufjan Stevens and Nico Muhly called Planetarium, as well as new commissions for the Amsterdam Sinfonietta. Other recent commissions include a Jerome Grant from the American Composer's Forum and the Kitchen (NYC) for a concert of his music, a commission from Thyssen Bornemisza Art Contemporary (Vienna) to create a 40-minute spatial sound work for the Morning Line, and a string orchestra composition from the Amsterdam Sinfonietta entitled "St. Carolyn by the Sea." Other important works include a commission by the Rosenbach Library in Philadelphia for "The Lincoln Shuffle" (a composition in honor of Abraham Lincoln's bi-centennial) and "The Long Count" (an origins story told in music and video, commissioned by BAM for the 2009 Next Wave Festival). Bryce also recently composed two string quartets, "Aheym" and "Tenebre," for the Kronos Quartet.

Dessner is the founder and artistic director of the acclaimed MusicNOW Festival in Cincinnati, Ohio, which will present its ninth season in 2014. He is also a co-founder and owner of the Brassland record label, which is home to a diverse group of artists including the experimental rock duo Buke and Gase, celebrated young composer Nico Muhly and cellist Erik Friedlander. In addition, Bryce and his brother Aaron produced an extensive AIDS charity compilation, Dark was the Night, for the Red Hot Organization.

The ambitious record features exclusive new recordings and collaborations from a long list of artists including David Byrne, Arcade Fire, Sufjan Stevens, Sharon Jones, Cat Power, Grizzly Bear, My Morning Jacket and Spoon. Dark was the Night has raised over 2 million dollars for AIDS charities as of January 2012. Dessner is a graduate of Yale College and the Yale School of Music. He currently serves on the board of The Kitchen in New York City and is a composer-in-residence at Muziekgebouw Eindhoven.

eighth blackbird, ensemble: eighth blackbird combines the finesse of a string quartet, the energy of a rock band and the audacity of a storefront theater company. The Chicago- based, three-time Grammy-winning "super- musicians" (LA Times) entertain and provoke audiences across the country and around the world.

Columbine's Paradise Theater is eighth blackbird's new staged, memorized production. Composer Amy Beth Kirsten challenges the sextet to play, speak, sing, whisper, growl and mime, breathing life into this tale of dream and delusion. Performances will occur at University of Richmond, University of Connecticut, The Kitchen, Atlas Arts, Virginia Tech and Chicago's Museum of Contemporary Art.

The 2013/14 season's acoustic program, Still in Motion, features new works by The National's Bryce Dessner (the folk-inspired Murder Ballades), Steve Mackey (music from his Grammy-winning Slide) and Australian composer Brett Dean (the searing Old Kings in Exile). eighth blackbird brings this show to Ohio, Missouri, Idaho, Oregon, North Carolina, Pennsylvania, Michigan, New York and California.

Other highlights include debuts with the Cincinnati Symphony (where the ensemble is an Artist in Residence) and New World Symphony; residencies at UCLA, SUNY Purchase, Baylor and Duke; a collaboration with Oberlin College's CME; and a debut on the Lincoln Center's Atrium series.

eighth blackbird holds ongoing Ensemble in Residence positions at the Curtis Institute of Music, University of Richmond, and University of Chicago. A decade-long relationship with Chicago's Cedille Records has produced six acclaimed recordings.

The ensemble has won three Grammy Awards, for the recordings strange imaginary animals, Lonely Motel: Music from Slide and Meanwhile. eighth blackbird's members hail from America's Great Lakes, Keystone, Golden and Bay states, and Australia's Sunshine State. There are four foodies, three beer snobs and one exercise junkie. The name "eighth blackbird" derives from the eighth stanza of Wallace Stevens's evocative, aphoristic poem, Thirteen Ways of Looking at a Blackbird (1917). eighth blackbird is managed by David Lieberman Artists.

Cincinnati Symphony Orchestra: The CSO is one of America's finest and most respected ensembles and the cultural cornerstone of Cincinnati. The fifth oldest symphony orchestra in the United States and the oldest orchestra in Ohio, the internationally acclaimed CSO has performed the American premieres of works by such composers as Debussy, Mahler, Ravel and Barto?k, and commissioned works that have since become mainstays of the classical repertoire including Aaron Copland's Fanfare for the Common Man. The Orchestra has toured extensively, sold millions of recordings, and continues to commission new works and program an impressive array of music.