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Kyle Christopher West

Kyle Christopher West is obsessed with the arts. Growing up on Cape Cod, Massachusetts, Kyle trained as a gymnast and dancer where he performed across the East Coast in productions of West Side Story, Damn Yankees, Joseph and the Amazing Technicolor Dreamcoat, Fame, Footloose and more. He began professionally choreographing summer stock musicals at the Cape's Academy Playhouse at only sixteen years old (working alongside director Kim Croker, sister of Broadway's Scott Ellis), and made his directorial debut with A Chorus Line just two years later.

Upon moving to New York City in 2004, Kyle continued his education working hands-on with various Broadway and off-Broadway productions. As a promotional marketing manager, Kyle worked under Broadway producer Barry Weissler (Chicago, Grease, Annie Get Your Gun) on the Christina Applegate revival of Sweet Charity, and for Ken Davenport (Spring Awakening, It's Only A Play, Godspell, 13) on his first New York productions. Kyle also worked closely with producer Tom D'Angora (Marvelous Wonderettes, Newsical) marketing Broadway's 42nd Street, Dracula, Little Women, Jersey Boys and Forbidden Broadway. Kyle spent his evenings working in various Broadway theatres on productions of Chicago, The Color Purple, A Chorus Line and Avenue Q, and he held management positions at Disney's New Amsterdam Theatre (Mary Poppins) and off-Broadway's I Love You Because.

Kyle has worked across the US as a producer, director, choreographer, costumer, scenic designer and production photographer. For his work, he has received many awards including the AriZoni Award of Excellence, MET Award, Annie Award, Bourne Actor's Award and BroadwayWorld Award, among others. Kyle relocated to Dallas, TX in 2014 and has recently been featured in a commercial for Ameican Airlines and in the 2017 marketing campaign for Broadway's Dear Evan Hansen. He is thrilled to promote Dallas and Fort Worth as a senior editor at BroadwayWorld.

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BWW Review: BRIGHT STAR at Winspear Opera House

BWW Review: BRIGHT STAR at Winspear Opera House

June 14, 2018

Scrolling through the nearly 900 musical theatre albums in my iTunes library, it's easy to confirm that Broadway seldom features banjo-led scores, although rare exceptions on and off-Broadway might include MILLION DOLLAR QUARTET, ALWAYS PATSY CLINE, THE SPITFIRE GRILL and THE ROBBER BRIDEGROOM.

BWW Review: THE LAST FIVE YEARS at WaterTower Theatre

BWW Review: THE LAST FIVE YEARS at WaterTower Theatre

June 14, 2018

Composer and prodigy Jason Robert Brown made his mark in the theatre world with his debut song cycle, SONGS FOR A NEW WORLD, which played Off-Broadway in 1995 and continues to be produced by/for theatre enthusiasts.

BWW Review: MAMMA MIA at Casa Manana

BWW Review: MAMMA MIA at Casa Manana

June 9, 2018

If it's Friday night, the lights are low, and you're looking out for a place to go, catching a musical at Casa Manana is generally a pretty solid option.

BWW Review: LES MISERABLES at Music Hall At Fair Park

BWW Review: LES MISERABLES at Music Hall At Fair Park

April 29, 2018

Nearly two hundred years ago, a small, two-day revolution in Paris (The June Rebellion of 1832) brought together crowds of students and working-class French citizens who could no longer stay silent and were prepared to fight to the deaths over working wages and conditions.

Photo Flash: A NEW BRAIN at OhLook Performing Arts Center

Photo Flash: A NEW BRAIN at OhLook Performing Arts Center

April 20, 2018

A NEW BRAIN opens this weekend at OhLook Performing Arts Center with performances Friday, April 20th @ 7:30, Saturday, April 21st at 7:30, Sunday, April 22nd at 2:30, Friday, April 27th @ 7:30, Saturday, April 28th @ 7:30 and Sunday, April 29th at 2:30.

BWW Review: WAITRESS at Music Hall At Fair Park

BWW Review: WAITRESS at Music Hall At Fair Park

April 3, 2018

At first glance (or at least throughout the first act), Broadway's hit musical WAITRESS, which opened last week at the Musical Hall at Fair Park, seems to be sugar-coated and overstuffed.




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