Festival d'Aix-en-Provence Announces 66th Season - Handel, Mozart & More, 7/2-24
The Festival's 2014 productions will offer works spanning several centuries, continuing its established reputation as one of the world's foremost producers of opera and vocal programming. The season includes four world premieres and a new production in a vast variety of musical and dramatic styles, exemplifying the triple mission of the Festival d'Aix-en-Provence: to present innovative productions of operatic classics; to support the creation of new works by today's leading composers; and to return forgotten masterpieces to the stage.Mozart's Die Zauberflöte (The Magic Flute), at the Grand Théâtre de Provence from July 2-23, will showcase Complicite theater Artistic Director Simon McBurney's spectacular staging of one of the most popular operas ever written. The fantastical story of Prince Tamino, his magic flute, and the bird-catcher Papageno on a mission to rescue Princess Pamina, is set in a musical style that marks the opera as one of Mozart's most unusual works, combining different styles and numerous Freemasonry references. Conductor Pablo Heras-Casado will lead theFreiburger Barockorchester and an outstanding cast of singers that includes Topi Lehtipuu,Mari Eriksmoen, Albina Shagimuratova, and Thomas Oliemans. This new Festival production of Die Zauberflöte is co-produced with the Nederlandse Opera and the English National Opera, in collaboration with Complicite.
The 2014 Festival concert series will include several symphony performances at the Grand Théâtre de Provence, featuring the Orchestre de Paris under the baton of Paavo Järvi with mezzo Waltraud Meier in works by Vacchi, Wagner, Strauss and Tchaikovsky, in an homage to Patrice Chéreau?who passed away shortly after delivering the brilliant production of his last work, Elektra, at the Festival last summer; and two concerts by the Freiburger Barockorchester: an all-Bach program led by violinist/musical directors Petra Müllejans andGottfried von der Goltz, and a second performance conducted by Gottfried von der Goltz with pianist Kristian Bezuidenhout and cellist Jean-Guihen Queyras in works by Haydn, Mozart, and Salomon. A concert by the rising young musicians of the Orchestre des Jeunes de la Méditerranée and musical director Alain Altinoglu will offer a program by Garcia, Strauss, and Weber with soprano Léa Trommenschlager. Two special evenings round out the larger ensemble and symphonic presentations. A cycle of three works commissioned by the Festival from German composer Manfred Trojahn, will be performed at the Auditorium du Conservatoire Darius Milhaud, Trojahn's pieces are dedicated to the politically committed poet René Char, and include L'Allégresse, a work especially written for the evening's soloist, soprano Sabine Devieilhe. Franck Ollu will conduct the Ensemble Modern in the program that also includes works by Bach and Ligeti. The second highlight presents Valery Gergiev conducting the 2014 UNESCO Concert for Peace with the World Orchestra of Peace in works by Panufnik, Strauss, and Mahler to mark the 100th anniversary of World War I. Founded by Sir Georg Solti in 1995 for the 50thanniversary of the United Nations, the Orchestra comprises musicians from some 60 ensembles and 35 countries. Acclaimed cellist Jean-Guihen Queyras, a coach in the Festival's 2014 Chamber Music Residency, will be the focus of a four-concert recital series titled Carte Blanche à Jean-Guihen Queyras. He and longtime collaborator, pianist Alexandre Tharaud, will perform works from Bach to Saariaho as well as a program exploring the similarities of improvisational musical works from Iran, Turkey and Greece and Eastern works they inspired. Other concerts include an all-Bach and Handel recital by the Italian conductor and harpsichordist Andrea Marcon on the magnificent organ of the St. Jean de Malte Church and a performance by the Quatuor Béla of works by Bartók, Trojahn, and Combier. Musiques de la Méditerranée will continue the Festival's efforts to bridge the cultures of Europe and the Mediterranean that have become an essential part of daily life in the nearby city of Marseille. The first concert, Conde Claros, the Golden Age of Spain, will offer Renaissance and Baroque music with singer Françoise Atlan and guitarist Eduardo Egüez. A three-part mini-series, Oración: From Jerez to Alep and from Alep to Aix, will follow, in which Fawaz Baker (Syria/France), Amir El Saffar (Iraq/USA), and Ahmed Essyad (Morocco/France) reveal the connections between Christian and Muslim music in programs of traditional works and their own compositions.17TH ACADÉMIE EUROPÉENNE DE MUSIQUE (EUROPEAN ACADEMY OF MUSIC)
The Festival d'Aix-en-Provence is devoted to musical training and sharing, and thanks to its Académie Européenne de Musique, an important part of its activities are dedicated to the training and promotion of young artists. Each year in June and July, the Académie selects young singers, instrumentalists, and creators from around the world for further training at Aix-en-Provence through 13 residencies. Under the guidance of distinguished artists and educators, they develop their vocal, instrumental and orchestral skills, their talent for composition, or their skills for creating new operas. At this year's Festival, the Académie-which welcomes approximately 8,000 spectators each year-will offer audiences an opportunity to discover 250 young artists in more than 60 public events, including master classes, public performances, concerts, and recitals. The 2014 public events and programs will take place from June 5 to July 27. FESTIVAL D'AIX IN JUNE: A PRELUDE TO THE FESTIVAL D'AIX-EN-PROVENCE
From June 5 to 29, visitors to Aix will be able to see operas, concerts, recitals and master classes - many of them free - that showcase the young artists of the Académie Européenne de Musique as well as established musicians appearing in the Festival's regular July programming. These advance events will culminate in PARADE[S], a free open-air concert of excerpts from Rossini's Il Turco in Italia, Le Barbier de Séville, as well as Rameau's Les Boréades led by Marc Minkowski with Les Musiciens du Louvre-Grenoble at the Cours Mirabeau on June 29. Highlights of the 2014 edition include a performance of Rossini's early one-act opera La Scala di Seta, the return of Les Voix de Silvacane, a series of three exceptional concerts juxtaposing the music of East and West in the beautiful Silvacane Abbey, and a classical show in homage to singer Pauline Viardot. Benjamin Dupé's sound installation "Fantôme" will have three performances in the Bois de L'Aune. Full details on June concerts and events will be available in May.
Founded in 1948, the Festival d'Aix-en-Provence is considered one of the most prestigious opera festivals in Europe. Its ability to bring together the world's best vocal talent and renowned international orchestras, and its commitment to the creation of interdisciplinary works, places the Festival among the most innovative and influential opera platforms in Europe. The Festival d'Aix presents new opera productions with celebrated artists and such eminent international orchestras as the London Symphony Orchestra, and the Berlin Philharmonic. In addition to its dedication to artistic quality, the Festival's essential missions include supporting the creation of new works and bringing opera to new audiences. Each year, the Festival commissions a contemporary work, calling upon such well-known composers as Oscar Bianchi (Thanks to my Eyes, 2011) and George Benjamin (Written on Skin, 2012). Thanks to many co-productions with opera companies around the world, the Festival's productions are seen internationally on major stages in such cultural centers as New York, Vienna, Amsterdam and Milan, contributing to the Festival's influence worldwide L'Académie Européenne de Musique (The European Academy of Music) was established in 1998 as an extension of the Festival and contributes to the systematic policy of expanding audiences for the many public events the Festival offers beyond its role in professional development for young artists from around the world. As a center for training, teaching, and professional experience, the European Academy hosts nearly 100 young artists each year. For two months, they receive the best tools for improving technique and launching their careers through participation in the Festival's productions, and attendance at numerous concerts, conferences, and master classes. Some 1500 talented young instrumentalists, singers, stage directors, conductors and composers have attended the Academy since its inception. In 2007, Bernard Foccroulle assumed the direction of the Festival d'Aix-en-Provence after 15 years as head of the Théâtre de la Monnaie in Brussels. Convinced that opera, by its interdisciplinary nature, is the foundation for future artistic creation and an extraordinary space for dialogue, Bernard Foccroulle is particularly drawn to both the Baroque repertoire and contemporary works. He has been dedicated to pursuing his vision by making opera a lively meeting place for all. Under his leadership, the Festival has become a platform for exchange and reflection, where multiple art forms interact and audiences of all ages from a variety of backgrounds come together. In 2013, 83,596 festival-goers took part in the 65th season of the Festival d'Aix-en-Provence, which presented five operas, 13 concerts, and 62 Académie Européenne de Musique events.
Sponsors
The Festival gratefully acknowledges the following institutions for their support:
Vivendi - Official partner
HSBC - CIC - KPMG - Fondation Total - Fondation La Poste - Société Générale - Fondation Orange - Le Cercle des économistes - ArcelorMittal - Fondation Louis Roederer - Club Campra - IFILAF - Club des Mécènes
Lancôme - LVMH - Groupe Ponticelli Frères, GFC Construction, Saint Gobain, Derichebourg MultiservicesAlso supporting the Festival
Aix-en-bus, Fondation CNA CGM, Universal Music, Les Vins de Provence, Vue en Ville, diptyque, Véolia Environnement, Evolem, Art Mentor Foundation Lucerne, Fondation Crédit Coopératif, Butard Enestot, XL Airways France
Professionnal Partners
SACEM - SACD - la Culture avec la copie privée
