Gary Naylor
Latest Articles
Review: CADEL: LUNGS ON LEGS, Riverside Studios
Connor Delves delivers a remarkable one man show about a remarkable man
Review: THE CHERRY ORCHARD, Starring Kristin Scott Thomas, Harold Pinter Theatre
Kristin Scott Thomas and Stephen Mangan lead a starry cast in a play that can't quite locate the fragile centre of the swirl of relationships in rural Russia
Review: THE BANALITY OF EVIL: HANNAH ARENDT, FRANCE, 1940, Arcola Theatre
Doktor Arendt's ideas have never been more needed here than they are right now
Interview: 'I'm Showing What He Went Through, Live On Stage': Performer Connor Delves On CADEL: LUNGS ON LEGS
A unique Australian hero's historic win at the 2011 Tour de France comes to London in Connor Delves' acclaimed one man show
Review: END OF THE WORLD AND HARD-BOILED WONDERLAND, Barbican Theatre
Extraordinary spectacle delivers in Murakami adaptation that doesn't quite land
Review: LITTLE SHOP OF HORRORS, Hope Mill Theatre
Intimate venue gets high production values to deliver a marvellous show
Review: THE LAST SHIP, Starring Sting, Theatre Royal Drury Lane
Plenty of heart in this full-throated condemnation of Mrs Thatcher's industrial policies, but great songs and a great set do not a musical make
Review: CATARINA AND THE BEAUTY OF KILLING FASCISTS, National Theatre
Disturbing and distressing, but a production for our times
Review: THE TURN OF THE SCREW, Arcola Theatre
Two young actors bring the eerie to a production that undermines its own tension with a choppy narrative
Review: FENCES, Leeds Playhouse
Roy Fearon leads a magniificent cast in Daniel Bailey's epic production
Review: GOLDEN BOY, starring Josh O'Connor, Almeida Theatre
Clifford Odets' 1937 indictment of consumer society gets a big revival, but proves a souless waste of acting talent
Review: FIRE FIRE, Arcola Theatre
New play that veers off in an unfortunate direction and loses much of its punch as a consequence
Review: THE CHERRY ORCHARD, Riverside Studios
Presented as part of a rep season, Flywheel's take on the Chekhov classic works well enough to honour its source
Review: THE DATING GAME, Jack Studio Theatre
A new play that mixes gentle comedy with post traumatic stress disorder
Review: TWELFTH NIGHT, Drayton Arms Theatre
Led by a wonderfully accomplished Molly Hockham as the cross-dressing Viola, everyone has a wonderful time and goes home happy to ask Alexa to play the Bee Gees.
Review: KRAPP'S LAST TAPE, Cockpit Theatre
Peter Marinker brings his own past and his own present to a man living in both timeframes
Review: TROUBLE IN TAHITI and THE SEVEN DEADLY SINS, Opera Holland Park
Leonard Bernstein and Kurt Weill write great tunes and tell terrific stories in brilliant debut twin productions by Opera Prelude
Review: THE MARRIAGE OF FIGARO, Yvonne Arnaud Theatre
A real sense of fun lifts an already frothy opera, Mozart at his most mischievous
Feature: THE KILBURN HIGH ROAD FESTIVAL
Kilburn is alive and kicking (back)
Review: HAVE YOU TOOK THE BINS OUT?, Drayton Arms Theatre
Debut production from Lamp Light Theatre has its heart in the right place and promises much for the future
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