Gary Naylor
Review: THE MARRIAGE OF FIGARO, Yvonne Arnaud Theatre
A real sense of fun lifts an already frothy opera, Mozart at his most mischievous
Feature: THE KILBURN HIGH ROAD FESTIVAL
Kilburn is alive and kicking (back)
Review: HAVE YOU TOOK THE BINS OUT?, Drayton Arms Theatre
Debut production from Lamp Light Theatre has its heart in the right place and promises much for the future
Review: THE TRIAL, National Youth Theatre
Tremendous wit and energy drive an accomplished show created in no time at all!
Review: TRAINSPOTTING THE MUSICAL, Theatre Royal Haymarket
Irvine Welsh and Stephen McGuinness make their Musical Theatre debuts - and it shows
Feature: The National Theatre's Flagship Playwriting Scheme For 14-19 Year-Olds, The NEW VIEWS FESTIVAL 2025
The next generation find their voices with help from the National Theatre's development programme
Review: LAST GOAL WINS, Broadway Theatre Catford
Three footballers compete for two slots on the Nigeria football squad, exploring complicated identities and tangled heritage along the way
Review: OUR PUBLIC HOUSE, Marylebone Theatre
Barney Norris's new play is raw slice of life based on extensive research in left behind towns
Review: TO KILL A MOCKINGBIRD, Wyndham's Theatre
Like many in the audience, my introduction to To Kill A Mockingbird was at school, a set book on the English Literature curriculum.
Review: THE TRUTH, Apollo Theatre
Starry cast fails to lift a play that can be funny, but proves rather too pleased with its own cleverness
Review: TURANDOT, Opera Holland Park
Less Orientalism, and less passion too, but the music sustains
Review: A FINE IDEA, Arcola Theatre
Development Aid is nearly 80 years old, but who really benefits?
Review: MOTHER COURAGE AND HER CHILDREN, Shakespeare's Globe
Putting a radical translation of the classic play into so iconic a venue doesn't quite work for all its chutzpah in conception and execution
Review: SHERLOCK HOLMES, Regent's Park Open Air Theatre
Something for everyone in Joshua James's tremendous turn as the great detective
Review: CAROLINE, Queen's Theatre, Hornchurch
Sixty years ago, pirate radio floated on a diet of great pop, but was sunk by a spoilsport government.
Interview: 'Adele Had Never Written a Song Before She Came To Us': Principal Stuart Worden On The BRIT School
Opened in 1991 with the support of the UK recorded music industry through The BRIT Trust and the BPI, The BRIT School is the leading Performing and Creative Arts school in the UK and is completely FREE to attend.
Book Review: KIDS, WAIT TILL YOU HEAR THIS! MY MEMOIR by Liza Minnelli, Michael Feinstein, Josh Getlin, Heidi Evans
Even 400 pages or more cannot contain whole life, nor the personality
Review: THE LAST BLACK MESSIAH, Jack Studio Theatre
Emeka Agada's new play has much to say, but would benefit from an edit down to an hour
Interview: 'I Made My Own Creative Outlet': Beth Burrows on Singing, Acting and Writing Her Own Work
An award-winning actress, singer, cabaret performer and writer, Beth Burrows has been a fixture in some of the best work in London venues for years.
Review: TWO HALVES OF GUINNESS, Park Theatre
Zeb Soanes captures the voice perfectly to give us the life and times of a huge figure in 20th century acting on stage and screen
