Gary Naylor
Review: OUR PUBLIC HOUSE, Marylebone Theatre
Barney Norris's new play is raw slice of life based on extensive research in left behind towns
Review: TO KILL A MOCKINGBIRD, Wyndham's Theatre
Like many in the audience, my introduction to To Kill A Mockingbird was at school, a set book on the English Literature curriculum.
Review: THE TRUTH, Apollo Theatre
Starry cast fails to lift a play that can be funny, but proves rather too pleased with its own cleverness
Review: TURANDOT, Opera Holland Park
Less Orientalism, and less passion too, but the music sustains
Review: A FINE IDEA, Arcola Theatre
Development Aid is nearly 80 years old, but who really benefits?
Review: MOTHER COURAGE AND HER CHILDREN, Shakespeare's Globe
Putting a radical translation of the classic play into so iconic a venue doesn't quite work for all its chutzpah in conception and execution
Review: SHERLOCK HOLMES, Regent's Park Open Air Theatre
Something for everyone in Joshua James's tremendous turn as the great detective
Review: CAROLINE, Queen's Theatre, Hornchurch
Sixty years ago, pirate radio floated on a diet of great pop, but was sunk by a spoilsport government.
Interview: 'Adele Had Never Written a Song Before She Came To Us': Principal Stuart Worden On The BRIT School
Opened in 1991 with the support of the UK recorded music industry through The BRIT Trust and the BPI, The BRIT School is the leading Performing and Creative Arts school in the UK and is completely FREE to attend.
Book Review: KIDS, WAIT TILL YOU HEAR THIS! MY MEMOIR by Liza Minnelli, Michael Feinstein, Josh Getlin, Heidi Evans
Even 400 pages or more cannot contain whole life, nor the personality
Review: THE LAST BLACK MESSIAH, Jack Studio Theatre
Emeka Agada's new play has much to say, but would benefit from an edit down to an hour
Interview: 'I Made My Own Creative Outlet': Beth Burrows on Singing, Acting and Writing Her Own Work
An award-winning actress, singer, cabaret performer and writer, Beth Burrows has been a fixture in some of the best work in London venues for years.
Review: TWO HALVES OF GUINNESS, Park Theatre
Zeb Soanes captures the voice perfectly to give us the life and times of a huge figure in 20th century acting on stage and screen
Review: HOWIE THE ROOKIE, Cockpit Theatre
Two technically brilliant performances illuminate a play interesting in form and content , but can't quite rescue its outdated approach to its key issues
Review: PLEASE PLEASE ME, Kiln Theatre
The Beatles' first manager flies too close to John Lennon's sun and falls to earth
Review: ONE FLEW OVER THE CUCKOO'S NEST starring Giles Terera, The Old Vic
Superb ensemble cast and inspired staging puts us on the hook for an unspoken oppression
Review: IPHIGENIA, Arcola Theatre
Beautifully conceived and (largely) well executed production that provides much food for thought in our troubled times
Review: SALOME, York Hall
Mark Ravenhill takes over a legendary boxing venue for a show that packs plenty of punch
Review: MY UNCLE IS NOT PABLO ESCOBAR, Brixton House
Silly plot saved by wonderful performances and real joy at the prospect of being seen at last
Review: A DOLL'S HOUSE, Almeida Theatre
Anya Reiss reimagines the Ibsen classic for a disaster capitalist's world, but never establishes the credibility it needs
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