by Franco Milazzo - April 19, 2024
Somewhere in King’s Cross, a middle-aged woman sits at a piano and plays an original piece with surprising fluency. There begins Samuel Adamson’s tumultuous tale of two teenage musical prodigies whose lives become thoroughly entangled....
by Alexander Cohen - April 19, 2024
A cathartic and powerful moment, a veinous fist unclenching....
by Alice Cope - April 19, 2024
This is a fantastical and entertaining production and a great way to honour the icon herself....
by Gary Naylor - April 19, 2024
Given the emotional investment required on stage and in the stalls, one feels somewhat shortchanged by a production that invites sympathy for a character with few redeeming features...
by Franco Milazzo - April 18, 2024
As any fan of this art form will tell you, the first rule of cabaret shows is: never sit in the front row. The second rule is: never tell cabaret virgins the first rule....
by Gary Naylor - April 18, 2024
A mixed bag of productions united by wonderful acting and committed writing...
by Cindy Marcolina - April 19, 2024
Dante or Die are back with another site-specific venture. Burrowed underneath the cold dome of Stone Nest, Kiss Marry Kill feels right at home within the harsh and unholy environment of the venue. Set in a prison against the backdrop of violence, it reframes homophobia and imagines the first same-se...
by Alexander Cohen - April 18, 2024
Aesthetically malnourished, London Tide lacks the lustrous life blood that so warmly floods through the veins of Dickens’s literary world....
by Aliya Al-Hassan - April 19, 2024
As delicate and fragile as one of the glass creatures that are collected, Tennesse Williams' beguiling story of memory, The Glass Menagerie combines themes of hope, rejection, disappointment and profound sadness....
by Matthew Paluch - April 18, 2024
“When are we old? How can experience and embodied knowledge be brought into creative play? And what is the role of dance in questioning the idealisation of youth in our culture?”
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