Direct from a smash-hit run on London's West End, this new production of Tony Kushner (Angels in America) and Jeanine Tesori's (Fun Home) explosive musical launches to "the titanic dimensions of greatness" (Ben Brantley, The New York Times). The "incandescent" (Holly Williams, Time Out London) Sharon D Clarke stars in an exhilarating, Olivier Award-winning performance as Caroline, an African-American maid whose world of 1963 Louisiana ripples with change both large and small. Erupting with transcendent songs and larger-than-life imagination, Caroline, or Change explores how, in times of great transformation, even the simplest acts shake the earth.
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Any work of art about the socioeconomic divide, particularly with regard to inequities rooted in race, class and power, is bound to land differently now than it did in, say, 2004. That seems entirely apposite for a musical with the word 'change' in its title and the tremors of personal, political and historical upheaval thematically embedded in its story. But it's not just shifts in the prism of American life in the 17 years since Caroline, or Change transferred from the Public Theater to Broadway that breathe urgency into this shattering revival. Everything about Michael Longhurst's production feels more emotionally charged, starting with Sharon D. Clarke's mighty performance in the title role.
Clarke, a Londoner making her Broadway debut, is not exactly an unknown quantity, given her three Olivier Awards. (These include one for her 2018 performance in this role and another for her Linda Loman opposite Wendell Pierce in the Young Vic's staggering 2019 Death of a Salesman, which fully deserves to be seen on the New York stage). Here, Clarke provides a compelling reason to see Michael Longhurst's production of the Tesori-Kushner musical, which has been imported with an otherwise local cast.
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