YOUR KIND OF MUSIC. YOUR KIND OF MUSICAL.
For five years, BEAUTIFUL, the Tony and Grammy Award-winning Carole King musical, has thrilled Broadway with the inspiring true story of one woman's remarkable journey from teenage songwriter to the Rock & Roll Hall of Fame.
From the string of pop classics she wrote for the biggest acts in music to her own life-changing, chart-busting success with Tapestry, BEAUTIFUL takes you back to where it all began- and takes you on the ride of a lifetime.
Featuring over two dozen pop classics, including "You've Got a Friend," "One Fine Day," "Up on the Roof," "You've Lost That Lovin' Feeling," "Will You Love Me Tomorrow," and "Natural Woman," this crowd-pleasing international phenomenon is filled with the songs you remember- and a story you'll never forget.
Mueller shows us a reluctant star, a woman who only really starting singing out of necessity and would always have been happier with a few hit songs, a nice home and a man she really could trust. At the end of 'Beautiful,' she's not that different from how she is at the start. Most jukebox shows swing on that obscurity-fame-meltdown-comeback-maturity axis. 'Beautiful,' in its best moments, manages to suggest that the life of our artist is really just small moments that fall together, unknowingly.
Watching Beautiful, the new jukebox musical celebrating the remarkable life and work of Carole King, you may not feel the earth move under your feet. But the new Broadway show emerges as a slick and joyous celebration of female empowerment. Like Jersey Boys, Beautiful features a smart, well-crafted, and often funny book (by Douglas McGrath) that cleverly threads together a memorable catalog of early rock hits such as 'Some Kind of Wonderful' and 'Take Good Care of My Baby.' It also boasts a winning central performance by Jessie Mueller as the shy Jewish girl from Brooklyn who only gradually comes into her own as a headlining voice of a generation... Beautiful fills the charisma vacuum with the substantial addition of King and Goffin's friendly songwriting rivals Cynthia Weil and Barry Mann, played with megawatt scene-stealing abandon by Anika Larsen and Jarrod Spector...
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