Based on a remarkable true story, Hans Litten centers on the brilliant young Jewish lawyer who, in 1931, did the seemingly impossible: he called Adolf Hitler to the witness stand and publicly exposed the future dictator’s embrace of political violence, two years before Hitler rose to power. It remains one of the most audacious legal confrontations of the 20th century.
The play moves from the charged atmosphere of Berlin courtrooms to the brutal reality of Nazi concentration camps, tracing Litten’s unwavering commitment to justice, reason, and human dignity. Refusing to remain silent in the face of rising authoritarianism, Litten risks and ultimately sacrifices his life for the rule of law.
At once intellectually thrilling and emotionally devastating, Hans Litten: The Jew Who Cross-Examined Hitler is a powerful reminder of how fragile democracy can be, and how profound the impact of individual moral courage remains. As questions of justice, truth, and authoritarianism reverberate across the modern world, Litten’s story feels not only urgent but essential.
It’s a somewhat baffling choice that the trial takes up only about twenty minutes of a play that runs two hours (including intermission.) The playwright, who is also a professor of philosophy, fills the rest of the play with biographical scenes, philosophical and political debates, some dozen songs and poems from the period, and lots of scenes of post-trial Hans in prison and concentration camps, during which he shows up for visits by his mother exhibiting the latest injuries from his various tortures (These were early iterations of the camps, but did they really allow family visits?) All of this material outside of the trial might have worked better if it were presented with more subtlety and subtext. For all the playwright’s effort at indicating Hans’ “inner life” (as he informs us in a program note), Lackey’s writing is too often on the level of a school play, all spelled out and on the surface.
The debut of Hans Litten: The Jew Who Cross-Examined Hitler is an intellectually compelling, historically informative, and emotionally impactful must-see production, which also serves as an urgent warning that those who don’t study history are doomed to repeat it. My advice is to see it – and don’t ever let this happen again.
| 2026 | Off-Broadway |
Off-Broadway |
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