What's a Nice Country Like You...Doing in a State Like This? 1973

Are you bound for the Philadelphia area this fall.  There’s so much to see and do that our readers will like to know about. 

When I reached for my phone to call Tovah Feldshuh to interview her on her upcoming role as Justice Ruth Bader Ginsburg in the west coast premiere of SISTERS IN LAW at The Wallis, I never expected to be so enthralled for the fifty minutes that followed; not only by the irascible, most delightful Tovah Feldshuh herself, but by the razor-witted Justice Ginsburg a?' a two-for-one interview!

Two theatres in their first year of Equity eligibility received the most awards at the gala 47th Annual Equity Jeff Awards held at Drury Lane Oakbrook on Monday, October 5, which celebrated a season of outstanding productions.

The former pop star and Broadway headliner brings her tribute to female singer-songwriters to 54 Below.

From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.

Back on April 1, when he posted his third compilation of delayed cabaret reviews from shows staged during the winter, BroadwayWorld.com's lead New York cabaret reviewer promised Number 4 would come with arrival of summer. Okay, so he missed his self-imposed deadline by a couple of weeks. but here's yet another catch-up column with critiques of a half dozen spring shows performed by Bryan Batt, Dawn Derow, Lynly Forrest, Dennis McNeil, Anastasia Barzee, and Nina Hennessey.

Today we are talking to the legendary Broadway and Hollywood composer best known for his work with estimable lyricist Fred Ebb on legendary shows such as CABARET, CHICAGO, THE RINK, KISS OF THE SPIDERWOMAN and THE VISIT - as well as the classic, Oscar-winning film adaptations of those first two shows - who also composed the unofficial New York anthem 'New York, New York' and yesterday premiered his newest original musical on Broadway: THE SCOTTSBORO BOYS - none other than thoughtful and gentle genius John Kander. We discuss his fifty-year career writing with Fred Ebb, writing for Liza Minnelli and Kristin Chenoweth, working with directors like Bob Fosse, Hal Prince and Susan Stroman, plus his thoughts on GLEE, the future of his shows written before Ebb's passing - as well as some SCOTTSBORO BOYS talk - in this comprehensive conversation on all things razzle-dazzlingly resplendent as only Kander & Ebb can claim be. Plus, Kander dissects and discusses the writing process of five of his finest compositions! Start spreadin' the news...