You Never Know Photos - Milburn, NJ (Regional)

What did our critic think of RENT at Cain Park?

Camp Equinox Comes Into Its 25th Year of Theatre Camp!

The King and I's Jose Llana dazzled in his return to Lincoln Center's American Songbook Concert Series on February 1st, four years after his sold-out appearance at the Stanley H. Kaplan Penthouse. Mr. Llana's glorious tenor filled The Appel Room, where he was accompanied by his Here Lies Love cast members Jaygee Macapugay, Jeigh Madjus, Renee Albulario and Billy Bustamante.

What could be better than SOMETHING ROTTEN! coming to the Orpheum in Omaha, Nebraska next week? SOMETHING ROTTEN! with Adam Pascal as Shakespeare! Now that's something to get excited about!

They sing, they dance, they have no values.

San Francisco playwright and performer Trevor Allen spent a few years in Southern California portraying Pluto, Mr. Smee, the Mad Hatter and other characters in his 5'5' height range on his quest for voice clearance and his dream of becoming Peter Pan. The boy who never wanted to grow up recounts his tales of backstage debauchery, sex, drugs, kicks to the crotch, militant managers, and quirky coworkers in this unique coming-of-age tale that blows pixie dust in your eyes while offering a glimpse behind the ears of the Magic Kingdom.

Broadway fans had plenty of reasons to celebrate this year, with dozens of shows having opened since January, hundreds of actors having made their debuts, and many more having returned to the stage for critically acclaimed performances. Not all news was good though, as we also suffered a loss of an incredible amount of talent. Below, BroadwayWorld sends a fond farewell to those who passed away in 2014.

Get ready to be enchanted by the magic of The King and I, featuring a large-scale musical like you've never seen it before! Come along on a journey to Siam as the Tony Award-winning masterpiece The King and I bursts onto the Maltz Jupiter Theatre's stage, now through April 6, complete with imaginative scenic design, lavish costumes and a lush score of classics, including 'Getting to Know You,' 'Hello Young Lovers' and many more. This Broadway phenomenon will leave you whistling a happy tune! Scroll down for a first look at the cast in action!

Patricia Ward Kelly's compelling presentation combines rare and familiar film clips, previously unreleased audio recordings, personal memorabilia, and insights culled from her hours of interviews and conversations with her husband whom she met in 1985 in Washington, D.C., where she was the writer for a television special about The Smithsonian for which he was the host and narrator. She was 26; he was 73. Soon after, he invited her to California to write his memoir. They fell in love, married, and were together until his death in 1996.

Danny Aiello and Band played the ScoBar at the Iridium last night, September 28, 2012. BroadwayWorld was there and brings you photos from the concert below!

Westport Country Playhouse stages the National Book Award-winning memoir, "The Year of Magical Thinking" by Joan Didion, now through June 30, featuring noted actress Maureen Anderman as Didion. Directed by Nicholas Martin, the play is based on the author's actual experience rebuilding her life during the year after her spouse's death and her capacity to emerge strengthened from even the most shattering of life's trials. See below for Anderman playing Didion on stage!

In April of 2012, Peter Lockyer joined the U.S. Tour cast taking over the role of Jean Valjean. Peter Lockyer played Marius on Broadway many years ago and now has this new opportunity to play Jean Valjean. I recently interviewed Peter and learned a lot about his career and how he feels about being part of musical history.

On its tenth anniversary, the Philippine Opera Company ('La Boheme', 'Harana') brings back its critically acclaimed production of Terrence McNally's 1996 Tony award-winning play 'Master Class', starring Philippine cinema icon Ms. Gil in the role of the opera world's grand dame Maria Callas (1923-1977). Presented in a master class format, the straight play explores what could have transpired inside the opera's classroom with Callas at the Juilliard 1971-72, at the time when the dramatic soprano had already lost her voice.