A Desert Incident 1959

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

?Dallas Theater Center announced today complete details for the rolling world premiere of Colossal, a new play by Andrew Hinderaker. DTC artistic director Kevin Moriarty directs the Kennedy Center Jean Kennedy Smith Playwriting Award-winning play, which is choreographed by founder and artistic director of Dark Circles Contemporary Dance Joshua L. Peugh. Colossal begins with previews tonight, April 2 with a Pay-What-You-Can performance and runs through Sunday, May 3.

?Dallas Theater Center announced today complete details for the rolling world premiere of Colossal, a new play by Andrew Hinderaker. DTC artistic director Kevin Moriarty directs the Kennedy Center Jean Kennedy Smith Playwriting Award-winning play, which is choreographed by founder and artistic director of Dark Circles Contemporary Dance Joshua L. Peugh. Colossal begins with previews on Thursday, April 2 with a Pay-What-You-Can performance and runs through Sunday, May 3.

Today we are talking to a celebrated comedienne and actress known for her decades-spanning career on screens and stages large and small - from making her Broadway debut in the original Jerome Robbins production of GYPSY on Broadway in 1960 to her many musical roles throughout the 60s to her countless game show and variety show appearances following that all the way to creating an unforgettable character in MOONSTRUCK in the 1980s, as well as her subsequent oft-Neil Simon stage work; now, playing Tina Fey's sweet and daffy mom on NBC's 30 ROCK and, most recently, appearing in Nora & Celia Ephron's LOVE, LOSS AND WHAT I WORE and the Playwright's Horizons premiere production of THE BIG MEAL in the new millennium - the one of a kind Anita Gillette. Analyzing her nearly sixty-year career and sharing candid stories of her brushes with some of Broadway and Hollywood's brightest talents - Jule Styne to Ethel Merman to Irving Berlin to Burt Lancaster and beyond - Gillette paints a vivid portrait of the tail end of the Golden Age of Broadway and the heady game show days of TV in the 1960s and 70s to her lauded stage work with Neil Simon and many of the great comedy and musical writers in the years since. Additionally, Gillette and I discuss her current essaying of the role of Mae Peterson in the new Regal Music Theatre production of Charles Strouse and Lee Adams's BYE BYE BIRDIE in Massachusetts as she looks towards opening night tomorrow and relates her joy in participating in a production that has some behind-the-scenes help by her loving granddaughter (while another attends their summer camp). Plus, Gillette's observations on sharing a soundstage with Alec Baldwin, Tina Fey, Elaine Stritch and Buck Henry for a recent 30 ROCK shoot, reflections on her fondest and most celebrated comedy roles, hilarious memories of appearing in some short-running flops (JIMMY, SKYSKRAPER) as well as in some big hits (GYPSY), her upcoming series of master classes titled "Life In The Business", her return to Birdland with her concert show, AFTER ALL, her role in an upcoming Ed Burns film and maybe even a role in a new Alexander Payne film - all of that, all about attending the Diamond Jubilee celebration in the United Kingdom and much, much more!