Back on April 1, when he posted his third compilation of delayed cabaret reviews from shows staged during the winter, BroadwayWorld.com's lead New York cabaret reviewer promised Number 4 would come with arrival of summer. Okay, so he missed his self-imposed deadline by a couple of weeks. but here's yet another catch-up column with critiques of a half dozen spring shows performed by Bryan Batt, Dawn Derow, Lynly Forrest, Dennis McNeil, Anastasia Barzee, and Nina Hennessey.
Berkeley Playhouse continues its fifth season with the Tony Award-winning GUYS AND DOLLS. Jon Tracy (Berkeley Playhouse, Aurora Theatre Company, Shotgun Players, San Francisco Playhouse, Magic Theatre) helms this musical from the Golden Age of Broadway, featuring a cast of 22, and choreography by Chris Black (Berkeley Playhouse, Aurora Theatre Company). GUYS AND DOLLS plays tonight, March 21 through April 28 (Press opening: March 23) at the Julia Morgan Theatre in Berkeley.
Berkeley Playhouse continues its fifth season with the Tony Award-winning GUYS AND DOLLS. Jon Tracy (Berkeley Playhouse, Aurora Theatre Company, Shotgun Players, San Francisco Playhouse, Magic Theatre) helms this musical from the Golden Age of Broadway, featuring a cast of 22, and choreography by Chris Black (Berkeley Playhouse, Aurora Theatre Company). GUYS AND DOLLS plays March 21 through April 28 (Press opening: March 23) at the Julia Morgan Theatre in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351.
Happy Birthday, Graciela Daniele! As a performer, Daniele made her Broadway debut in What Makes Sammy Run? in 1964. She studied with Martha Graham and Merce Cunningham while working with such luminaries as Bob Fosse, Agnes de Mille, and Michael Bennett, who hired her to assist him with Follies in 1971. Her first credit as a full-fledged choreographer was the 1979 revival of The Most Happy Fella. She has directed and/or choreographed several musicals of Lynn Ahrens and Stephen Flaherty, including, most recently, The Glorious Ones (2007) and Dessa Rose (2005) at the Off-Broadway Mitzi E. Newhouse Theater at Lincoln Center. She has directed and/or choreographed several musicals of Michael John LaChiusa Off-Broadway, most recently Bernarda Alba (2006) and Little Fish (2003).
ANNIE, the new production of the Tony Award-winning musical, went into rehearsal today in New York City with its full company. The production begins previews October 3, 2012 and opens November 8, 2012 at the Palace Theatre (Broadway at 47th Street). Meet the full cast below!
ANNIE, the new production of the Tony Award-winning musical, went into rehearsal today in New York City with its full company. The production begins previews October 3, 2012 and opens November 8, 2012 at the Palace Theatre (Broadway at 47th Street). Meet the full cast below!
The long overdue London premiere of the Broadway musical The Roar of the Greasepaint - The Smell of the Crowd, directed by acclaimed West End and RSC director Ian Judge, and designed by three time Olivier Award winner Tim Goodchild, opens for a four week limited season at the Finborough Theatre on Tuesday, 7 June 2011 (Press Night: Thursday, 9 June 2011 at 7.30pm).
According to TVGuide.com, Steve Lawrence and John Mahoney are set to star in the new season of TV Land's 'Hot in Cleveland.
Though Ervin Drake's 'The Friendliest Thing (Two People Can Do),' from his 1964 hit What Makes Sammy Run?, has been called the first song from a Broadway musical to be directly about having sex, Suzanne Carrico employs no vampy winks or purring vocals as she observes with heightened intellectual interest the unnecessity of foreplaying drinks and dances when a couple in lust could simply get right to it. (Yes, I just made up two words in that sentence. Deal with it.) Her new show at The Metropolitan Room, opening less than three weeks afters winning the MAC Award for Outstanding Debut, is named for this suggestive showtune but the self-described geek cleverly treats the song as a subtext to Cy Coleman and Dorothy Fields' 'Welcome To Holiday Inn,' sandwiching the cerebral sexuality between slices of broader, comical pass-making. This is either the smartest show about sex or the sexiest show about smarts in town.In outstanding company both offstage (Mary Cleere Haran is her director) and on (she's got music director/arranger Tedd Firth on piano and Steve Doyle on bass), Carrico has the kind of sunny, uncomplicated voice that can fill Harold Arlen and Leo Brown's 'Hooray For Love' with perky glee, matched with the kind of acting skill that can explore the dark dramatic longings of Arlen and Johnny Mercer's 'I Had Myself a True Love,' climaxing in an anguished belt that is far more about the woman she portrays than her ability to vocally shine.She calls this her hanky-panky show and most every number has something to do with sex. There's the sweet simplicity with which she approaches Jimmy Roberts and Joe DiPietro's 'I Will Be Loved Tonight,' where a woman who has gone too long without a lover's touch anticipates how the evening's date will end, and the wry exasperation of 'Toothbrush Time,' William Bolcom and Arnold Weinstein's tense contemplation on why last night's lover is taking so long to get out of the apartment. She savors the snazzy jazz jauntiness of Michael John La Chiusa's 'The Thief' and turns George Gershwin and B.G. DeSylva's 'Do It Again!' into a lopsided debate between the mind and the libido (guess who wins).The very funny sexpot character song, 'Femininity' (Jay Livingston/Ray Evans), is given an interesting personal twist as she introduces it with some of her own feelings as an adolescent girl surprised by the different way boys would look at her once she started developing. Her admiration for the romantic passion expressed by Alan and Marilyn Bergman fuels her detailed story-telling in 'Like a Lover' and 'The Island.And for those who believe that hanky-panky is never complete without a bit of cuddling after, she finishes the evening with a very satisfied and satisfying 'Embraceable You' by the Gershwins.
The New York Musical Theatre Festival (NYMF), now in its fourth year, is a three-week event in NYC that has premiered over 90 musicals in its first three years, becoming the largest musical theatre event in America. Tickets for NYMF productions are available at www.nymf.org or by calling 212-352-3101. This year's Festival will run from September 17 through October 7 with the following schedule of events...
Town Hall's Broadway By the Year, an extremely popular series of concerts, tackled the year 1964 (again) on June 18th. BroadwayWorld.com was there to capture all the fun as several Broadway performers took to the stage to sing songs from Gypsy, Fiddler on the Roof, Hello Dolly!, Anyone Can Whistle, Funny Girl and more!
Town Hall's 'Broadway by the Year: The Broadway Musicals of 1964 Part II' on Monday, June 18th has expanded its previously announced cast. Joining Stephanie J. Block, Liz Callaway, Joyce Chittick, Scott Coulter, Beth Leavel and Sean Martin Hingston are Gregg Edelman, Devin Richards, David Pittu, and Sarah Uriarte Berry.
Complete scheduling information has been announced for the New York Musical Theatre Festival
A revised production of the musical What Makes Sammy Run? will be seen off-Broadway from January 19th through 29th
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