Just So 1990 - Articles Page 5

Sarasota Opera has announced the lineup for the 2023 Summer Classic Movies at the Opera House. The Classic Movies at the Opera House series featuring many beloved movies will open on Friday, May 12th at 7:30 pm with 2001: A Space Odyssey. Throughout the summer and into the fall, featured movies will include films ranging from the 1930's to the 1990's. Tickets will be $12 and will go on sale starting on Wednesday, May 3. Additional movie titles are detailed below.  

Ivoryton Playhouse will present Tony Award-nominated Mia Dillon* and Tony award winner James Naughton* in ON GOLDEN POND by Ernest Thompson May 18 through June 11, 2023.

What did our critic think of PRETTY WOMAN: THE MUSICAL at Orpheum Theatre?

Performance Space New York has announced upcoming programming for Taíno Needle Science Institute: Electric Works Laboratory, the acupuncture clinic that doubles as a guerilla academy, currently ongoing in Performance Space's Open Room, organized by Standing On The Corner Art Ensemble.

What did our critic think of GHOST THE MUSICAL at Seacoast Repertory Theatre?

Arena Stage at the Mead Center for American Theater has announced that its Board of Trustees has unanimously selected Hana Sharif, Augustin Family Artistic Director of The Repertory Theatre of St. Louis, as its next Artistic Director. She will succeed Molly Smith, who is retiring at the end of June after 25 years with the company.

The South Bend Symphony Orchestra joins forces with Jeans' n Classics and up and coming guest conductor Shira Samuels-Shragg, to take you back to 1969 at 'A Night at Woodstock' on Saturday, April 15, at 7:30 p.m. at the Morris Performing Arts Center!

Intimate stories. Interwoven music. Breathtaking physicality. This, and much more, is what you can expect upon your return to Seattle Rep for an all-new season in fall 2023. See how to purchase tickets!

Actors Theatre of Indiana presents the World Premiere musical Mr. Confidential, premiering at The Studio Theatre at The Center for the Performing Arts beginning April 28, 2023 and running through May 14.

The York Theatre Company is presenting Vanities-The Musical, with book by Jack Heifner, music and lyrics by David Kirshenbaum, music direction by Deborah Abramson, and choreography by Shannon Lewis. The show is directed by Will Pomerantz. Check out reviews!

Notre Dame de Paris will return to New York this summer to celebrate its 25th Anniversary. See performance dates and learn how to purchase tickets!

WPalm Canyon Theatre (PCT) and Del Shores have a long, strong bond with each other. His sidewalk star is even strategically placed in front of the theatre. It seems that every year PCT produces one of his plays, frequently Sordid Lives. This year they are presenting Daddy’s Dyin’, Who’s Got the Will?, his second play which was first produced in 1990.  I’ve known the title for years – it’s the sort of title you don’t soon forget – but this is the first time I have seen it produced.  I personally think it is a better structured play than the more popular Sordid Lives, and the opening night audience at PCT howled with laughter from the very first entrance.hat did our critic think of DADDY'S DYIN', WHO'S GOT THE WILL? at Palm Canyon Theatre?

Up next for Theatre 40’s current season, Terrence McNally’s It’s Only a Play opening March 23, 2023. Larry Eisenberg directs the cast of Todd Andrew Ball, Peter Bussian, Fox Carney, Joe Clabby, Cheryl David, Mouchette van Helsdingen and Jeffrey Winner. Larry was most gracious in carving out time to give serious thoughts to answering my queries.

I did not attend Foreword Theater’s Airness on Saturday with any intention to review the show. In fact, I said to my partner, “It will be nice to just see theater again without it being my job.” Yet here we are. The reason for the review is simple. I want you to see this show. did our critic think of AIRNESS at Forward Theater?

Hubbard Street Dance Chicago (HSDC) Artistic Director Linda-Denise Fisher-Harrell and Executive Director David McDermott have announced that award-winning, critically-acclaimed choreographer Aszure Barton will serve as the company's Resident Artist for the next three years, embarking upon a process-based period of collaboration, creation, and mutual growth.

The brand new feature-length concert documentary “Home Again: Carole King Live In Central Park,” which presents musical icon Carole King’s triumphant May 26, 1973 homecoming concert on The Great Lawn of New York City’s Central Park before an estimated audience of 100,000. Watch the video trailer now!

TEMAN (Teater Musikal Nusantara) did what many Indonesian thespians thought impossible: bring Jonathan Larson’s 1996 RENT to the country. The show’s themes — which proved to be just as relevant in 2022, if not more so — were powerfully brought to life through effective direction, heartrending performances, and delightful production design.

We chatted about his role, movies to musical adaptations, and the challenges of touring.

What did our critic think of PRETTY WOMAN at The Orpheum Theatre Memphis? If you are familiar with the beloved 1990 film Pretty Woman, you are familiar with this line. The opening number of the musical 'Welcome to Hollywood' captivates the audience with a catchy line and an exhilirating dance number. Fans of the film won't be disappointed, holding their breath for iconic lines and even costumes from the film. However, the late great Stephen Sondheim once spoke about the concept of 'why musicals', saying they are 'perfectly OK, but why write them? They're not necessary.

Pretty Woman The Musical – the latest offering in the 2022-23 Broadway at TPAC Series – is one of those shows that almost defies explanation and proves even more difficult to review. (Case in point: I’ve rewritten that sentence 758 times in the past 22 hours and it’s still not “singing,” is it?) Pretty Woman The Musical is a pleasant enough diversion, entertaining even, but there is little in the show’s first act to convince most people that the 1990 rom com, which starred Julia Roberts and Richard Gere, needed to be transformed into a glitzy and glittering Broadway musical (a term we use loosely in this case), with Olivia Valli and Adam Pascal in the leading roles.

GHOST THE MUSICAL at Toby’s Dinner Theater in Columbia, based 1990's movie Ghost, starring Demi Moore and Patrick Swayze, offers romance, drama and retro vibes. The 1955 tune “Unchained Melody” strings the whole thing together. Cast and orchestra are harmonic and wonderfully watchable. Production values are excellent and dinner is delicious.

But beloved as it may be, why in the ever-loving hell has it taken so long for To Kill A Mockingbird to become a theatrical play that is actually worthy of its literary heritage? Sure, there’s been a 1990 (?!) version by Christopher Sergel that’s made it way through every high school auditorium, community theater playhouse and reginal theater over the intervening three decades that we are, quite frankly, sick to death of it. In fact, if we never see it again, we’ve seen it far too often: a warmed over, treacly and maudlin rehash that’s far too dependent on the title’s movie roots to really emerge from a darkened theater to become a consummate American play.

What did our critic think of FALSETTOS | LIEFDE IN TIJDEN VAN CRISIS at DeLaMar? Falsettos is a combination of two one-act musicals, March of the Falsettos (1981) and Falsettoland (1990), the last two shows in a trio of one-acters (the first one was In Trousers).Music and lyrics by William Finn (Dutch translation by director Koen van Dijk). Book by James Lapine.

Fresh from its three-week stop at the Dolby Theater in Hollywood, the first national tour of PRETTY WOMAN - THE MUSICAL---based on that hit 1990 movie about a Hollywood hooker who finds true love---has made the short drive to OC's Segerstrom Center for the Arts in Costa Mesa for a two-week engagement ending July 17, 2022.

“So, did you hear the story of the Johnstone twins? As like each other as two new pins. Of one womb born, on the self-same day, how one was kept and one given away?” These are the words spoken by the Narrator at the beginning of BLOOD BROTHERS, the long-running West End musical by Willy Russell which provides the perfect setup for the play that follows. BLOOD BROTHERS is not a show that gets produced that often, but that is likely exactly why the Florida Theatrical Association has opted to mount a production of the musical – to introduce it to new audiences and provide theatregoers the unique experience of seeing the show. I attended opening night and it was, in fact, the first time I have had the chance to see a live production even though I have been familiar with the piece due to its popularity in England and its not-as-successful run on Broadway in the early 1990’s. And though the piece itself has some challenges (more on that later) the FTA’s production is solid with outstanding and emotional performances by the cast and a creative vision true to the material