The most beloved musical of all time, Lerner & Loewe's MY FAIR LADY returns to Broadway in a lavish new production from Lincoln Center Theater, the theater that brought you the Tony-winning revivals of South Pacific and The King and I.
Directed by Tony winner Bartlett Sher, the stellar cast - led by Lauren Ambrose, Harry Hadden-Paton, Norbert Leo Butz, Diana Rigg, Allan Corduner, Jordan Donica, Linda Mugleston and Manu Narayan - tells the story of Eliza Doolittle, a young Cockney flower seller, and Henry Higgins, a linguistics professor who is determined to transform her into his idea of a "proper lady." But who is really being transformed?
The classic score features "I Could Have Danced All Night," "The Rain in Spain," "Wouldn't It Be Loverly" and "On the Street Where You Live." The original 1956 production won six Tony Awards including Best Musical, and was hailed by The New York Times as "one of the best musicals of the century."
Higgins is as always a comically insufferable narcissist but Hadden-Paton (who played Bertie Pelham on Downton Abbey) gives him a shot of sex appeal, which helps. Norbert Leo Butz, as Eliza's foolish father, gives a showstopping performance. But this revival really seems to draw its energy from the women - from Ambrose's damaged and determined Eliza, as well as Diana Rigg (Diana Rigg!) as the dry, wise, seen-it-all queen of common sense, Mrs. Higgins. Their spirit, and their refusal to allow the ridiculous impulses of men go unchecked, points to the irony in the title: Sure she's fair, but she does not belong to you.
The musical pulls out all the stops for a raucous production number, 'Get Me to the Church on Time,' which marks the begrudging transformation of Eliza's father (Norbert Leo Butz, with his usual impatience de vivre) from ne'er-do-well to well-to-do. But its default mode is elegance. Sher is acutely alert to the shifts of balance within both My Fair Lady itself and the way it plays to contemporary audiences, and nowhere is that clearer than in his clever solution to the show's notoriously slippery ending. This revival has devised a way to have its scone and eat it too.
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