Following celebrated seasons at the National Theatre and on Broadway, Lee Hall’s The Pitmen Painters will at last enjoy a West End season, opening at the Duchess Theatre on Wednesday 5 October.
In 1934, a group of Ashington miners hired a professor to teach an art appreciation evening class. Rapidly abandoning theory in favour of practice, the pitmen began to paint – prolifically. Within a few years avant-garde artists became their friends and their work was acquired by prestigious collectors; but every day they continued to work, as before, down the mine…
The Pitmen Painters is highly amusing, deeply moving and always entertaining as it examines the lives of a group of ordinary men who do extraordinary things.
Sound Theatre Company completes its eighth season with the Seattle professional premiere of Blood Relations by Sharon Pollock, in partnership with GianT Projects. Blood Relations is a tense thriller based on the historical facts and speculation surrounding Lizzie Borden, who was charged with the 1892 murders of her father and stepmother. Ten years after her acquittal, Lizzie is pressed by her lover to reveal what happened. Lizzie has her re-enact the events in her place, facing the same choices with startling results.
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, announces casting for the first three productions of the 40th Anniversary Season.
To close its 47th Season, Marin Theatre Company will produce the West Coast premiere of Failure: A Love Story by the 'hugely talented Chicago writer' (Chicago Tribune) Philip Dawkins. Directed by MTC's artistic director Jasson Minadakis, this 'enchanted and enchanting' play about love and loss will feature five actors playing multiple characters, using puppets and playing live music both original (by MTC's frequent collaborator Chris Houston, a Berkeley-based composer and musician) and from the era of the play - 1920s Chicago.
To close its 47th Season, Marin Theatre Company will produce the West Coast premiere of Failure: A Love Story by the 'hugely talented Chicago writer' (Chicago Tribune) Philip Dawkins. Directed by MTC's artistic director Jasson Minadakis, this 'enchanted and enchanting' play about love and loss will feature five actors playing multiple characters, using puppets and playing live music both original (by MTC's frequent collaborator Chris Houston, a Berkeley-based composer and musician) and from the era of the play - 1920s Chicago.
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Diane Paulus, Artistic Director and William Russo, Managing Director; presents the last production of its 2013/14 Season, THE TEMPEST, adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan, and movement by Matt Kent of Pilobolus.
Berkeley Repertory Theatre continues the second half of its season with Tribes, a sophisticated and moving family drama by celebrated British playwright Nina Raine. Her profound and powerful new play became an award-winning hit in London and New York. Now renowned director Jonathan Moscone brings it to Berkeley Rep this April for its Bay Area premiere. Tribes follows Billy, a young man who was born deaf into a loquacious and highly opinionated academic family who raised him to lip-read and integrate into the hearing world. When he meets Sylvia - raised by Deaf parents and going deaf herself - Billy decides it's time to speak on his own terms and to be heard. Playing out in words, sign language, and sometimes mesmerizing silence, this penetrating drama examines familial love, notions of belonging, and the intersections of communication. Tribes began previews Friday, April 11, opens tonight, April 16, and closes on Sunday, May 11, 2014.
Berkeley Repertory Theatre continues the second half of its season with Tribes, a sophisticated and moving family drama by celebrated British playwright Nina Raine. Her profound and powerful new play became an award-winning hit in London and New York. Now renowned director Jonathan Moscone brings it to Berkeley Rep this April for its Bay Area premiere. Tribes follows Billy, a young man who was born deaf into a loquacious and highly opinionated academic family who raised him to lip-read and integrate into the hearing world. When he meets Sylvia - raised by Deaf parents and going deaf herself - Billy decides it's time to speak on his own terms and to be heard. Playing out in words, sign language, and sometimes mesmerizing silence, this penetrating drama examines familial love, notions of belonging, and the intersections of communication. Tribes start previews tonight, April 11, opens on April 16, and closes on Sunday, May 11, 2014.
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Diane Paulus, Artistic Director and William Russo, Managing Director, presents the last production of its 2013/14 Season, THE TEMPEST, adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan, and movement by Matt Kent of Pilobolus.
The Smith Center for the Performing Arts has now added a third and final week of performances for the world premiere of THE TEMPEST, which will now play April 6-27, with special preview performances April 1-4. The opening night celebration will take place on Saturday, April 5. Produced in association with the American Reparatory Theater (A.R.T.), THE TEMPEST is adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan and movement by Matt Kent of Pilobolus. THE TEMPEST will perform at The Smith Center's Donald W. Reynolds Symphony Park in a 500-seat climate-controlled tent. Tickets start at $35 for regular performances and $25 for preview performances. Tickets for the opening night celebration are $150 and include an exclusive post-show reception. All tickets are on sale now at The Smith Center box office, online at www.TheSmithCenter.com or by phone at (702) 749-2000.
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Diane Paulus, Artistic Director and William Russo, Managing Director; announced today the company for the last production of its 2013/14 Season, THE TEMPEST, adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan, and movement by Matt Kent of Pilobolus.
Berkeley Repertory Theatre continues the second half of its season with Tribes, a sophisticated and moving family drama by celebrated British playwright Nina Raine. Her profound and powerful new play became an award-winning hit in London and New York. Now renowned director Jonathan Moscone brings it to Berkeley Rep this April for its Bay Area premiere. Tribes follows Billy, a young man who was born deaf into a loquacious and highly opinionated academic family who raised him to lip-read and integrate into the hearing world. When he meets Sylvia - raised by Deaf parents and going deaf herself - Billy decides it's time to speak on his own terms and to be heard. Playing out in words, sign language, and sometimes mesmerizing silence, this penetrating drama examines familial love, notions of belonging, and the intersections of communication. Tribes start previews Friday, April 11, opens on April 16, and closes on Sunday, May 11, 2014.
YALE REPERTORY THEATRE presents the world premiere of THESE PAPER BULLETS!, a modish ripoff of William Shakespeare's Much Ado About Nothing, adapted by Rolin Jones, with songs by Billie Joe Armstrong, and directed by Jackson Gay, March 14-April 5 at the University Theatre (222 York Street). Opening Night is Thursday, March 20.
PICT Theatre's final production of the season is the Pittsburgh premiere of Paul Giovanni's The Crucifer of Blood, a Sherlock Holmes adventure featuring characters created by Sir Arthur Conan Doyle. Matt Torney directs. David Whalen returns to reprise the role of Sherlock Holmes since his 2011 turn as the master detective. Also returning from the 2011 production is Daryll Heysham as Inspector Lestrade. Justin R. G. Holcomb makes his PICT debut as Dr. Watson.
The Phoenix, the New Theatre Company founded by long-time PICT artistic director and founder Andrew Paul and Pittsburgh Playwrights Theatre founder and former director of theatre initiatives at the August Wilson Center, Mark Clayton Southers, will debut with a four week run of Joe Penhall's provocative, caustically funny, Olivier Award-winning play Blue/Orange. The production will star acclaimed actors David Whalen, Sam Tsoutsouvas, and newcomer Rico Parker, with direction by Andrew Paul and scenic design by Mark Clayton Southers. Blue/Orange, sponsored by founding Phoenix Board Member and noted arts philanthropist Richard E. Rauh, plays tonight, November 1-23, 2013 at the Pittsburgh Playwrights Theatre, 937 Liberty Avenue in downtown Pittsburgh.
The Phoenix, the new theatre company founded by long-time PICT artistic director and founder Andrew Paul and Pittsburgh Playwrights Theatre founder and former director of theatre initiatives at the August Wilson Center, Mark Clayton Southers, will debut with a four week run of Joe Penhall's provocative, caustically funny, Olivier Award-winning play Blue/Orange. The production will star acclaimed actors David Whalen, Sam Tsoutsouvas, and newcomer Rico Parker, with direction by Andrew Paul and scenic design by Mark Clayton Southers. Blue/Orange, sponsored by founding Phoenix Board Member and noted arts philanthropist Richard E. Rauh, plays November 1-23, 2013 at the Pittsburgh Playwrights Theatre, 937 Liberty Avenue in downtown Pittsburgh.
Long-time PICT artistic director and founder, Andrew Paul and Pittsburgh Playwrights Theatre founder and former director of theatre initiatives at the August Wilson Center, Mark Clayton Southers have announced Pittsburgh's newest professional theatre company, The Phoenix. The mission of The Phoenix is to explore the issues facing our diverse and rapidly changing world through the language of theatre. The name is purposeful. The phoenix was a mythological creature that crossed borders finding a home in many cultures from ancient Greece and Egypt to Turkey, Persia, Russia, Tibet, China and Japan. It was and is a symbol of renewal, new life emerging from the ashes of the old in a never-ending cycle of death and rebirth.
North Coast Repertory Theatre presents THE ODD COUPLE by Neil Simon, directed by Andrew Barnicle. The show runs now through May 12, 2013, after a one-week extension!
North Coast Repertory Theatre presents THE ODD COUPLE by Neil Simon, directed by Andrew Barnicle. The show will run in previews tonight, April 10 - 12, 2013 and continues April 13 - May 5, 2013.
Marin Theatre Company, in a co-production with Virginia Stage Company, stages the regional premiere of Matthew Lopez's Civil War drama The Whipping Man in Mill Valley from March 28 to April 21, 2013. MTC's artistic director Jasson Minadakis directs the production. Featuring popular Bay Area actors L. Peter Callender, Nicholas Pelczar and Tobie Windham, as well as the design team from MTC's 2011 San Francisco Bay Area Theatre Critics Circle Award nominated production of Tennessee Williams's The Glass Menagerie, this co-production rehearsed and ran at VSC in Norfolk, Virginia, from February 26 to March 17, 2013, before tonight's move to MTC. Opening night at MTC is tonight, April 2.
North Coast Repertory Theatre presents THE ODD COUPLE by Neil Simon, directed by Andrew Barnicle. The show will run in previews April 10 - 12, 2013 and continues April 13 - May 5, 2013.
Marin Theatre Company, in a co-production with Virginia Stage Company, will stage the regional premiere of Matthew Lopez's Civil War drama The Whipping Man in Mill Valley from March 28 to April 21, 2013. MTC's artistic director Jasson Minadakis directs the production. Featuring popular Bay Area actors L. Peter Callender, Nicholas Pelczar and Tobie Windham, as well as the design team from MTC's 2011 San Francisco Bay Area Theatre Critics Circle Award nominated production of Tennessee Williams's The Glass Menagerie, this co-production will rehearse and run at VSC in Norfolk, Virginia, from February 26 to March 17, 2013, before moving to MTC. Opening night at MTC is on Tuesday, April 2.
Pittsburgh Irish and Classical Theatre (PICT) announces the appointment of Alan Stanford as Interim Artistic Director for the company, effective immediately. Mr. Stanford replaces Andrew Paul who, along with Stephanie Riso, founded the company in 1997.
Polarity Ensemble Theatre presents the world premiere of Never the Bridesmaid, a sweet, funny, life-affirming comedy by Chicago playwright Bill Jepsen. Directed by award-winning director Richard Shavzin, Never the Bridesmaid runs at the Polarity space at the Josephinum Academy, 1500 N. Bell St. in the Wicker Park neighborhood of Chicago, tonight, February 26 through April 7, 2013. Press night is Thursday, February 28 at 8:00 p.m.
Seattle Theater Writers critics' circle is pleased to present the winners' slate of the second annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters.
Polarity Ensemble Theatre presents the world premiere of Never the Bridesmaid, a sweet, funny, life-affirming comedy by Chicago playwright Bill Jepsen. Directed by award-winning director Richard Shavzin, Never the Bridesmaid runs at the Polarity space at the Josephinum Academy, 1500 N. Bell St. in the Wicker Park neighborhood of Chicago, February 26 through April 7, 2013.
Videos
