Featured Reviews For Wit

Wit: Theater Review - Hollywood Reporter
A deserving winner of the 1999 Pulitzer Prize for Drama, Margaret Edson’s Wit is a work of delicately calibrated opposites. It pits detached clinical observation on one side against raw human emotion on the other, while somehow making dry humor and wrenching pathos travel hand in hand. In Lynne Meadow’s unerringly focused staging for Manhattan Theatre Club, and above all in Cynthia Nixon’s shattering performance, that balancing act is rendered with piercing accuracy.

Bald Cynthia Nixon Faces Cancer With Grammar in Lithe ‘Wit’ - Bloomberg
We have a drama laced with humor, most of it acid and utterly devoted to the power of metaphor, simile, paradox -- and wit. Not the debased, bilious language the spills from most stages these day, but words that matter, that touch the soul. Nixon gives us a woman whose mind demands attention even as her body is inexorably failing. You hear urgency in the crackling tone of her voice and see it in the undimmed sparkle in her eyes. She never stops wrestling.


Wit Broadway Cast


Wit Broadway - 2012 Broadway Articles Page 3

by Michael Dale - February 25, 2008
The second act of Stephen Sondheim and James Lapine's 1984 musical, Sunday In The Park With George is centered on a then-contemporary artist/inventor named George who has created a series of machines called chromolumes, which electronically fill rooms with color and light. His latest, 'Chromolume #7' is intended to present a variation on themes inspired from Georges Seurat's revolutionary work of pointillism 'Sunday Afternoon on the Island of La Grande Jatte' (1884-86), the creation of which is the subject of the musical's first act. When a technical glitch short circuits the machine and causes a temporary delay in the chromolume's premiere presentation, George sheepishly explains to those gathered, 'No electricity, no art.'