It's a marvelous production of a so-so musical.
NBC Sports continues its exclusive coverage of the 2019 NTT IndyCar Series this Sunday, July 14, at 3:30 p.m. ETon NBCSN with the Honda Indy Toronto, live from the streets of Toronto, Ontario, Canada. Pre-race coverage begins on NBCSN at 3 p.m. ET.
When it opened on Broadway in 2006, The Drowsy Chaperone boasted an all-star cast and garnered five Tony Awards, including Best Book of a Musical and Best Original Score. You can expect that same quality in Broadway at Music Circus' third production of the summer, with Lynne Wintersteller returning to Sacramento in the title role. Lynne was last seen here in 2017 as Dolly Levi in Hello, Dolly! and as Mother Superior in Sister Act, where she solidified her place as Music Circus royalty and left audiences anticipating her return. We are now lucky enough to witness that event and Lynne was generous enough to speak with Broadway World Sacramento about her newest role and what we can expect from her in the future.
For a fresh experience of a musical that really took the theatre world by storm in the early 2000s, definitely take the time to see Rent: School Edition at DreamWrights. I have no doubt you will be impressed by the fearlessness, passion, and talent in this group of young performers.
The June 2019 So-fi festival announces that it will be presenting works at The Clemente's Los Kabayitos and Flamboyan Theaters (107 Suffolk St. between Rivington & Delancey) and Westbeth (463 West Street between Bethune and West 12th St) June 6th-23rd 2019.
Paper Mill Playhouse presents the East Coast premiere of Benny & Joon with book by Kirsten Guenther, music by Nolan Gasser, lyrics by Mindi Dickstein, based on the Metro-Goldwyn-Mayer motion picture written by Barry Berman and Leslie McNeil. Benny & Joon began performances Thursday, April 4, 2019, and will continue through Sunday, May 5, 2019, at Paper Mill Playhouse (22 Brookside Drive, Millburn, NJ). Benny & Joon is presented by special arrangement with Larry Hirschhorn. Opening Night is set for Sunday, April 14, 2019, at 7:00pm.
Two works representing the sacred and the secular, and also representing the Los Angeles Master Chorale's past and present, will be performed in Walt Disney Concert on Sunday, March 17 at 7 PM. Maurice Duruflé's Requiem was written by the French composer in 1947 and has become one of the most-beloved choral compositions of the 20th century. The Requiem has been given storied performances by the Master Chorale since the 1960s. Dale Trumbore describes her work How to Go On as a “secular requiem” and the work — commissioned by the non-profit, Southern California-based Choral Arts Initiative — was premiered in July 2016 and subsequently saw Trumbore awarded the ASCAP Young Composers Award in 2017. The March 17 concert will be the Los Angeles Master Chorale's first performance of the work.
A BRONX TALE is a musical adapted from a film that was once a one man show written by Chazz Palminteri. The Broadway Smash premiered with previews on November 3, 2016, and officially opened December 1, 2016 at the Longacre Theatre. Launching its North American Tour in the Fall of 2018 the musical features music written by Alan Menken, with lyrics by Glenn Slater and book written by the original one man show stopper Chazz Palminteri. While on its tour stop in Tampa at the David A. Straz, Jr. Center for the Performing Arts, we as the opening-night audience were truly thrust into Old City New York full of Mobsters and Italian lessons to boot.
In the summer of 1993 renowned composer and jazz pianist Roy Budd's score for Rupert Julian's classic 1920s silent film The Phantom of the Opera was to set be performed in London. Then he had a brain haemorrhage. Nearly a quarter of a century later his widow, Sylvia, fulfilled his dream and Budd's masterpiece score to the 1925 Phantom of the Opera was performed at the London Coliseum on 08 October 2017, featuring the 77-piece orchestra. The performance received a resoundingly positive response from critics and audience alike.
Wonderful cast directed by Tina Landau is a nice diversion from presidential politics.
Primary Stages (Andrew Leynse, Artistic Director; Shane D. Hudson, Executive Director; Casey Childs, Founder) is proud to announce complete casting today for the first two productions of their 2018/19 season: Final Follies, by A.R. Gurney (Love Letters, Sylvia, Black Tie at Primary Stages) and directed by David Saint (Clever Little Lies), and Downstairs by Theresa Rebeck ("Smash," Dead Accounts, Poor Behavior at Primary Stages), directed by Adrienne Campbell-Holt (What We're Up Against). All performances will take place at the Cherry Lane Theatre (38 Commerce St, New York, NY, 10014).
I didn't know it was possible for a play this bloody to be so funny. Martin McDonagh's The Lieutenant of Inishmore is a dark comedy about terrorism and violence set in Ireland in 1993. When Irish National Liberation Army member Padraic finds out his beloved cat is poorly, he immediately heads home only to find the cat already dead and violence ensues. It's an enthusiastically gory piece that isn't for the faint of heart.
RUTHLESS! is a musical spoof of show business with music by Marvin Laird and book and lyrics by Joel Paley that not only spoofs Broadway musicals, but is also a satire of non-musical movies about showbiz such as All About Eve. The musical premiered Off-Broadway in 1992. The show won the 1993 New York Outer Critics Circle Award for Best Off-Broadway Musical.
Primary Stages' (Casey Childs, Founder & Executive Producer; Andrew Leynse, Artistic Director; Shane D. Hudson, Executive Director) 2018 Spring Fling benefitting their Free Student Matinee Program will take place tonight, Thursday, May 10, 2018, at 6:00 pm. The event will be held at Ramscale Studio (463 West Street) and will honor Kimberly Senior (Disgraced, Discord) with the Einhorn Mentorship Award.
The National Association of Letter Carriers (NALC) will conduct its 26 th annual national food drive on Saturday, May 12.
Paula Poundstone brings her smart, observational humor to the Holland Performing Arts Center for an evening of uniquely spontaneous comedy on Friday, August 24 at 8:00 PM.
Red Bull Theater (Jesse Berger, Founder and Artistic Director | Jim Bredeson, Managing Director) presents the New York Premiere of David Ives's The Metromaniacs, adapted from Alexis Piron's La Metromanie and directed by Michael Kahn opening Sundayevening (7pm). Previews now!
Primary Stages (Casey Childs, Founder & Executive Producer; Andrew Leynse, Artistic Director; Shane D. Hudson, Executive Director) announced today that the Primary Stages 2018 Spring Fling will benefit their Free Student Matinee Program on Thursday, May 10, 2018 at 6:00 pm.
The Colorado New Play Festival (CNPF) (formerly the Perry-Mansfield New Works Festival) is proud to announce the participating theaters for the 2018 season. The 21st Annual Festival, to be held on June 10-16, 2018 in Steamboat Springs, CO, will develop five new works in partnership with the Actors Theatre of Louisville, Alley Theatre, Curious Theatre Company, Primary Stages, and Victory Gardens Theater.
PRIMARY STAGES (Andrew Leynse, Artistic Director; Shane D. Hudson, Executive Director; Casey Childs, Founder) is proud to announce a special talkback for FEEDING THE DRAGON with guest Colman Domingo following the performance on Sunday, April 15, 2018.
According to Variety, key member of Fleetwood Mac Lindsey Buckingham has left the group. She has been with the band from 1975 to 1987, took a hiatus for the following ten years, and then rejoined in 1997. Read about her departure from the band from Variety here!
The San Francisco International Arts Festival is honored to host two energetic, interpretive, individualistic ensembles as part of an international dance double bill; Baobab from Japan making their US debut with a piece titled Laughing Frame and San Francisco based STEAMROLLER who will present the world premiere of Loserville.
Red Bull Theater (Jesse Berger, Founder and Artistic Director) Jim Bredeson, Managing Director) today announced the cast for their next mainstage production, the New York premiere of David Ives's The Metromaniacs, directed by Michael Kahn:Noah Averbach-Katz (The Bachelors - Williamstown Theater Festival, Othello =Dir. Pam MacKinnon); Christian Conn (RBT: The School for Scandal, Desire Under the Elms -Broadway, The Liar -CSC); Adam Green (RBT: The Witch of Edmonton, two Helen Hayes nominations for Midsummer Night's Dream and the world premiere of The Liar - Shakespeare Theatre of DC); Peter Kybart (Broadway: Awake and Sing, The Diary of Anne Frank, Judgment at Nuremberg; Off-Broadway: Beckett-Albee, Andorra, Cymbeline); Adam LeFevre (Bway: Devil's Disciple; Our Country's Good; Summer & Smoke; Footloose; Mamma Mia; Guys and Dolls; Priscilla Queen of the Desert; The Liar - CSC, Marriage of Bette and Boo - Roundabout); Amelia Pedlow(RBT: 'Tis Pity She's a Whore; Pride and Prejudice - Primary Stages; The Liar, The Heir Apparent - CSC); and Dina Thomas (Tribes, Clever Little Lies - Off-Broadway).
Mariana Valencia's performance Covers, Singles, Shout Outs is an in-progress research that examines authorship by questioning what gets carried into her work through the modes of proximity, relation and alliance. Through this process Covers, Singles, Shout Outs seeks to manipulate perceptions of life and its collaborators. The work is sourced from various popular and cultural alliances and this particular ensemble of sources builds a choral surround of references. The work proposes a lens for observation that positions our personal and cultural attachment to objects and subjects, and why (or, if?) we choose to live among them. In Covers, Singles, Shout Outs, Valencia invites the audience to traverse a dense field of collective reference.
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