You Can't Take It With You 1936 - Articles Page 3.4

Amidst our recent heatwave, Dr. Heather Nathans, a theatre professor, practitioner, and writer raised by two historians, felt a particular physical connection to the stuffiness eighteenth century Bostonians would have undoubtedly experienced in theatres during the summer.

These books, many of which were written by current or former set designers, take a deep dive into what the art is all about, how to get started, what research goes into the craft, and even how to design on a budget!

BWW Reviewer Peter Nason chooses the 101 greatest protest songs from 1939-2020. See if your favorite songs or artists made the list!

The reigning king of cabaret elegance talks with Stephen Mosher about style, musicianship, education and jewelry.. a lot of jewelry.

How are local Delaware theaters managing the effects of the COVID-19 shutdown.

It was just announced by Pulitzer Prize Administrator Dana Canedy that Michael R. Jackson's A Strange Loop has officially won the 2020 Pulitzer Prize for Drama. This year's finalists included: Will Arbery's Heroes of the Fourth Turning and David Henry Hwang and Jeanine Tesori's Soft Power.

The Pulitzer Prize Board today will present the 2020 award winners' (originally scheduled for Monday, April 20) for Prizes in Journalism, Books, Drama and Music. Who will win this year? Tune in right here at 3pm to watch the announcement live!

Need something new to read or watch? Check out this week's list of new and upcoming releases!

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

For the past 126 years, Gibson has been synonymous with creating and shaping sound. The new Gibson era celebrates the iconic models of the Gibson Golden Era while leaning into the future with instruments that nurture new players across generations, genders, and genres of music. In 2019, Gibson emerged as the legitimate leader again by offering new, relevant and award-winning guitars.

Pasadena Playhouse Producing Artistic Director Danny Feldman has announced the on -sale of tickets for the Los Angeles premiere of Ann - written by and starring Holland Taylor and directed by Benjamin Endsley Klein from May 27 to June 28, 2020, and a new production of Irving Berlin's Annie Get Your Gun with book by Herbert and Dorothy Fields, directed by Sarna Lapine, from July 28-August 23, 2020.

THE HEATH brings together the things that I love most: telling incredible stories and making music.

For fans of Shakespeare, Sherlock Holmes and period comedic farce, this play will entirely engage, delight, and entertain. Intelligently and creatively directed by Andrew Gordon, it provides everything you love about live theatre: extravagant characters with underlying motives, a mystery thriller with many characters who could 'have done it', superb comic timing, an eerie atmosphere conveyed through creative lighting and sound, authentic costumes, dramatic irony, and a clearly articulated Sherlock Holmes style.

The Mayor's Office of Media and Entertainment, in partnership with SHOW- SCORE.COM, recently launched ALL NEW YORK'S A STAGE, the first-ever campaign dedicated to raising the visibility of our vibrant local theater industry, which is made up of small venues, companies and related organizations throughout the five boroughs.

Ted Sperling, Artistic Director of MasterVoices, announced details of the acclaimed ensemble's 78th season, celebrating the joy of choral singing and the power of the human voice to unite, inspire and connect since 1941. Highlights include three major musical presentations at top venues, including a New York premiere, and the World Premiere of a new work, commissioned by the Company. Throughout the season there will be collaborations with leading singers, artists, ensembles and organizations, some who are familiar with and others who are new to the Company.

The Hangar Theatre Company wraps up its 45th summer season with the Big Play Festival! (BPF!), featuring lightly staged readings of three big plays, all featuring the theme of the American family.

It is another busy month ahead at The Epstein Theatre with a stellar programme packed with music, family fun, and laughter on offer this May.

Today, April 15 (3pm EST), Pulitzer Prize Administrator Dana Canedy will announce the winners of the the 2019 Pulitzer Prizes, including the finalists and winners for the Pulitzer Prize for Drama. This announcement marks the 103rd year of the Prizes. For more information on this year's and all past years' winners and finalists, please visit http://www.Pulitzer.org.

It was just announced by Pulitzer Prize Administrator Dana Canedy that Jackie Sibblies Drury's Fairview has officially won the 2019 Pulitzer Prize for Drama.

Moon Theatre Company presents 'You Can't Take it With You' April 12 - 20 in Loveland. Performances are Friday and Saturday at 7:30 p.m.; Sunday, April 14 at 4:00 p.m. Tickets are $18 - $22 and are available online at www.rialtotheatercenter.org or by calling 970-962-2120. All performances are at the Rialto Theatre Center, 228 E. 4th St., Loveland, CO 80537.

Obie Award winner Metropolitan Playhouse revives Howard Lindsay and Russel Crouse's witty and apposite Pulitzer Winner, STATE OF THE UNION.  The limited run from February 8 through March 10, 2019, will be at the Playhouse home at 220 E 4th Street.

Ken Ludwig, the master of farce, brings us A Comedy of Tenors, the sequel to his 1989 Tony-winning Lend Me a Tenor, which is running through December 23 at Tipping Point Theatre. If you haven't seen Lend Me a Tenor, fear not, as this script and production certainly stands on its own and you can enjoy it just as equally. And, of course, with every great farce-a la Neil Simon's Rumors and Marc Camoletti's Boeing Boeing-- comes a lot of door slamming (an integral part to Monika Essen's posh set) and mistaken identities pulled off with comical finesse by Tipping Point's cast of seven.

Rebecca Lock's previous work includes Mamma Mia!, Avenue Q, Mary Poppins and Heathers The Musical. She's currently starring as Lilli Vanessi in Kiss Me, Kate, beginning at Sheffield Crucible on 7 December.

Macy Medford and Arden Guice may only be college students, but their performances as Violet and Daisy Hilton, the heroines of Side Show - the iconic musical by Bill Russell, Henry Krieger and Bill Condon that debuted on Broadway some 20 years ago - in Belmont University Musical Theatre's production that runs for just one weekend, are nothing less than a professional triumph for each young woman. Thoroughly committed and startlingly focused, Medford and Guice perform an oftentimes tricky, always challenging, task in order that the two young women effectively become their characters, ensuring the musical packs an emotional wallop delivered straight to the collective heart of its audience, while showcasing the evolution of a musical theatre program at the Nashville university, which over the years has gained a national reputation as the training ground of the next generations of Broadway stars yet to be.