A Long Way From Home 1948 - Articles Page 2.6

Theater J, the nation's largest and most prominent Jewish theater, announces June online readings of two new plays to close out the third year of programming for its signature Yiddish Theater Lab.

It was just announced by Pulitzer Prize Administrator Dana Canedy that Michael R. Jackson's A Strange Loop has officially won the 2020 Pulitzer Prize for Drama. This year's finalists included: Will Arbery's Heroes of the Fourth Turning and David Henry Hwang and Jeanine Tesori's Soft Power.

The Pulitzer Prize Board today will present the 2020 award winners' (originally scheduled for Monday, April 20) for Prizes in Journalism, Books, Drama and Music. Who will win this year? Tune in right here at 3pm to watch the announcement live!

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

And rose they did. When Julie Andrews graced the stage at Sarasota's Van Wezel Performing Arts Hall, a welcoming roar and immediate standing ovation was gifted to her by adoring fans of all generations in appreciation of her life's work.

The Tony Award nominated actress continues to dazzle audiences in the shows that have made her a worldwide sensation on the concert circuit

The New York Public Library for the Performing Arts announced today that it has acquired the Bill T. Jones/Arnie Zane Company Archive, a comprehensive collection spanning the entirety of the company's existence. Beginning today, the paper-based materials in the collection -- including photographs, correspondence, production notes, company records, and more -- are now available for research at the Library's Jerome Robbins Dance Division.

The whole world is getting hip to Bobby Rush.  After decades of tearing up the chitlin' circuit on a nightly basis with his sweaty, no-holds-barred funkfests, Bobby has thoroughly broken through to the mainstream. He won a long-overdue 2017 Grammy Award for his spectacular album Porcupine Meat and consistently tours the globe as a headliner. What's more, Bobby's brand-new album Sitting on Top of the Blues on his own Deep Rush imprint (distributed by Thirty Tigers), due out August 16, 2019, promises to further spread the news that this revered legend, well past 80 years of age even if his stratospheric energy level belies the calendar, is bigger and badder and bolder than ever.

The whole world is getting hip to Bobby Rush.  After decades of tearing up the chitlin' circuit on a nightly basis with his sweaty, no-holds-barred funkfests, Bobby has thoroughly broken through to the mainstream. He won a long-overdue 2017 Grammy Award for his spectacular album Porcupine Meat and consistently tours the globe as a headliner. What's more, Bobby's brand-new album Sitting on Top of the Blues on his own Deep Rush imprint (distributed by Thirty Tigers), due out August 16, 2019, promises to further spread the news that this revered legend, well past 80 years of age even if his stratospheric energy level belies the calendar, is bigger and badder and bolder than ever.

I'M NOT A COMEDIAN...I'M LENNY BRUCE ran for nine months Off Broadway and for an unprecedented 110 performances in Los Angeles, receiving enormous critical acclaim and dozens upon dozens of rave reviews.

In a time when many arts organizations are struggling to stay afloat, two companies dedicated to classical music have found a way not only to survive, but to thrive. Beginning in early 2020, Seattle Opera and KING FM 98.1 will be housed under one roof: the opera's civic home on the Seattle Center campus. While the Opera Center was completed in December 2018, the second-floor office has remained intentionally vacant. Seattle Opera General Director Aidan Lang said the company was looking for an organization to rent the space who shared a similar vision and mission.

there is an excellent staging of Williams' Pulitzer Prize-winning masterpiece, A STREETCAR NAMED DESIRE, directed by Jack Heller as a visiting production at the Odyssey Theatre, presented by Dance On Productions in association with Linda Toliver and Gary Guidinger, that will allow you to forget how much time passes due to the skill of its playwright, understanding by its director, the brilliance of its cast, and most importantly, Joel Daavid's incredible multi-level scenic design which fills every possible inch of the stage with not only the two-room Kowalski apartment but also several outdoor spaces including a winding New Orleans-style wrought iron staircase leading up to their neighbor's front-door balcony. And from the moment I walked in and sat down, it was easy to hear all the audience accolades rightly being thrown Daavid's way.

The team behind 2016's acclaimed production of Tennessee Williams' rarely-seen Kingdom of Earth, is back - this time, with Williams' Pulitzer Prize-winning masterpiece, A Streetcar Named Desire. Jack Heller directs Susan Priver (down-on-her-luck showgirl Myrtle in Kingdom of Earth, LA Weekly award-winning The Lover by Harold Pinter) as Blanche DuBois and Max E. Williams (Agents of S.H.I.E.L.D., numerous productions with Elephant Theatre Company) as Stanley Kowalski in a visiting production at the Odyssey Theatre presented by Dance On Productions in association with Linda Toliver and Gary Guidinger. Passions flare and cultures collide in the sultry streets of New Orleans beginning May 25, with performances continuing though July 7.

Today, April 15 (3pm EST), Pulitzer Prize Administrator Dana Canedy will announce the winners of the the 2019 Pulitzer Prizes, including the finalists and winners for the Pulitzer Prize for Drama. This announcement marks the 103rd year of the Prizes. For more information on this year's and all past years' winners and finalists, please visit http://www.Pulitzer.org.

It was just announced by Pulitzer Prize Administrator Dana Canedy that Jackie Sibblies Drury's Fairview has officially won the 2019 Pulitzer Prize for Drama.

Had Lucy's family stayed in Trenton, history might have been very different, but the Garden State stayed peripherally involved the Queen of Comedy's life and work.

Earlier today, BroadwayWorld was saddened to report the passing of the legendary Carol Channing. Channing died at 12:31am on Tuesday, January 15th, 2019, at home in Rancho Mirage, CA of natural causes.

BroadwayWorld was deeply saddened this morning to report the passing of the legendary Carol Channing. The Broadway community took to social media to share memories and condolences.

BroadwayWorld is deeply saddened to report the passing of the legendary Carol Channing. Channing died at 12:31am on Tuesday, January 15th, 2019, at home in Rancho Mirage, CA of natural causes.

The Blind Boys of Alabama have the rare distinction of being recognized around the world as both living legends and modern-day innovators. They are not just gospel singers borrowing from old traditions; the group helped to define those traditions in 20th century and almost single-handedly created a new gospel sound for the 21st. The group will be at the Marcus Center's Wilson Theater at Vogel Hall on Saturday, January 26 at 7:30 pm. Tickets go on sale this Thursday, November 15 at 12:00 pm. To purchase tickets, go in person to the Marcus Center Box Office at 929 North Water Street, Downtown Milwaukee, call by phone at 414-273-7206 or online at MarcusCenter.org or Ticketmaster.com. Groups 10 or more should call Group Sales at 414-273-7121 x210 or x213. This show is part of the Marcus Center Presents series and is sponsored by The Fitz at The Ambassador Hotel.

October 31, Halloween. I was walking to City Center for the opening of 'Balanchine: The City Center Years.' But then I began thinking of Stephen Sondheim's 'Follies.' You must all know the musical. Everyone returns for a reunion, only to be met with ghosts and remembrances of their past lives. After all, City Center is where New York City Ballet began in 1948. I wondered who I would encounter? I saw Allegra Kent. I think I saw two other members of the company who danced on New York City Ballet's opening night 70 years ago? But perhaps I'd encounter some of the other principal dancers of that time: Maria Tallchief on the stairs? Or Tanaquil Le Clercq at the bar? Or Frank Hobi? Francisco Moncion? Nicholas Magallenes? Yvonne Mounsey? Diana Adams?

The complete lineup for the Spotlight on Documentary section of the 56th New York Film Festival, taking place September 28-October 14 at the Film Society of Lincoln Center, has been announced. This year's series of dispatches from the front lines of nonfiction cinema features intimate portraits of artists, depictions of the quest for political and social justice, and much more.  

Despite its flaws, it's hard not to enjoy GUYS & DOLLS. The music is infectious, and the characters are memorable. This production isn't perfect, nor is it a rendition of the old classic; some attendees are bound to be startled or surprised by the modern twists. But if you know what you're getting going in, this show is worthy of your time and the ticket price. For families of all ages who want to have fun without a ton of thought, go!

The tone for Mona Mansour's three-plays is set with two words projected onto a spinning set piece: “It's complicated.” It is. It's very complicated. But sometimes complicated can be a beautiful thing.