The planet Saturn's orbital return to its position at the moment of a person's birth happens every thirty years. Saturn Returns uses this phenomenon to take a look at one man during these pivotal moments as he confronts the three women in his life.
Following enthusiastic reviews, The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will extend THE BROTHER/SISTER PLAYS, written by Tarell Alvin McCraney and directed by Tina Landau and Robert O'Hara, through Sunday, December 20. THE BROTHER/SISTER PLAYS began previews October 21 and was originally scheduled to close on Sunday, December 13.
Full casting is set for the upcoming Arena Stage production Stick Fly by Lydia R. Diamond (The Bluest Eye and The Gift Horse).
South Coast Repertory kicks off the 2009-10 Season with Putting It Together, a compilation of Stephen Sondheim songs, that the composer put together like pieces of a jigsaw puzzle, creating a narrative set at a cocktail party in an elegant Manhattan condo. The non-traditional musical, led by Broadway and television star Harry Groener, has a cast of five (a glamorous but slightly jaded couple, a starry-eyed younger couple and a savvy observer) who sing more than 30 songs that reflect their lives, lifestyles and moods of the moment. Some of the songs will be familiar, some less so, a few were even cut from their original musical scores, but they are all sophisticated, smart and drop-dead droll. All, in other words, Sondheim.
South Coast Repertory kicks off the 2009-10 Season with Putting It Together, a compilation of Stephen Sondheim songs, that the composer put together like pieces of a jigsaw puzzle, creating a narrative set at a cocktail party in an elegant Manhattan condo. The non-traditional musical, led by Broadway and television star Harry Groener, has a cast of five (a glamorous but slightly jaded couple, a starry-eyed younger couple and a savvy observer) who sing more than 30 songs that reflect their lives, lifestyles and moods of the moment. Some of the songs will be familiar, some less so, a few were even cut from their original musical scores, but they are all sophisticated, smart and drop-dead droll. All, in other words, Sondheim.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced complete casting today for the world premiere of Tarell Alvin McCraney's THE BROTHER/SISTER PLAYS PART 1 & PART 2. McCraney, one of America's most acclaimed young writers, returns to The Public to complete his trilogy following the success of The Brothers Size in 2007. Tina Landau will direct In The Red and Brown Water and Robert O'Hara will direct The Brothers Size and Marcus; or the Secret of Sweet.
South Coast Repertory kicks off the 2009-10 Season with Putting It Together, a compilation of Stephen Sondheim songs, that the composer put together like pieces of a jigsaw puzzle, creating a narrative set at a cocktail party in an elegant Manhattan condo. The non-traditional musical, led by Broadway and television star Harry Groener, has a cast of five (a glamorous but slightly jaded couple, a starry-eyed younger couple and a savvy observer) who sing more than 30 songs that reflect their lives, lifestyles and moods of the moment. Some of the songs will be familiar, some less so, a few were even cut from their original musical scores, but they are all sophisticated, smart and drop-dead droll. All, in other words, Sondheim.
South Coast Repertory kicks off the 2009-10 Season with Putting It Together, a compilation of Stephen Sondheim songs, that the composer put together like pieces of a jigsaw puzzle, creating a narrative set at a cocktail party in an elegant Manhattan condo. The non-traditional musical, led by Broadway and television star Harry Groener, has a cast of five (a glamorous but slightly jaded couple, a starry-eyed younger couple and a savvy observer) who sing more than 30 songs that reflect their lives, lifestyles and moods of the moment. Some of the songs will be familiar, some less so, a few were even cut from their original musical scores, but they are all sophisticated, smart and drop-dead droll. All, in other words, Sondheim.
Eric Schaeffer, Artistic Director of the Tony Award®-winning Signature Theatre, today announced that Signature Theatre is expanding its American Musical Voices Project (AMVP) for a fourth year with the commission and production of a new musical by Adam Guettel for its 2011-2012 season. Also announced as part of The Next Generation segment of the AMVP were two additional musical commissions awarded to Peter Foley and Marisa Michelson as well as honoree grants given to Chris Miller and Scott Davenport Richards for the development of future musical ideas. Signature, with the support of The Shen Family Foundation, has awarded $595,000 to artists in honors and commissions in the past three years. The American Musical Voices Project is the largest single musical theater commissioning and producing initiative at any non-profit theater in America.
Sydney Theatre Company presents Saturn's Return by Tommy Murphy, 24 July to 30 August 2009. Opening Night 29 July at 8pm Wharf 1, Sydney Theatre Company, Pier 4, Hickson Road, Walsh Bay
LCT3, Lincoln Center Theater's new initiative devoted to producing work of emerging playwrights, directors and designers, will produce STUNNING, a new play by David Adjmi, directed by Anne Kaufmann, as the second offering of its inaugural season. STUNNING will be presented June 1 ? 27, 2009 at The Duke on 42nd Street, a New 42nd Street project, (229 W. 42 Street).
Shakespeare on the Sound, Connecticut's premier outdoor summer theatre company presenting free Shakespeare in the park, has announced the complete 17-member cast for Artistic Director Joanna Settle's inaugural production of A Midsummer Night's Dream with music by 2008 Tony Award-winning singer-songwriter Stew.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will extend Christopher Durang's WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM one final week through Sunday, May 10. Directed by Nicholas Martin, this world premiere comedy opened to rave reviews and has been extended twice. Extension tickets are on-sale now at (212) 967-7555 or www.publictheater.org.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will extend Christopher Durang?s WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM, directed by Nicholas Martin, through Sunday, May 10. The world premiere comedy recently opened to rave reviews.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will extend Christopher Durang's WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM one final week through Sunday, May 10. Directed by Nicholas Martin, this world premiere comedy opened to rave reviews and has been extended twice. Extension tickets are on-sale now at (212) 967-7555 or www.publictheater.org.
Producer Debbie Bisno and Ars Nova (Jason Eagan, Artistic Director; Jon Steingart and Jenny Wiener Steingart, Executive Producers) announce a by-invitation only Equity staged reading of new musical Big Money by Kyle Jarrow and Nathan Leigh, presented at Ars Nova on April 13 and 14.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will extend Christopher Durang?s WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM, directed by Nicholas Martin, through Sunday, May 3. The world premiere comedy recently opened to rave reviews.
Christopher Durang's comedy WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM opened at The Public Theater on Monday April 6. This world premiere, directed by Nicholas Martin, began previews March 24 and will run through April 26.
Laura Benanti is relishing the relish the challenge of 'being the not-crazy person in a crazy world.' Benanti stars in the new Christopher Durang comedy WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM, which opened on Monday.
Producer Debbie Bisno and Ars Nova (Jason Eagan, Artistic Director; Jon Steingart and Jenny Wiener Steingart, Executive Producers) announce a by-invitation only Equity staged reading of new musical Big Money by Kyle Jarrow and Nathan Leigh, presented at Ars Nova on April 13 and 14.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) began previews on Tuesday, March 24 for Christopher Durang's comedy WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM. This world premiere, directed by Nicholas Martin, will run through April 26 with an official press opening on Monday, April 6 at 7 PM.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) began previews on Tuesday, March 24 for Christopher Durang's comedy WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM. This world premiere, directed by Nicholas Martin, will run through April 26 with an official press opening on Monday, April 6 at 7 PM.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews on Tuesday, March 24 for Christopher Durang's comedy WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM. This world premiere, directed by Nicholas Martin, will run through April 26 with an official press opening on Monday, April 6 at 7 PM.
On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.
Williamstown Theatre Festival (Nicholas Martin, Artistic Director), announced the programming today for its 55th season.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced complete casting today for Christopher Durang's WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM. Laura Benanti, Audrie Neenan, and Richard Poe will join the previously announced Amir Arison, David Aaron Baker, Kristine Nielsen, and John Pankow in this world premiere comedy, directed by Nicholas Martin. WHY TORTURE IS WRONG, AND THE PEOPLE WHO LOVE THEM begins previews on March 24 and runs through April 26 with an official press opening on Monday, April 6 at 7 PM.
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